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Posted
15 minutes ago, kimberly said:

I TOLD YOU I'M A FUCKIN PROBLEM :katie2:

 

636b3627dd4af6ba1f38f0c4da05e4195baf686e

:ahh:

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Posted

I knew he was sexy for a reason 

 

Swoon GIF by MOODMAN

 

Posted

Anyone still streaming this bop? :heart:

 

 

  • Like 4
Posted

The Queen Mother is such a stan :heart2:

Posted

So AUIYM is the only non gold eligible track? Once again proving the stanning is all smoke and mirrors, AUIYM stans never win and it just makes my day

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Posted
3 hours ago, kimberly said:

someone explained earlier that the revision is an adjustment based on the Euro-Dollar conversion.

 

It should be at the date of the show. Adjusting now is wrong. Makes no sense why they did this. 

Posted
3 hours ago, nooniebao said:

 

 

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Posted
2 hours ago, Devin said:

Anyone still streaming this bop? :heart:

 

 

Damn near daily 

  • Like 2
Posted (edited)

Love this. :smitten: Always knew they reunited after 4 at the Nipsey Hustle funeral, but never the full backstory.

 

Look at Derek Dixie go too. Stacy Barthe poured into him with positive affirmations to create "BIGGER", and they manifested instantly: He executive-produced "The Gift" (co-writing "Keys To The Kingdom" & "BIGGER"), executive-produced the entire "Homecoming" album (Emmy nom), wrote on "Black Parade" (racking up a whole bunch of Grammy nominations), and then a beat he created for mere Beyoncé tour interlude music catches the ear of Chris Martin at a tour stop, who asks for the song and turns the instrumental into Coldplay song "People Of The Pride", giving him another songwriting credit. :clap3:

 

I think he just also co-wrote and produced Chika's entire new album.

Edited by trainsskyscrapers
  • Like 1
Posted
4 hours ago, trainsskyscrapers said:

Love this. :smitten: Always knew they reunited after 4 at the Nipsey Hustle funeral, but never the full backstory.

 

Look at Derek Dixie go too. Stacy Barthe poured into him with positive affirmations to create "BIGGER", and they manifested instantly: He executive-produced "The Gift" (co-writing "Keys To The Kingdom" & "BIGGER"), executive-produced the entire "Homecoming" album (Emmy nom), wrote on "Black Parade" (racking up a whole bunch of Grammy nominations), and then a beat he created for mere Beyoncé tour interlude music catches the ear of Chris Martin at a tour stop, who asks for the song and turns the instrumental into Coldplay song "People Of The Pride", giving him another songwriting credit. :clap3:

 

I think he just also co-wrote and produced Chika's entire new album.

Not to sound like Diane Warren but it’s always awkward when people say they wrote a song, you go to the credits and see like 10 other people. Even Tina’s ex is on the credits lmao 

Posted
7 hours ago, trainsskyscrapers said:

Love this. :smitten: Always knew they reunited after 4 at the Nipsey Hustle funeral, but never the full backstory.

 

Look at Derek Dixie go too. Stacy Barthe poured into him with positive affirmations to create "BIGGER", and they manifested instantly: He executive-produced "The Gift" (co-writing "Keys To The Kingdom" & "BIGGER"), executive-produced the entire "Homecoming" album (Emmy nom), wrote on "Black Parade" (racking up a whole bunch of Grammy nominations), and then a beat he created for mere Beyoncé tour interlude music catches the ear of Chris Martin at a tour stop, who asks for the song and turns the instrumental into Coldplay song "People Of The Pride", giving him another songwriting credit. :clap3:

 

I think he just also co-wrote and produced Chika's entire new album.

Now he’s Chlöe musical director. Idk if you watched her Tiny Desk but he was there too. He made all the arrangements I believe and that was better than her album versions. imo I think Chlöe should release a second album where Derek has more influence than her before jumping on with Halle

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Posted

I guess those sunglasses did some good..

 

 

Posted

sunglasses raking when?

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Posted (edited)

I love this account.. ANYWAYS are we getting another tour????

 

 

Edited by sillycilla
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Posted
21 minutes ago, sillycilla said:

I guess those sunglasses did some good..

 

 

at OUR cost :deadbanana:

  • Haha 2
Posted

Are we still doing a RWT fit rating? We need something fun while we wait til December.

 

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Posted

If everyone’s number one ranking isn’t the Loewe jumpsuit, you are disqualified.

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Posted

Y’all ready to have a holly jolly Christmas?

 

:suburban:

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Posted
21 hours ago, Cbreezy said:

Like @Draper.said, more bops pls. 

 

Yes, Rennie was an amazing, conceptual, and critically delicious return to "bops" and uptempos, but there's more ground she can cover. Mainly because it's been so long since she really went there-there. 

 

I've long felt the brand shift that she ushered in with Self Titled and has basically doubled down on ever since (see: edgy, stripped back, raw, and generally slower tempo) worked incredibly well and is vital to her artistic journey and current critical acclaim (Lemonade, for example)

 

HOWEVER...

 

As a career-long fan, that slower, ethereal, almost indie-like sound pre-Rennie is not what the masses think of when they think Beyonce. Nor are the songs released during that phase what they rush to play from her either (sans maybe Formation and DIL). 

 

Bey is at her most optimal when in her uptempo, catchy, uplifting, fierce bag sonically. IMO, it's a huge ingredient of why Rennie worked so well. It literally lifted moods, brought happiness, and had a life of its own. She's finally giving us POP STATR again, so not quite sure anyone is ready for her to pivot down dreary Lemonade lane again. 

 

She has her latter career to go the Jazz route, drop a full on ballad album, drop another EIL, so on and so forth. And I really think she'll play those cards when she doesn't want to be strapping herself into a leotard learning the latest viral dance. 

 

More than anything, a big joy of stanning Bey for me is how amazingly versatile she is. There are so many shapeshifts available when the time is right. 

 

But, in the here and now, she's realistically/probably in the latter phase of her "peak" as an all-out agile performer. So, she may as well max it out with material that befits that. 

 

IMO, rather than anything too drastic, she can still tick-box the "Pop girl transforms for an era" ish and keep it uptempo. If she can find a distinct enough point of difference from The Gift marketing-wise, I'd personally love to see her re-dabble with Afrobeats. Maybe anchor it in Amampiano for a fresher angle. It's a world away from Rennie, but crucially can still see her chart and get played on radio and in the clubs too...something we'd been missing for so long.

Exactly this. This is why as big as Renaissance was, nobody moved when "Delresto" came out. It's just another "Be Alive." The GP has rejected that sound repeatedly, but they'll eat up something like "Diva," "Formation" and "Video Phone" even if they are sonically un-Beyoncé at first.

  • Like 3
Posted

This is SO random, but what if Bey released a disco winter themed xmas ep? Would yall gag?

 

GettyImages-121375926-DH-Crop-TOH-Disco-

Posted (edited)
1 hour ago, sillycilla said:

If everyone’s number one ranking isn’t the Loewe jumpsuit, you are disqualified.

And to be clear the GOLD one! Silver and red were cute but can’t compete! 

Edited by Machete
  • Like 2
Posted

1. Loewe golden body suit

2. Mugler bee costume (complete with original gloves)

3. David Koma dress in green 

 

HM: Renaissance orb outfit 

 

:clap3: 

Posted
2 hours ago, sillycilla said:

I love this account.. ANYWAYS are we getting another tour????

 

 

The dj is so wack for just playing the album straight through. No live version mix ins, no mute, no nothing. Lazy as hell. Poor australians

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