GoodGuyGoneGhetto Posted March 6, 2022 Posted March 6, 2022 In my opinion… • Solo: Rise • Feature: Feels Thoughts?
PopKills Posted March 6, 2022 Posted March 6, 2022 Never Really Over was bigger than Rise so I would say that.
GoodGuyGoneGhetto Posted March 6, 2022 Author Posted March 6, 2022 (edited) 10 minutes ago, PopKills said: Never Really Over was bigger than Rise so I would say that. Well, “Rise” is her last song to peak the closest to the top ten of the Hot 100 (alongside “CTTR”) and was a #1 hit in AUS and NZ as well as a #3 hit in France and a top ten in multiple European territories. That’s commendable, in my opinion, and makes it a notable hit. @State of Grace. Edited March 6, 2022 by GoodGuyGoneGhetto
State of Grace. Posted March 6, 2022 Posted March 6, 2022 Last smash hit: Dark Horse in 2014 Last solo hit: Never Really Over in 2019 NRO was much bigger than Rise though.
Tistotal Posted March 6, 2022 Posted March 6, 2022 Solo smash: Roar Smash: Dark Horse Hit: Feels Never Really Over was a cute hit for Katy's standards in 2019, but not a proper hit in my opinion. A shame, her best song
Malmo Posted March 6, 2022 Posted March 6, 2022 Dark Horse. NRO was cute and deserved better but it wasn't near the level of Dark Horse in terms of smashery.
DuffLavigne Posted March 6, 2022 Posted March 6, 2022 I would say Dark Horse Feels was kind of big too, yeah Rise just peaked and went, NRO is doing much better now, at least on Spotify Rise: 138M NRO: 564M
State of Grace. Posted March 6, 2022 Posted March 6, 2022 10 minutes ago, GoodGuyGoneGhetto said: Well, “Rise” is her last song to peak the closest to the top ten of the Hot 100 (alongside “CTTR”) and was a #1 hit in AUS and NZ as well as a #3 hit in France and a top ten in multiple European territories. That’s commendable, in my opinion, and makes it a notable hit. @State of Grace. Peaks can be misleading though. Rise debuted high in several countries because it was her first release since PRISM but then served OUT real quick. Never Really might have peaked lower but it had "cute" longevity and snatched more certifications by far. Rise Australia (ARIA)[24] Platinum 70,000 Italy (FIMI)[84] Gold 25,000 Norway (IFPI Norway)[85] Gold 30,000 United States (RIAA)[31] Platinum 1,000,000 NRO Australia (ARIA)[114] 2× Platinum 140,000 Canada (Music Canada)[115] Gold 40,000 Denmark (IFPI Danmark)[116] Gold 45,000 Italy (FIMI)[117] Gold 25,000 Mexico (AMPROFON)[118] Gold 30,000 Norway (IFPI Norway)[119] Platinum 60,000 Poland (ZPAV)[120] Platinum 20,000 Portugal (AFP)[121] Gold 5,000 United Kingdom (BPI)[122] Platinum 600,000 United States (RIAA)[28] Platinum 1,000,000 Spotify: NRO - 565M Rise - 138M Youtube: NRO - 147M Rise - 201M
DoubleRainbow! Posted March 6, 2022 Posted March 6, 2022 Big big: Feels, like, it will get 1B streams soon NRO was her last solo hit But in the TiKTok era we can argue that HIH was a hit
GoodGuyGoneGhetto Posted March 6, 2022 Author Posted March 6, 2022 1 minute ago, TakeYouToHell said: Chained To The Rhythm I briefly forgot about “CTTR”. Wasn’t this song a WW top five hit? That’s more impressive than either “Rise” or “Never Really Over”.
kellysclarkson Posted March 6, 2022 Posted March 6, 2022 CTTR was a hit even if Witness as an album wasn't up to par with her previous success
Tistotal Posted March 6, 2022 Posted March 6, 2022 6 minutes ago, GoodGuyGoneGhetto said: Wasn’t this song a WW top five hit? Yes! It was top 5 in major countries as US, CN, UK and AUS. It also peaked #6 in Germany
Jazz Posted March 6, 2022 Posted March 6, 2022 Feels is reaching one billion streams, so I'd say that. It was massive in Europe, let's not forget our friends there.
Beyonnaise Posted March 6, 2022 Posted March 6, 2022 It’s clear that Dark Horse was the end of her smash hit reign. Everything after that was a minor hit.
Sadie Saxton Posted March 6, 2022 Posted March 6, 2022 Last moderate hit - NRO Last hit - CTTR Last big hit - DH
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