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Rihanna praised for "radical minimalism", "industrial chic honesty"


midnightdawn

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Red and white—conveying fire and blankness—were such perfect colors for Rihanna to strobe at us tonight. Over 18 years in the spotlight, the singer has left no doubt that she’s a woman of depth and range, with wild fascinations and gut-held convictions and a rich personal life. But by now, we should understand that she’s never going to show us all of that—because no artist ever could, and because she’s not going to bullshit us otherwise. Rihanna will instead give us blazing-hot surfaces. She’ll insist that attitude and fashion is enough, because it can be, because this is pop.

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So no one should be surprised by what her Super Bowl performance was: an act of radical minimalism, seasoned with lovable humanity. It was austere yet scruffy, flat yet real. Some halftime performers have dazzled through exertion. Some have done so by sending messages. Many have failed, or at least flailed, in the process. But Rihanna wanted us mesmerized by the thing itself, by the images and the sounds, and she largely succeeded. Plus, she graciously implied a bonbon of personal revelation: She’s pregnant again!

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The show started abruptly, with the camera close on her face and the queasy beat of “***** Better Have My Money” lurching to life. The disorientation fit with where she was: up in the air, on one of the many suspended platforms that’d ascend and descend throughout the show, arranging like stairs or championship pedestals. High-flying feats are always cool, and while other halftime shows have featured levitating-superhero illusions, Rihanna opted for industrial-chic honesty. The platforms aligned all of the action onto one vertical plane, drawing attention to the performance’s fundamental nature as a screen event happening in a stadium.

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After letting our eyes adjust to the circus, Rihanna did something important: She put one hand behind her head and bared her teeth, like a demon on a trucker’s windshield. Thank goodness she brought her sharpest weapons, her facial expressions, into battle. She rolled her eyes and smirked. She powdered her face (a business plug so shameless it circled into being noble) and touched her crotch (dare you be offended by the miracle of life?). These moments told us not to take anything we were seeing too seriously. When it looked like she was just barely trying to hit the choreography, or when it seemed like she was dueting with a backing track, that’s because she was. Irony and insouciance can be distancing qualities in a performance, but here they were a kind of earnestness.

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The pops of personality and shrugs of imperfection also were vital because they broke up a pageant of precision. Rihanna’s dancers, modeling the innovative use of hooded puffers as crop tops, wobbled and swayed as one organism. When she sang, she did so clearly and strongly as the setlist pounded through a selection of anthemic hits: “We Found Love,” “Umbrella,” Ye’s “All of the Lights.” The continuity was numbing at times, especially due to the predominance of EDM pop and midtempo singalongs. But when the strident rhythm was interrupted by something lithe and syncopated —“Work,” “Wild Thoughts,” “Pour It Up”—it gave a fun chance for Rihanna’s nuclear-cleanup crew to register the change with its bodies.

https://www.theatlantic.com/culture/archive/2023/02/rihanna-super-bowl-halftime-show/673033/

Edited by midnightdawn
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Of course it was amazing ,only the stans didn't like it which means nothing when the GP is more important :clap3:

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How do you get praised for doing nothing lol Rihanna girl that was not something to clap at. 

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I really liked that it was just a long catwalk and overhead platforms. Really minimal but there were like 200 backup dancers so it still felt grand.

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Not levitating in the air while simultaneously announcing your pregnancy being “minimal” :deadvision:

 

They really are trying hard to cope. 

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Me when I have to make up words to reach my essay word count

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TBH... this 20 seconds prove that people in here are OVERREACTING.

 

 

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There's nothing minimalist about floating stages and 200 backups dancers. That's quite the opposite of minimalist in fact :skull:

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Minimalism as a new excuse for laziness? Here for it!

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14 minutes ago, Zaram said:

These articles must be paid, because there was nothing minimalistic except Rihanna's live vocals and dance skills :rip:

:deadbanana4:

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