album Taylor Swift - ‘Midnights’

[PoisonedIvy]

7 minutes ago, RuflesCando said:

The next Rings of Power episode

This sent me  thank you 

[Steve Johnson]

53 minutes ago, WeFoundTrouble said:

Taylor Swift sits at her vanity, brushes her long golden locks, and picks up her phone to press record on a simple TikTok video. She stares blankly into the camera, looking directly into the souls of the hungry, poor, and sleepless individuals that are begging her even just a crumb of music to sustain their being. They stay up every night (since 2020) in fear of a surprise announcement from their queen and now, Taylor has taken that to the next level and crushed their very will to go on living, or to even stay up past 10pm.

 

Tree Paine sets down a small machine full of balls with the same number painted onto all 13 of them, and signals to Taylor that the video has begun recording. Taylor smirks and says “welcome to midnights mayhem with me. We will be leaving it up to fate decide the ninth song title you all will be given.”
 

Olivia meows, speaking up for the legions of fans who want a lead single. Meredith meows, speaking up for those that want just small snippets of sound or descriptions of song subjects, influences, or producers. Benjamin Button meows, telling the other two cats to shut up and be grateful for they are in the presence of our Lord and Saviour Swift.

 

The ball drops out of the machine and Taylor grabs it and pretends to be shocked. She lifts the red phone that doubles as a microphone, ready to make the announcement. It’s funny, the red of the telephone almost matches the bloodshed that the 23 days of this TikTok rollout has caused to her warring fanbase. She wraps the coil around her neck just to confuse the **** out of us all more than she already has for the last eight videos, and unabashedly whispers “Track Four: Josephine Von TrappenSlutten.”
 

The video transmission ends. The all too familiar sounds of battle that always roar across the lands immediately following Midnights song title reveal can be heard in the hills of ATRL, the valleys of Twitter, and the oceans of TikTok. Defenders of track titles versus lead single believers. The immovable object versus the unstoppable force. A tale as old as time and yet still with ever a tragic ending.
 

How long must the fanbase go on fighting amongst each other while Taylor sits idly by in her castle upon a throne of unreleased snippets, production credits, and song descriptions? Only time will tell. Until next Midnights Mayhems, I bid you all farewell. 

Sksksksksksksk 

[Bosque]

What was the point of announcing this 2 months in advance if there's not gonna be a single? I really don't get that part 

[Diet Pepsi]

did Google leak the tracklist?  

Edited September 26, 2022 by Pink Whitney

[Bosque]

Also did someone here really come for Daylight and The Archer? 

 

 

"I once believed love would be burning red, 

but it's golden like daylight"

 

is one of her best lyrics ever 

[smoore95GAGA]

1 minute ago, Dephira said:

What was the point of announcing this 2 months in advance if there's not gonna be a single? I really don't get that part 

So she could do Midnight Mayhem With ME!th 
 

[smoore95GAGA]

4 minutes ago, Pink Whitney said:

did Google leak the tracklist?  

That’s the most obvious fanfiction I’ve ever read. If you fall for that, there’s just no helping you 

 

Plus there’s a track missing. Vigilante S*** is listed as track 7 instead of 8.

 

Either way, we’ll know for sure tomorrow night 

Edited September 26, 2022 by smoore95GAGA

[Cleanromantic]

1 hour ago, WeFoundTrouble said:

Taylor Swift sits at her vanity, brushes her long golden locks, and picks up her phone to press record on a simple TikTok video. She stares blankly into the camera, looking directly into the souls of the hungry, poor, and sleepless individuals that are begging her even just a crumb of music to sustain their being. They stay up every night (since 2020) in fear of a surprise announcement from their queen and now, Taylor has taken that to the next level and crushed their very will to go on living, or to even stay up past 10pm.

 

Tree Paine sets down a small machine full of balls with the same number painted onto all 13 of them, and signals to Taylor that the video has begun recording. Taylor smirks and says “welcome to midnights mayhem with me. We will be leaving it up to fate decide the ninth song title you all will be given.”
 

Olivia meows, speaking up for the legions of fans who want a lead single. Meredith meows, speaking up for those that want just small snippets of sound or descriptions of song subjects, influences, or producers. Benjamin Button meows, telling the other two cats to shut up and be grateful for they are in the presence of our Lord and Saviour Swift.

