Guy12345
ATRL Member
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Everything posted by Guy12345
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I appreciate her giving something to real R&B fans—the kind of album you have to sit with and appreciate over time. It's really not instant for me; many songs blend into each other, but the whole project feels immersive and puts the music first, which is refreshing. I am not very fond of the more contemporary stuff either; I prefer the old-school, timeless energy of moments like 'Money (Interlude)' and 'You Hurt Me Too', which is by far my favorite part of the album.
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Interested to know if Pieces and You Ruined Everything are part of this 8-track project/deluxe.
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Flashbacks is her most addicting song since Needs I swear
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I really want Yes on streaming services, lowkey wish it's one of the 8
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Whole project (including the bonus tracks) is very strong. The kind of R&B that feels timeless, and almost never blend into the background. She's such a talent, I hate to see her being so underrated.
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Different Religion, Orbit, REDLIGHTS are all-timers.
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This truly sounds like a triumph, hit record. Really hope it takes her to the next level of stardom; she's just unbelievably talented and has the best taste.
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Ghost and Weeds are leagues above the other two singles for me.
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Surprisingly, this might be her most ambitious project sonically. I can definitely hear experimental Janet all over the album cuts. I never expected her "popstar" album to sound so nuanced and edgy, but I guess that's what makes it her version of a popstar.
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Flashbacks is so so good.
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Ghost > Weeds >>>>>> Jungle >> Shook
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I love it! Probably my favorite of the 4.
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Melatonin is not even the best of the singles. Crash Out and Pillow Fight are what she truly shines in, and they're both Tinashe at her best. Love all 5 singles so far. I'd Rather Be Alone had me a little worried; I thought it could've been a little more fleshed out and expansive-sounding. I get where they went with it, but it feels a little lazy for such ballad to end with no real punch.
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This song is unreal. Quickly becoming one of my favorites from her. It's like an elevated Roses.
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Top 5 in her discography. I don't make the rules.
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It's always fascinating to me how many different opinions and interpretations people have of her work. The way she crafts each project seems to reflect how she views her music and what she wants it to be. She never tries to conform to someone else's narrative. Some people love the single but dislike the album, while others feel exactly the opposite. Some connected with the album but never really understood Something Beautiful. Others consider Endless Summer Vacation her best work, while some of us—including me—see it as her weakest project of the decade. To me, that's a testament to how versatile and nonconformist she is as an artist. I believe that her commitment to staying true to herself and trusting her instincts is something she may only fully reap the benefits of later in her career.
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While Night has my favorite songs on it (Amalfi Coast, Near or Far), Day has such magic to it. It's undeniable.
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The only songs I'm kinda lukewarm about right now are Dance Floor, Wild Child, Lonely Side of the Bed, Patience Power Passion, and That's Just Me.
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It's a good-to-very good album with good-to-great songs. I really hope Miley miraculously gets a hit from this one, just to shut down the haters. REDLIGHTS is truly one of her undeniable classics. Different Religion, Bass Persuades, Orbit, Snow, Innocent Ways, are all amazing.
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Funny how the most exciting stuff here is produced by these three: Patrik Berger, Pontus Winnberg and Magnus Lidehäll. Habits of Creatures, Blue Skies, Good Fine Alright, Amalfi Coast, Near or Far. Her best work probably ever.
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Why does it always feel like people are being way harsher on Miley than anyone else? Especially when it comes to her artistry. She never gets free passes, while delivering better music than most of her peers (imo).
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Blue Skies! *****...
