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Taylor Swift - '1989 (Taylor's Version)'


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Posted (edited)

I’ve had the Suburban Legends AI snippet on repeat all day it’s so good to me. like I need a full version STAT

Edited by HandsToMyself
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Posted
Just now, Klein said:

When do y'all think we'll start seeing TTs of Gaylors crying and saying they'll unstan and blame Taylor for bullying them?

They'll try to find something to cancel her over first, just like they try to cancel any boyfriend of hers (they've been unsuccessfuly trying it with Travis for weeks now). 'Cause a lot of them are not even young or impressionable teens, they're mostly fully grown adult WEIRDOS. So it's far too late for some mental reevaluation for the most I fear.

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Posted
3 minutes ago, Klein said:

When do y'all think we'll start seeing TTs of Gaylors crying and saying they'll unstan and blame Taylor for bullying them?

It’s already starting on twitter :ahh: the kii is that they can’t cancel their pre-order anymore

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Posted

My Tangerine shipped from the TS store, but its coming from the US so it'll never get here in time for tomorrow. boo.

Posted

Damn who knew how much you Swifties hated the gaylors. It's never that serious and basically happens to everyone :deadbanana2: (and no that doesn't make it okay but just saying) but y'all also just blowing it out of proportion. she's just saying how everyone blows a little bit of affection out of proportion 

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Posted
11 minutes ago, Taylor Swift said:

Oh wait, vault is all Jack

All the Vaults bar 1989 have been 50% Aaron, & 50% Jack, no?

Maybe while Hack is busy ruining the 5 vaults of Puta & 1989

Aaron is busy producing all 10 ST vault tracks :heart:

 

Aaron on I'd Lie :jonny5:

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Posted
3 minutes ago, HandsToMyself said:

I’ve had the Suburban Legends snippet on repeat all day it’s so good for me. like I need a full version STAT

If it's the snippet with the lyric "party like it's 1989" then it's AI and not a real song :dies:

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Posted
12 minutes ago, Taylor Swift said:

Oh wait, vault is all Jack

Only Christopher Rowe producing Bad Blood and Shake It Off is very scary. Where was Shellback???

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Posted
Just now, Desire said:

Damn who knew how much you Swifties hated the gaylors. It's never that serious and basically happens to everyone :deadbanana2: (and no that doesn't make it okay but just saying) but y'all also just blowing it out of proportion. she's just saying how everyone blows a little bit of affection out of proportion 

Again, people need therapy if people thinking songs are about Dianna and K*rl** actually makes their blood boil so much :deadbanana:  Mind you, these are the same people who acted like their parents got divorced in April and did creepy videos praying & sobbing at Cornelia Street :deadbanana4: 

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Posted

decided to splurge last night on tangerine vinyl and yellow deluxe cd (since the pink one was out of stock) tell me why it cost me $90 canadian. :clown:

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Posted
24 minutes ago, YR. said:

SHE JUST ******* SHITTED ALL OVER THE GAYLORS :ahh: END THOSE ******* PREDATORS

 

 

wow she really did :eek: to think she knows about Gaylors :deadbanana2: so embarassing

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Posted (edited)
1 minute ago, Vespertine said:

Again, people need therapy if people thinking songs are about Dianna and K*rl** actually makes their blood boil so much :deadbanana:  Mind you, these are the same people who acted like their parents got divorced in April and did creepy videos praying & sobbing at Cornelia Street :deadbanana4: 

That's not the extent of it and I'm pretty sure you know it. Take the L and again, find an actual queer woman to hyperfixate on. Talking as a man too, the nerve. Fetishist weirdos. 

Edited by Mandalore
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Posted
16 minutes ago, byzantium said:

Streets are saying that the Vault songs are all the country songs she wrote after Red before she decided to go full pop.   

you think a song called Sl*t! is a country song she wrote after red?