 

The ball drops out of the machine and Taylor grabs it and pretends to be shocked. She lifts the red phone that doubles as a microphone, ready to make the announcement. It’s funny, the red of the telephone almost matches the bloodshed that the 23 days of this TikTok rollout has caused to her warring fanbase. She wraps the coil around her neck just to confuse the **** out of us all more than she already has for the last eight videos, and unabashedly whispers “Track Four: Josephine Von TrappenSlutten.”
 

The video transmission ends. The all too familiar sounds of battle that always roar across the lands immediately following Midnights song title reveal can be heard in the hills of ATRL, the valleys of Twitter, and the oceans of TikTok. Defenders of track titles versus lead single believers. The immovable object versus the unstoppable force. A tale as old as time and yet still with ever a tragic ending.
 

How long must the fanbase go on fighting amongst each other while Taylor sits idly by in her castle upon a throne of unreleased snippets, production credits, and song descriptions? Only time will tell. Until next Midnights Mayhems, I bid you all farewell. 

I hate her 

 

 

[Folklore89sm]

I’m gonna need Midnights to be the best album of the century. 

[smoore95GAGA]

Not me just realizing that fake ass google tracklist doesn’t even have “Question…?” listed anywhere on it 

[inshadesofcool]

 

are we ready to start clowning again sistrens? 

 

 

[smoore95GAGA]

5 minutes ago, inshadesofcool said:

 

are we ready to start clowning again sistrens? 

 

 

They aren’t counting the numbers as words? 

[PoisonedIvy]

8 minutes ago, inshadesofcool said:

 

are we ready to start clowning again sistrens? 

 

 

It’s like they never learn.

[greeneyedsoul]

1 hour ago, WeFoundTrouble said:

Taylor Swift sits at her vanity, brushes her long golden locks, and picks up her phone to press record on a simple TikTok video. She stares blankly into the camera, looking directly into the souls of the hungry, poor, and sleepless individuals that are begging her even just a crumb of music to sustain their being. They stay up every night (since 2020) in fear of a surprise announcement from their queen and now, Taylor has taken that to the next level and crushed their very will to go on living, or to even stay up past 10pm.

 

Tree Paine sets down a small machine full of balls with the same number painted onto all 13 of them, and signals to Taylor that the video has begun recording. Taylor smirks and says “welcome to midnights mayhem with me. We will be leaving it up to fate decide the ninth song title you all will be given.”
 

Olivia meows, speaking up for the legions of fans who want a lead single. Meredith meows, speaking up for those that want just small snippets of sound or descriptions of song subjects, influences, or producers. Benjamin Button meows, telling the other two cats to shut up and be grateful for they are in the presence of our Lord and Saviour Swift.

 

The ball drops out of the machine and Taylor grabs it and pretends to be shocked. She lifts the red phone that doubles as a microphone, ready to make the announcement. It’s funny, the red of the telephone almost matches the bloodshed that the 23 days of this TikTok rollout has caused to her warring fanbase. She wraps the coil around her neck just to confuse the **** out of us all more than she already has for the last eight videos, and unabashedly whispers “Track Four: Josephine Von TrappenSlutten.”
 

The video transmission ends. The all too familiar sounds of battle that always roar across the lands immediately following Midnights song title reveal can be heard in the hills of ATRL, the valleys of Twitter, and the oceans of TikTok. Defenders of track titles versus lead single believers. The immovable object versus the unstoppable force. A tale as old as time and yet still with ever a tragic ending.
 

How long must the fanbase go on fighting amongst each other while Taylor sits idly by in her castle upon a throne of unreleased snippets, production credits, and song descriptions? Only time will tell. Until next Midnights Mayhems, I bid you all farewell. 

It would funny, if it weren't so sad. 

 

[Supervillain]

I see only 3 titles on Google

 

The Back of the Room

Lines & Veils

Sleepless Night (Bonus Track)

 

Why do these kinda sound real

 

 

[PoisonedIvy]

Taylor liked this tweet. We will never be free.

[mistertsa]

Let me guess, she has 3 collabs on the album and one of them she already announced 

The other 2 she’ll feature her other two cats in the episodes when she announces the titles

 

[Psycho]

Blackpink collab  bffr

[Squall]

11 minutes ago, WeFoundTrouble said:

Taylor liked this tweet. We will never be free.

