To be very honest, this applies to the entirety of RENAISSANCE (sans maybe CHURH GIRL ) She did something pretty unprecedented in the current pop/R&B landscape with that album by taking a genre like Dance, which for many people sounds like a very specific thing, and making it not only universal and far-reaching with its scope, but also incredibly digestible while still being largely experimental and ahead of the curve. There really isn't a single song that doesn't somehow flip the conventions of its established genre on its head, either by introducing anachronistic sonic elements or by completely subverting what one would expect from its lyrics/melodies. There's the fusion of rap/gospel/soul on an electronic club banger like BMS, or the experimental rap-singing strewn across the more traditional dance backdrop of ITG, or the literal mish-mash of cunty ballroom with 70s glam disco in PURE/HONEY. Bey first used the phrase sonic cinema in reference to The Gift, but I don't think there's ever been an album more aptly described as such than RENAISSANCE. Visuals or no, that record front to back is a relentless f*cking experience. I still would like those visuals, though.