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Couldn't that just be mass streaming? Like Lisa's Money is doing 2 million daily now I think, and we all know atleast half of it is mass streaming.

Isn't he just getting a lot of support from the label? Do people actually like his song that much?

They should've used the sound in the outro more.

Yeji looks like she's in a boxing ring and the song is called Bet on me, betting is a thing in boxing. The Kill My Doubt mini album logo is shaped like boxing ring iconography and in the teaser of the mini album, they stand in a raised square platform and Lia also wears a boxing glove. So are we going to see a boxing based storyline across the 3 singles, Bet on me, None of my business and Cake?

Remember when XG first got attention because people thought they're from yg's japanese label ygex? And that Hikaru would join xg if she didn't make it into Kep1er?

Seeing those riaj posts I thought Itzy had zero of those certifications lol. They have 4, that's more than even IZ*One then why the **** did JYP only book 2 japanese shows for their world tour? Do they have less fans there despite the streams?

Are they really going with those plain white covers?

They do have the stats but none of their songs from their solo releases has gone beyond the fandom. May be Chicken Noodle Soup but after that no song really. It's mostly just the fandom streaming.

We want another Boa or at least Chungha come back.

When are we going to see a big company debut a solo idol? I want SM to do it since they already have so many artists.

Since when are blinks such good streamers on Spotify. Even if it's only Lisa fans where were they when she released Lalisa and Sexy Girl.

Why are people fighting for being invited by Simihaze of all people.

What was wrong with the tour? I thought it was going fine.

Why do you think so?

Mine too Superhuman goes crazy

Even Better too, though it was released in 2020 it's in the same album as Kura Kura and Perfect World.

What do their fans want to achieve now?

I hope Onf gets a lot of attention their next comeback, they have some really good tracks.

Monday should've gone on Queendom Puzzle, she would've got 24/0.

Why do you think it's managed badly. I felt Aespa's tour was managed properly till now, giving more than 3 months time to sell tickets, announcing almost all the shows in the tour, they may add some other cities in Asia but not many. There's still time left for the tickets to sell, it will happen slowly and even if some seats are left it's not really a problem, it happens in a lot of concerts. This wasn't anything like the mess that was RV's tour, I think even NCT Dream's current tour wasn't managed that well. They may be performing in Crypto.com arena, but the promoter and SM aren't using a lot of the seats. You can see in the picture that they aren't selling tickets for more than half of the 2nd and 3rd rows of the arena seats. The number of tickets they're selling now is around 7-8k, 5k less than the number of seats usually available for concerts here,around 12k. They did open section 304 and 315 which is not seen in this picture but I don't know when or if they'll open the other sections for buying tickets. They're doing the same for their Brooklyn and London concerts too where they aren't selling tickets in more than 10 sections in each of those arenas. For their Mexico City concert in Palacio de los deportes they're only using the floor and haven't opened any of the arena seats for buying tickets yet but it looks like reducing sections happens normally in this venue, it happened in Twice's concert there in 2019. While reducing so many sections usually happens in concerts, I think it's really uncommon for these venues in cities like LA, NY and London as they have a lot of venues of different sizes which can be chosen to have concerts in.

I don't think RV is revolutionary but their songs are really great. And metrics mean ****, like that BTS song that released recently probably had more daily Spotify streams than any RV song ever, does that make the song better than RV's entire discography?

Yeah Birthday wasn't good but one thing that helps the song is that the members always sound good while singing which isn't the case for Stray Kids. Red Velvet's discography is one of the best among all Kpop groups, Stray Kids is miles below them. Like it's such a wild comparision.

Fan service, gods menu and even dance maybe. I like the much panned Side Effects, used to be obsessed with it once but S-Class and a lot of their songs are not it.

And has anyone else noticed that Kpop youtubers are barely relevant now. I remember they were talked about a lot more in the pandemic.

Why are people boasting about some groups self producing songs when most of those songs sound like someone is drilling your ears?