Yeah disgusting, that user is probably going to add it to their resume  

[Squall]

She could record the phone book, Twitter swifties would call the song deep and inspiring, enough of them 

 

Edited September 26, 2022 by Squall

[Ms. Togekiss]

4 hours ago, Great Username said:

Speaking of titles, Her career should have been ended here

 

 

The chintzy 'alarm' sound at the beginning

'feeling so gatsby for that whole yeaaaaaaaar'

'I'm shaking my head'

'if only you weren't - so shaaaaaady' (dramatic pause thinking She did something)

The painful 'Hard Knock Life' melody

I don't know a worse production

Truly one of the worst songs EVER. Can’t believe she made this the rep tour closer  the way the GP at the stadiums went from singing the universal anthem WANEGOD to silently sitting there for this unknown flop album track

4 hours ago, Great Username said:

Speaking of titles, has anyone made it through this sing awake since 2019?

 

 

A GODLY song  clears most of ha pop songs and the tribute to RED is one of ha most clever lines ever 

4 hours ago, Great Username said:

Speaking of titles, is this the most fan fiction'd sing of Her career? She was busy crying about being asked to denounce nazis that day in the studio and Jack had to finish the lyrics I fear 

 

 

 

'Please don't ever become a stranger whose laugh I could recognize anywhere' - She wanted to recreate Enchanted so badly

'don't read the last page - but I stay <3' - was this line ripped out of one of Her faked 12-year-old Lover journal entries?

 

Another horrible song. You know she just wanted to write a “heartfelt” song to include those two lines she said she felt proud of but all she produced was a forced mess

4 hours ago, Great Username said:

 

Pure sex, pure darkness, pure cinema.

 

Top 5 in Her discography, and some days #1  

 

Made repetition redundant

This clears all of puta and it was the direction that album needed to take

3 hours ago, Squall said:

USA Apple Music:

#48.(+10) Folklore
#77.(+9) evermore
#99.(+13) RED (Taylor's Version)
#123.(+10) 1989
#126.(+8) Lover
#129.(+9) reputation

 

Remember when some flops in here told us people wanting her to go back to pop. Now Midnights is announced and the roll out turns out to be a catastrophe GP is streaming folklore/evermore

 

 

Puta dead last as it should  folkmore at the top TALENT ALWAYS WINS 

[RuflesCando]

3 minutes ago, Ms. Togekiss said:

Another horrible song. You know she just wanted to write a “heartfelt” song to include those two lines she said she felt proud of but all she produced was a forced mess

"The album ends with “New Year’s Day,” a spare, acoustic epilogue for an album made using a lot of synths and computers. It’s equal parts Lisa Loeb and Dashboard Confessional, and she conjures rich scenes with just a handful of lines: a hotel lobby strewn with party detritus, the silent back seat of a cab.

She lands the album’s first true knockout punch in the bridge: “Please don’t ever become a stranger whose laugh I could recognize anywhere.” It’s a tiny universe in a dozen words, an economic marvel right up there with old classics like “You made a rebel of a careless man’s careful daughter,” and, “You call me up again just to break me like a promise/So casually cruel in the name of being honest.” This song is Swift at her best—not settling scores long past their expiration date but writing the kind of lines reputations are made of."

[Diet Pepsi]

58 minutes ago, smoore95GAGA said:

That’s the most obvious fanfiction I’ve ever read. If you fall for that, there’s just no helping you 

 

Plus there’s a track missing. Vigilante S*** is listed as track 7 instead of 8.

 

Either way, we’ll know for sure tomorrow night 

it was just a question, I’m not a Swiftie but a fan who doesn’t really follow the rollouts but enjoy the albums once they’re released no need to be so passive aggressive & rude  the lack of lead single really has you ****ed up huh?

 

 

OT: hope she serves another King of my Heart

[Finny]

4 hours ago, Great Username said:

Speaking of titles, has anyone made it through this sing awake since 2019?

 

 

She hasn’t had an interesting closer since Begin Again I fear

[Supervillain]

8 minutes ago, RuflesCando said:

"The album ends with “New Year’s Day,” a spare, acoustic epilogue for an album made using a lot of synths and computers. It’s equal parts Lisa Loeb and Dashboard Confessional, and she conjures rich scenes with just a handful of lines: a hotel lobby strewn with party detritus, the silent back seat of a cab.

She lands the album’s first true knockout punch in the bridge: “Please don’t ever become a stranger whose laugh I could recognize anywhere.” It’s a tiny universe in a dozen words, an economic marvel right up there with old classics like “You made a rebel of a careless man’s careful daughter,” and, “You call me up again just to break me like a promise/So casually cruel in the name of being honest.” This song is Swift at her best—not settling scores long past their expiration date but writing the kind of lines reputations are made of."

The song's a turd