Kristie Kuwa Posted October 31 Posted October 31 This song is literally all I need after my dear friend Emma kicks in
getBusy Posted October 31 Posted October 31 (edited) I might have listened to this like 50 times today Edited October 31 by getBusy
Human Fly Posted October 31 Posted October 31 8 minutes ago, Nefertiti0 said: Its giving Remy Ma record tho 2 1
Negiiiii Posted October 31 Posted October 31 Girl this song with cocaine or meth ? Wheeeeeew lmfao girls don't come for me I don't even know how to smoke a cigarette of course I'm kidding 1
Negiiiii Posted October 31 Posted October 31 22 minutes ago, Human Fly said: Its giving Remy Ma record tho It's actually giving cultural record for Brazil but u tried sis 1
theweekend Posted October 31 Posted October 31 this surprised me. this is quite good. it will be fun when people realize Anitta's birth name is Larissa lmao 2
Burn Posted November 1 Posted November 1 Quote Anitta's opening lines, "Bota na boca, bota na cara, bota onde quiser," translate to "Put it in the mouth, put it on the face, put it wherever you want." These lines are borrowed from Tati Quebra Barraco's remix of "Bota na Boca Bota na Cara," a classic in Brazilian funk. By incorporating these lyrics, Anitta pays homage to her roots in Brazilian funk, while also embracing themes of sexual freedom and bodily autonomy. The repetition of this refrain emphasizes Anitta's boldness, pushing boundaries as she confidently reclaims her body in a manner synonymous with her provocative public persona. The line "Hoje eu vou dar pro novinho, fode, fode a larissinha" translates to "Today, I'll give it to the young dude, ****, **** the 'larissinha'." Here, Anitta refers to her ****** as "larissinha," a nickname derived from her real name, Larissa. This slang has evolved beyond her personal brand, becoming a term used colloquially by other women to refer to their vaginas. Through these lyrics, Anitta asserts sexual agency, flipping traditional gender dynamics by openly discussing her desires. The crudeness of the lyrics enhances the song's edgy, unapologetic tone, aligning with the aggressive, raw energy of the track's production. 1
Gladiator Posted November 1 Posted November 1 I just... I don't understand why Dancing In the Flames was the lead. This and Timeless **** on it. 4 1 1
HandsToMyself Posted November 1 Posted November 1 2:13-3:13 is so good. Kinda need a shorter version of the songs intro/outro's but with that middle part kept in
Feanor Posted November 1 Posted November 1 Not feeling this entire era so far. It feels like he's just dropping one-off droplets, there's been like zero cohesion so far sonically or aesthetically between the 3 songs.
Starkboy Posted November 1 Posted November 1 I feel like it's all over the place? Some parts are great and some are just…meh I think I prefer Timeless.
Dolce Vita Posted November 1 Posted November 1 ngl this knocks a bit…my brazilian friends that stan anitta are living for this
TouchinFree Posted November 1 Posted November 1 I might have to eat the words i said in my previous comment here. I AM OBSESSEDDDDDDDDDDD Literally been on repeat since it came out I hate the video though. Wish it had actual concept and set ups where that Anitta godess of a woman can truly shine. Video takes away the cool element. 2
Truth Teller Posted November 1 Posted November 1 5 hours ago, Gladiator said: I just... I don't understand why Dancing In the Flames was the lead. This and Timeless **** on it. I can definitely see DITF being the weak link of the album like Take My Breath was Dawn FM's. Still pressed over that era underperforming, that was some of his best material
TouchinFree Posted November 1 Posted November 1 21 hours ago, Badgalbriel said: this is the worst song and video I've ever watched in my entire life. PTSTD already won that category im afraid 1
Lipstick Posted November 1 Posted November 1 22 minutes ago, shark_heather said: Damn this didnt even debut on AM US ? Maybe tomorrow….fingers crossed 🥹
abelfenty Posted November 1 Posted November 1 25 minutes ago, shark_heather said: Damn this didnt even debut on AM US ? It's at #118
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