Posted
34 minutes ago, Timeless said:

Everyone who has the CD/vinyl are saying that none of the 1989 tv vaults are pop bops and that makes me scared

can anyone link some accounts saying this? i wouldn’t trust most of these swifties’ opinions on genre tho lmao

Posted

let the Gaylors fume it's ok cause Wonderland TV will bring back 

Posted
15 minutes ago, mypaintoyou said:

So do we know what song ??

suburban legends

Posted
8 minutes ago, Burqa said:

you think a song called Sl*t! is a country song she wrote after red?

I mean, Girl at Home (:bibliahh:) was sort of a country song originally and it's about being out at night and some guy wanting to hook up with you. It's not really that unfathomable.

 

IF what people are saying about the vault tracks are true, I'm guessing they're slow or mid-tempo songs that just had the acoustic guitar parts swapped for synths, like This Love.

Posted
Spoiler

streets saying blank space tv on that web

 

Posted
4 minutes ago, Taylor Swift said:

F9XVSK1XkAAQMMc?format=jpg&name=medium

 

Should've used this image for one of the variants. 2 million debut would've been locked!

what in the pride & prejudice :smitten: stunning.

Posted

Yeah radio is not happening like it was supposed to

 

Due to CS smashing, they are changing plans 

Posted
1 minute ago, Taylor Swift said:

Wow, she saw how early customers gave lukewarm reception to the slütty chicken and has gone back to the chopping board? Perhaps romantic chicken is better and finally fly to the top 40.

It would be risky and would probably flop, but I would be here for Clean as a single. Fits the season too. :jonnycat:

Posted
3 minutes ago, wish said:

 

it's giving New Romantics :eek:

I have a hard time believing they would change the radio single just a few days before release. She must have already shot a video for the single, so unless she managed to film a new one in 12 hours, I don't see it happening. 

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Posted

Mass Gaylor purge? We used to pray for times like these :clap3:

Posted
Spoiler

When i was 24, i sat in a backstage dressing room in london, buzzing with anticipation. My backup singers and bandmates gathered around me in a scattered circle. Scissors emerged and I watched in the mirror as my locks of long curly hair fall in pilks on the floor. There i was in my plaid button down shirt. Grinning sheeepishly as my tour mates and friends cheered on my haircut. this simple thing that everyone does, but I had a secret. For me, it was more than a change of hairstyle. When i was 24, I decided to completely reinvent myself.

How does a person reinvent herself. You ask? In any way I could think of musically, geographically, motivationally and I did so joyfully. The curiosity I had felt the first moments of while making RED had amplified into a pulsing hearbeat of restlessness in my ears. The risks I took when i toyed with pop sounds and sensibilities on RED? I wanted to push it further. The sense of freedom I felt when traveling to big rustling cities? I wanted to live in one. The voices that had begun to shame me in new ways for dating like a normal young woman? I wanted to silence them.


You see in the years preceding this, i had become the target of **** shaming - the intensity and relentlessness of which would be criticized and called out if it happened today. The jokes about my amount of boyfriends. The trivialization of my songwriting as if it were a predatory act of a noticrazy psychopath. I had to make it stop because it was strating to really hurt.


It became clear to me that for me there was no such thing as casuel dating or even having a male friend who you platonically hang out with. if i was seen with him, it was assumed I was sleeping with him and so I swore off hanging with guys. Dating, flirting or anything that could be weaponized against me by a culture that claimed to believe in liverating women but consistently treated me with the harsh moral codes of the Victorian era.

 

Being a consummate oppimist, I assumed I could fix this if I simply changed my behavior. I swore off dating and decided to focus on myself, my music, my growth and my female friendships. If i only go out with my female friends, people couldn't sensationalize and sensualize that - but I would learn later on that people could and people would.

 

I'll always be so incredibly grateful for how you loved and embraced this album. You who followed my zig zag creative choices and cheered on my risks and experiments. You who heard the wink and humor in blank space and maybe even empathized with the pain behind the satire. You who saw the seeds of allyship and advocating for equality in welcome to new york. You, who knew that maybe a girl who surrounds herself with female friends in adulthood is making up for a lack of them in childhood. You, who know that i reinvent myself for a million reasons, and that one of them is to try my best entertain you. You who have had the chance to allow me to freedom to change.

prologue

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