TayDuaStan Posted October 7 Posted October 7 12 hours ago, Kyle-x said: Did someone say FRESH production? One of my faves from TTPD. My only problem is the production… it's too in the background. I would've preferred a punchier production. Jack's problem, as i've seen recently also on Sabrina Carpenter Sn'S (on the tracks he produced) is mainly the drums, which are just too dimmed and so digital. A co-production on this by Aaron might have helped. In the future, if she decides to bring them both back, the songs better be produced by both Aaron & Jack, (see Hits Different, us, thank you aimee) and not one or the other. 1
TayDuaStan Posted October 7 Posted October 7 One bold move she can do for TS12 is a self produced album. I would be here for it
Dear Reader Posted October 7 Posted October 7 3 minutes ago, TayDuaStan said: One bold move she can do for TS12 is a self produced album. I would be here for it Now that would be something I can get behind! It would even be greater if she does it for TS13. That one needs to be huge and differentiate itself from the others!
Calvin Posted October 7 Posted October 7 7 minutes ago, TayDuaStan said: I would be here for it Only you would be
Arrows Posted October 7 Posted October 7 2 hours ago, TayDuaStan said: Jack's problem, as i've seen recently also on Sabrina Carpenter Sn'S (on the tracks he produced) is mainly the drums, which are just too dimmed and so digital. This exactly, if Jack has one problem, it's the drums. I generally love Jack's production artistically speaking, where he's one the best in the industry, but technically he seems to have a hard time producing pop hits with a more full production and bassline, heavy drums etc. 4
Taylor fanboy Posted October 7 Posted October 7 2 hours ago, TayDuaStan said: One bold move she can do for TS12 is a self produced album. I would be here for it She can't yet. We have no documentation of her technical skills inside the studio using Pro-tools, heck even Garageband. 1 1
TayDuaStan Posted October 7 Posted October 7 (edited) 3 minutes ago, Taylor fanboy said: She can't yet. We have no documentation of her technical skills inside the studio using Pro-tools, heck even Garageband. But then how did she produce the re-records? I don't think Chris Rowe (who until the re-records was only a country music engineer) could've done 1989TV Max Martin tracks all by himself (and Taylor's the only other producer on the Max tracks on that album). I think she most likely knows how to produce music (to a certain extent) Edited October 7 by TayDuaStan
Taylor fanboy Posted October 7 Posted October 7 4 hours ago, Klein said: Yes but the 18 shows left are on another continent and I cannot go because of my job (or my wallet for that matter but who cares) Reveal hidden contents And I attended Paris N1 & N4, Lyon N1 & N2, and Warsaw N1. I'm just a lucky ***** asking for more despite already having so much. Even if those things are not present, the shows are sold out? I'm really surprised how some of y'all get tickets directly from the organizer especially overseas shows, when it's been documented to be sold out on pre-sale , and even more difficult on gen sale. This is just me hella curious.
Taylor fanboy Posted October 7 Posted October 7 (edited) 6 minutes ago, TayDuaStan said: But then how did she produce the re-records? I don't think Chris Rowe (who until the re-records was only a country music engineer) could've done 1989TV all by himself (and Taylor's the only other producer on the Max tracks on that album) It's definitely Chris Rowe on the technical areas until I'm proven wrong. Taylor's production credits to me are compositions, harmonies, instrument playing, directions, feedback to track and the like. I've never seen her document herself finishing a synthpop demo and/or song from scratch in her own professional home studio — if she even has one with all the tools except a recording mic and the works. She listens to tracks sent by producers and writes the topline (e.g. Taylor and Dessner). Even on Delicate and IDSB, Max handles the vocoder. She's just not that girlie yet. Edited October 7 by Taylor fanboy 1
Theluckyone Posted October 7 Posted October 7 I truly hope we get the anthemic album we've been craving for so long with TS12.
Klein Posted October 7 Posted October 7 1 hour ago, Taylor fanboy said: Even if those things are not present, the shows are sold out? I'm really surprised how some of y'all get tickets directly from the organizer especially overseas shows, when it's been documented to be sold out on pre-sale , and even more difficult on gen sale. This is just me hella curious. I would have gone for a resale ticket if I was ever to go to one date of the final NA leg. 1
Brooklyn Baby Posted October 7 Posted October 7 44 minutes ago, Theluckyone said: I truly hope we get the anthemic album we've been craving for so long with TS12. We? 2
Theluckyone Posted October 7 Posted October 7 29 minutes ago, Forever Winter said: We? I'm sure there's many swifties who want this too 🤪
Dear Reader Posted October 7 Posted October 7 Midnights being the Avril Lavigne of her discography. It's aging so well 2
Klein Posted October 7 Posted October 7 1 hour ago, Dear Reader said: Midnights being the Avril Lavigne of her discography. It's aging so well I've been revisiting it a lot lately (in between Red TV and evermore). Even some songs I had wrote off are hitting again (Sweet Nothing in particular, and Question..? is not as much of a pain to go through). Truly an excellent album. 2
Cruel Summer Posted October 7 Posted October 7 I'd also be happy with a self-produced TS12 - but not in the way I think some people want. I'd be into it because my absolute dream is her leaning even harder into the Anthology's hints of Sufjanesque Americana/indie-inspired sounds, such as those on The Prophecy, but doing it all in a thirteen-track self-written self-produced fully-solo album full of longer tracks where it's just her voice and acoustic guitar-driven instrumentation 5
Cleanromantic Posted October 7 Posted October 7 2 minutes ago, Cruel Summer said: I'd also be happy with a self-produced TS12 - but not in the way I think some people want. I'd be into it because my absolute dream is her leaning even harder into the Anthology's hints of Sufjanesque Americana/indie-inspired sounds, such as those on The Prophecy, but doing it all in a thirteen-track self-written self-produced fully-solo album full of longer tracks where it's just her voice and acoustic guitar-driven instrumentation I would love that too. Give me more I look in people's windows, the Prophecy, and How Did It End . Max Martin stans can suffer. 1
Dear Reader Posted October 7 Posted October 7 5 minutes ago, Cleanromantic said: I would love that too. Give me more I look in people's windows, the Prophecy, and How Did It End . Max Martin stans can suffer. I need her to go full on I Look In People's Windows soundscape. That song is SO SHORT for being one of the best on The Anthology 1
1989 Posted October 8 Posted October 8 I'm not ashamed to admit that most of Midnights has aged like the finest of wines Perhaps it's time to revisit my album rankings 2
1989 Posted October 8 Posted October 8 I didn't love the boots tonight, but I absolutely loved everything else, even the glitter. Amazing. 1
Klein Posted October 8 Posted October 8 2 minutes ago, 1989 said: I didn't love the boots tonight, but I absolutely loved everything else, even the glitter. Amazing. Yeah the boots are horrendous The rest is amazing I agree, plaid suits her very well. 1
Dear Reader Posted October 8 Posted October 8 4 hours ago, Peak Now said: Wait where is this from She went to Travis game last night!
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