OrgVisual Posted January 30, 2023 Posted January 30, 2023 39 minutes ago, discreetinside said: Damn the way this user spilled once again. Aespa and StayC token/bandwagon stans end with Girls and Beautiful Monster respectively. IVE, LSFM, and NJ are no exception once any of them underperformed. The difference is users are still talking about aespa on a daily basis, while nobody even remembers there's a group called STAYC anymore
cloudbusting Posted January 30, 2023 Posted January 30, 2023 27 minutes ago, Vrx. said: 4th Gen Stans are so fickle If they don’t go Top 3 they immediately get dropped it’s so funny. Gone are the days of defending #98 peaks with quality and acclaim. Loser behavior tbh the same thing happens with western pop and it’s embarrassing all the same like, it’s nice when your faves are successful but ultimately you’re not listening to the chart positions and as a yukika stan im an expert in supporting flops 2 minutes ago, Witnessed ET said: Still a goddamn bop this has grown on me so much tbh, oomf played this a lot while I was visiting him and his husband last month and i hear the vision now
Witnessed ET Posted January 30, 2023 Posted January 30, 2023 Not liking the STAYC disrespect I’m seeing lately in this thread. still some of the best Bsides to come out of 4th gen iktr
Witnessed ET Posted January 30, 2023 Posted January 30, 2023 1 minute ago, cloudbusting said: this has grown on me so much tbh, oomf played this a lot while I was visiting him and his husband last month and i hear the vision now I mean it’s a punchy pop perfection, idk what’s not to like.
hallucinate Posted January 30, 2023 Posted January 30, 2023 STAYC never had token stans here, just casual listeners who were turned off after the release of BM
TanjiroKamado Posted January 30, 2023 Posted January 30, 2023 What do we think is the best song on the new TXT mini? Lets see if you have taste
cloudbusting Posted January 30, 2023 Posted January 30, 2023 1 minute ago, Witnessed ET said: I mean it’s a punchy pop perfection, idk what’s not to like. nnn some of the I Can’t Stop Me’d ad libs (especially the last chorus) threw me off for a while when it dropped but I’ve learned to live w them since the melody is so fun
Axel. Posted January 30, 2023 Posted January 30, 2023 9 minutes ago, Sept said: The difference is users are still talking about aespa on a daily basis, while nobody even remembers there's a group called STAYC anymore well, their company does, that's why they're coming with new music in February.
Axel. Posted January 30, 2023 Posted January 30, 2023 can't wait for Poppy - KR Version - to go viral in Korea.
katyberry Posted January 30, 2023 Posted January 30, 2023 4 hours ago, Hazy said: yeah and just during that period NCT127 got an album, repackage and tour NCT DREAM in 2022 got an album, repackage, tour and ep aespa got NCT’d ep and went back into hiding one is not like the other and you know that damn well and WayV is a different story since they have issues with the members right
Cotton Posted January 30, 2023 Posted January 30, 2023 Very confused on why Poppy was wasted as a Japanese debut when it could’ve been a SMASH comeback in Korea. Lovely song either way
hallucinate Posted January 30, 2023 Posted January 30, 2023 (edited) also why is it mostly the sheep who keep mentioning the “token-stanning” of 4th gen ggs? i’m starting to think they are lowkey sad about the fact that kpop stans don’t even bother to token stan SM ggs Edited January 30, 2023 by hallucinate
Witnessed ET Posted January 30, 2023 Posted January 30, 2023 2 minutes ago, cloudbusting said: nnn some of the I Can’t Stop Me’d ad libs (especially the last chorus) threw me off for a while when it dropped but I’ve learned to live w them since the melody is so fun I don’t think the adlibs in TTT are straight up disruptive like in ICSM tbh, thank god. Although I like the adlibs in ICSM too lmao, they give the song that climax feeling but I just don’t like the fact that she’s screaming over Jeongyeon’s only chorus part
