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GRAMMY voter on TTPD/HMHAS: "different version of the same album they've always made"


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  • king_queen

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Posted

yeah i could see that :lakitu:

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Posted

Just let the girls lose in peace.....

 

 

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Posted

Stream BOAF and So High School.

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Posted

I mean taylor has no talent other than a few well written songs. Thats it. 

 

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Posted
1 minute ago, Achilles. said:

I fear Billie, Lana, and Taylor are all going to suffer to some degree as long as they insist upon working with the same main collaborator(s) on project after project. 

We need to lock Jack up. He can stay in my basement. I'll make sure he is safe until it is time for his triumphant reunion with Taylor to work on TS20.

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Posted

Uninformed nonsense like this just goes to show it doesn't matter who the voting pool is, there's gonna be someone getting ****** over by idiocy

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Posted (edited)
9 minutes ago, Ubermensch said:

That's very unfair to Billie. Beyonce transformed more but Billie was pushing herself too.

It's still doesn't take a way from the fact that it's still very much the same break-up/love album they always make. Whether or not it be with a girl or a guy. It's the same thing over and over and over again. I will say HMHAS is one of the more intriguing releases though BY FAR in the regard. I think Billie helped a lot of people in the LGBTQ (specifically women) be able to express their sexuality.

 

But in this day and age, in this political climate. I truly do feel the music industry is going to come into a HUGE shift, to where most YT artists are going to HAVE to shift their music to where it's representative of their political and social awareness (not saying HMHAS isn't). HMHAS is truly one of the first Pop Girl releases that really did intrigue me since 2020.

 

That's literally the reason why Cowboy Carter won. It's one of the first of its kind in the music industry, and is one of the most ambitious albums of the 21st century. Very few pass that bar. But I've realized it's only black artist that have has the bravery and courage to do so. It's rare a YT artist tries to because they just grew up with different sets of privileges that makes them very unaware or secluded.

Edited by cuteboyzay
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Posted

He didn't lie.

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Posted

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Posted
8 minutes ago, cuteboyzay said:

But in this day and age, in this political climate. I truly do feel the music industry is going to come into a HUGE shift, to where most YT artists are going to HAVE to shift their music to where it's representative of their political and social awareness

I'm not sure that's the case. Kacey Musgraves's whole pitch for Golden Hour was "the world is terrible and I just wanted to make a pretty album for people to bury their heads in the sand and forget about it all" and it was universally lauded by the same press and audiences that were tearing apart other artists for being "apolitical" in the first T— term. Considering where she started out with her debut, she was actually rewarded for getting less sociopolitical in her subject matter. And from what I can recall, she never went back to it again.

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Posted

Ehhh he's entitled to his opinion, I'm not going to @ him for it but I can't imagine songs like CHIHIRO, Lunch, and L'amour De Ma Vie's second half in Billie's previous albums. No, HMHAS was not genre-bending or completely new for Billie, but it was an evolution in her sonic style. She belts more in her ballads now, she dabbles in electronic music over trap unlike her EP and debut, she has made greater use of switching up in songs, enhanced her lyricism, her VOCALS are the most distinct aspect of this record, and more. 

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Posted

In my opinion, Beyonce deserved AOTY. CC was awarded AOTY only because of her previous snubs and the Grammys want to make her up for it.

 

It's also my opinion that this is what makes a lot of fanbases mad: In isolation, the album CC doesn't deserve to win, in comparison with the other nominees.

 

There are other albums with the same amount of artistry as CC, but still managed to be part of the popular culture and be consumed by the GP, something CC is clearly struggling with. That's why there's a lot of criticisms

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Posted

I liked Billies but he's not wrong.

 

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Posted

Ok :rip: Billie's songwriting on HMHAS was definitely her most vulnerable, introspective, and honest yet. And sonically speaking where would Chihiro, BOAF, L'Amour de ma Vie, Bittersuite, or Blue fit on any of her previous albums? Production wise it's objectively her most polished and cohesive album yet. I guess she didn't go full Björk but she definitely elevated her artistry. That said I also wouldn't mind to see her experiment more.

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