Odeon

Because her fans now play swifties, they are success leeches, as soon as one female artist flops, they jump on the next one's neck.

You always try to disassociate supposed swifties from katycats as quickly as possible, would that be your insecurity about the truth coming out?

Another katycat hiding behind Taylor... Since 2014 you've dressed up as arianators, then Dua Lipa fans, and now you're playing swifties... Don't y'all get tired of this pilgrimage?

The bigger the star, the bigger the target. – MJ

Your personal opinion ain't an objective fact, numbers are

Rich coming from a katycat that hides behind Madonna and Beyonce.

Gaga $800M*

The call is coming from inside the house.

Your passive aggressive anger proves the opposite.

Let's talk about worldwide debut sales, because the US ain't the only country in the world: 1. Adele - 30: 1.586M 2. Taylor - Speak Now (TV): 893k 3. Gaga - Chromatica: 487k 4. Beyoncé - Renaissance: 415k 5. Rihanna - Anti: 193k Chromatica came in at #18 on the 2020 IFPI list while Renaissance came in at #17 on last year's list, nearly equal positions, although Renaissance got way more promotion and radio airplay. Fun Fact: Gaga was the #12 biggest artist of 2020 (#4 among female artists) when she dropped her latest studio album, while Beyoncé was OUT of the top 20 last year's biggest artists when she released her latest studio album, according to the IFPI, making it clear that Gaga has a much fresher and more consumed catalog.

$36M budget*, that other number popped out of your mind Bradley didn't produce or write Shallow and had never sung before ASIB, like, it's been 5 years, you can stop embarrassing yourself already And if every movie was a hit-making trap, Beyonce wouldn't have flopped into the depths with Spirit, a song featured in a Disney billionaire box office movie.

800M in tour gross from just 5 world tours, her first stadium tour was 100% sold out averaging almost $6M per show, not to mention her hugely successful Vegas residency which has the highest average gross in Vegas history, which grosses over $1.5M per show, arena tour grosses but in a theater with an audience of only 5k. But you're right, Rihanna's the one with demand, we saw that on her last tour...

The lack of sense...

Why should he include the only singer to get a Best Actress nomination in the last 35 years? Stay mad.

Stupid Love: 3 years old These "album tracks" (two of which entered TTH): 1 year old, with Spotify already 50% bigger in 2022 than it was in 2020 Break My Soul is one of the weakest and shortest running #1 in history, it didn't even reach 20 weeks on Hot 100 despite massive promotion and radio payola. ASIB, Gaga's first movie as a lead actress, had a budget of just $36M against a box office of $436M, was a colossal worldwide success with a smash soundtrack (something none of Gaga's peers have) and earned Gaga a Best Actress nomination, something every pop diva dreams of, no wonder you can't sleep to this day because of it.

Mental gymnastics like "solo #1" are worthless, as, for example, Beyoncé's latest #1 solo, Break My Soul, is outstreamed everyday by Gaga's Always Remember Us This Way, a non-single that peaked at #41 Spotify 08/06 ARUTW — 597,536 Break My Soul — 351,550 It's also being outstreamed by Beyoncé's latest entry on an IFPI singles list, Lady Gaga's Telephone Spotify 08/06 Telephone — 356,080 Break My Soul — 351,550

Gaga.

All of them have a #1 hit in this decade except Rihanna who is retired. But what matters is that none of them had their last #1 at the beginning of the century like certain ol' ladies

1. Gaga 2. Adele 3. Taylor 4. Rihanna 5. Beyoncé

Imagine using an unofficial blog to compare pure album sales from someone who debuted in the 80's to someone who debuted in the late 2000's... Should we compare digital song sales and streams of both then? Just when I thought Madonna fans couldn't be more clueless...

Madonna and Beyoncé

Katy, Taylor and Dua.

Because she was dropped by the public in 2014.

As gross as Katy is, Teenage Dream. Cruel Summer is so bland that it could only belong to Taylor Swift.

Now they have practically the same playlist reach: Gaga (348M) and Katy (343M). 5 million difference would not be even close to enough for Katy to surpass Gaga in daily streams, considering that When I'm Gone has 55M playlist reach (Katy's song with the most playlist reach) and even then it only pulls 200k daily streams. No one is here for post-2013 Katy and the numbers show.