cloudbusting Posted January 30, 2023 Posted January 30, 2023 2 minutes ago, Witnessed ET said: I don’t think the adlibs in TTT are straight up disruptive like in ICSM tbh, thank god. Although I like the adlibs in ICSM too lmao, they give the song that climax feeling but I just don’t like the fact that she’s screaming over Jeongyeon’s only chorus part the way i love ICSM even with that is a testament to how great everything else in that song is tbh
Gaia Posted January 30, 2023 Posted January 30, 2023 OMG growing on me the same way Hype Boy did The way Hype Boy is my #2 song of 2022 now behind INVU. OMG is my #1 song of 2023 and I had no interest when it was first released. The “I’m goin crazy now BaBEY, ba-BABEY” part is so catchy
Witnessed ET Posted January 30, 2023 Posted January 30, 2023 9 minutes ago, cloudbusting said: the way i love ICSM even with that is a testament to how great everything else in that song is tbh It’s truly one of the best pop songs, the fast paced tempo with the synths really gives a nostalgic feeling yet still pumps me up. People just pretended to hate it because it wasn’t “signature Twice” I guess
Lost In Paradise Posted January 30, 2023 Posted January 30, 2023 16 minutes ago, hallucinate said: STAYC never had token stans here, just success stans casual listeners who were turned off after the charting release of BM fixed for ya. Beautiful Monster is a GOOD song. stan culture is just too fickle.
Rhythm Posted January 30, 2023 Posted January 30, 2023 43 minutes ago, discreetinside said: Damn the way this user spilled once again. Aespa and StayC token/bandwagon stans end with Girls and Beautiful Monster respectively. IVE, LSFM, and NJ are no exception once any of them underperformed. I agree with the bandwagon stan notion to a degree, but I can’t say that I would put aespa and a group like STAYC in the same box. Yes, they’re both at the same crossroads professionally to where there’s a lot riding on their next releases, but it’s more of regaining a position of power for aespa as opposed to STAYC, where success is probably most critical for their survival. Aespa is indeed suffering from a major internal shift right now, and while they did lose a lot of general support from the mismanagement of the GIRLS era, they still have a strong enough fanbase as solid foundation (evidenced by their concert sell-outs, social media engagements, and not-as-impressive, but nowhere disastrous recurrent streams). I’d even argue that they have a stronger core fanbase than IVE or LRSF, who have mostly been benefitting so far from a large recent spike in that general support. It’ll be interesting to see where the cards fall once either of them suffers from an underperformance, like you mentioned.
illia Posted January 30, 2023 Posted January 30, 2023 glad to see people finally starting to see the light and stanning the better song On 1/25/2023 at 10:07 AM, Flomik said: OMG outpeaking Ditto on Billboard? the better song won the way I spilled 5 days ago
cloudbusting Posted January 30, 2023 Posted January 30, 2023 1 minute ago, Witnessed ET said: It’s truly one of the best pop songs, the fast paced tempo with the synths really gives a nostalgic feeling yet still pumps me up. People just pretended to hate it because it wasn’t “signature Twice” I guess tbh the fact that it isn’t “signature Twice” is what made me love it bc I still mostly hated their old sound at that point (it has since grown on me quite a bit)
OrgVisual Posted January 30, 2023 Posted January 30, 2023 4 minutes ago, Flomik said: glad to see people finally starting to see the light and stanning the better song the way I spilled 5 days ago How does the point system even work? Ditto - 0 sales, 5.4m streams = 38 points Moonlight Sunrise - 6k sales, 5.2m streams = 39 points 6k sales only worths 1 or 2 points?
JonginBey Posted January 30, 2023 Posted January 30, 2023 3 minutes ago, Sept said: Ditto >>>>>>>>>> OMG anytime and day Love both but tea!
Axel. Posted January 30, 2023 Posted January 30, 2023 6 minutes ago, Lost In Paradise said: fixed for ya. Beautiful Monster is a GOOD song. stan culture is just too fickle. Stereotype flopped too and no one left because the song and the album were fantastic, but Beautiful Monster...
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