ceremonials Posted August 25, 2017 Posted August 25, 2017 wait since when is eevee not an emote shade that basic fox
ceremonials Posted August 25, 2017 Posted August 25, 2017 Just now, Gastrodonatella said: pm me mine and then i'll give permission if u can post it positive opinions only in this thread (unless it's negative about somebody else) No x
Denim Posted August 25, 2017 Posted August 25, 2017 nnnn i say post them as you go to give this thread some life
ceremonials Posted August 25, 2017 Posted August 25, 2017 ummmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmok i just lost all of them
ultraviolence.xx Posted August 25, 2017 Posted August 25, 2017 22 minutes ago, ceremonials said: ummmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmok i just lost all of them how???
Jackson Posted August 25, 2017 Author Posted August 25, 2017 48 minutes ago, ceremonials said: ummmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmok i just lost all of them Mess not your 3 paragraph response
Bandito Posted August 25, 2017 Posted August 25, 2017 54 minutes ago, ceremonials said: ummmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmok i just lost all of them Taylor Nation is really trying it...
ceremonials Posted August 25, 2017 Posted August 25, 2017 (screaming at me still having this gif) batch one @ultraviolence.xx, “Timepiece” I think as a sort of follow up to Hourglass, this does a lot of things quite well. I don’t even have to really read the song to know what song it was inspired by, and that can be both a curse and a blessing. The inspiration here is very evident, and there’s even some direct reference. In a way, I think that’s cute. It’s kind of like a sequel, or maybe it’s supposed to be written from the person outside the glass’s point of view? WIG if that’s true, but unfortunately I didn’t really get that impression. This felt a bit too much like a recreation and less like a reiteration. The direct references were cute for me, as I’m the one who wrote the original, but to others it might cheapen the experience, if only just slightly. I think a lot of this can also just be attributed to using the time motif in music or poetry, so I won’t be docking you for it. There were some spots I do take issue with, though. This really reads like a Lana song, and while I’m ****ing here for that, a lot of the times on paper her songs don’t sound that good lyrically, mostly because they just don’t have very good natural flow or cadence. Her melodies are what make it work. Remember that we can’t hear how it sounds in your head, and even if we could, we couldn’t judge it based on that. The line I think suffers from this the most would be “I hold it back, I’ll never tell / I never can” You absolutely MURDERED the flow right there, and though it does pick up right after that, I wish this was a bit more tight structurally. This is the first round though, so you won’t be a judged too harshly for it. I do have issues with a few other lines - particularly “stomach soars” and the first line of the prechorus (ESPECIALLY this one, delete it Demi). The ending was a bit anti climactic as well. :’( Overall, the good outweighs the bad, for sure. There were a few minor slip ups technicality wise, and I want to see your meter improve in the following rounds but, as is, this reads like a charming little love letter to “Hourglass”. FAVORITE COUPLET: “But I dream of you in darkened hours / I lay you down among the flowers” @Lémur, “untitled” Name yoursongs bitch, tf. You also didn’t name which song you were doing, but I mean, it was pretty evident by the second stanza. Instead of trying to recreate A Higher Power, this feels more like a different side of the same coin. Like you were viewing the same song from a different angle, and I think that was an interesting albeit pretty risky way of tackling this challenge. But, for the most part, I think it paid off. It doesn’t exactly sail above and beyond, but it hits the mark. There was a very blunt, matter-of-fact tone throughout this whole piece, and I think in general that’s necessary for songs of this nature. If you’re going to go political, then you have to take a stance. You have to shock your audience out of complacency, and you don’t get that by being broad and uninspired. While a lot of faux-political songs suffer from this, I don’t think that’s the issue here. In fact, just the opposite. At times, it became a bit too on the nose for my liking. The entire third stanza was where this was the most apparent to me, and while the third to last stanza is especially melodramatic, it works there for some reason, perhaps because of the emotional draw, or maybe because it’s just stated more eloquently, if only just slightly. The “felt shame” lyric in the refrain also felt like a bit of an odd word choice, but I digress. Overall, for the most part, you achieved what you set out to do, and the end result is an interesting take on a somewhat overdone concept. FAVORITE COUPLET: “I live in a world of separation, blackened lies and tax evasion / I live in a world of sudden death / Ending it all when there’s nothing left” @UFO, “Black Sun” Let me start off by saying that the structure is...weird? I don’t know, there’s not really any structure to it, really. But in a round like this, and especially in the first round, and especially when Ratson told you like a day later that you didn’t need a full song, I don’t think that criticism holds too much merit. It felt like you wrote this, and then he said that, so you deleted some parts, rearranged it, and made it work. I don’t know if that’s true, but I do think I would have liked to see an expanded version of this. I couldn’t really tell if it felt unfinished, or if it was just well written enough that I wanted to hear more, but I wish this was a regular round. That said, what you do have is quite good. Your use imagery is nice, consistent and appropriate in the way that sort of mirrors the original. And though this is one of the few similarities I found to NSOTH throughout the song, conceptually they are one and the same. What really differentiates this from NSOTH is just how eloquently it’s written - in a way, it’s a step up from even NSOTH (though that was one of the lowest scoring #1s of all time ki, Hourglass won). It’s very poetic, and I think that this kind of imagery complements that writing style pretty flawlessly. (Ask @Moonchild ). Still, there were some parts I have to bring up. Your obligatory regression into water imagery comes off as especially dull since there was little to none of it in the original. If there was, I might’ve excused it. This is most apparent in the “You called me crazy” line, because I feel like there was a word missing? Even so, the line needed reworking and the water imagery didn’t have much business here. The chorus was also awkwardly long in relation to the rest of the song, which is not something typical of choruses. I know I had a lot to say about it, but it’s because it was one of my favorites. I hope maybe someday you revise this and make it into a full song, because right now, while a fine entry on its own, has some serious unlocked potential. FAVORITE COUPLET: “I start dimming as evening dies, night hides me from you / In her shadow, I’m shining but you haven’t a clue” @KatyCatPH, “Out of My Mind” Okay, that chorus was a bit of a slay, I cannot tell a lie. It’s a shame it wasn’t repeated more and comes at the end of the song (odd choice by the way, but this is only half a song so don’t worry too much about it). I imagined it with a Tit-like melody (pre-Witness of course), and it really was serving fun, light-hearted relatable bop. Unfortunately, that’s about where it stops. I could not for the life of me figure out what song you were trying to emulate, and that’s not helped at all the fact you didn’t even specify which one you did. Usually with rounds like this, the judges will ask themselves: “Would I be able to tell what song this was based on without you specifying which one it was?” and if the answer isn’t a definitive yes, then you could be docked for it. The criteria is way less for competitive for this round, but still, whatever inspiration you have is VERY loose. The first verse was very...surface level, but I don’t think I would call it bad by any means. There was a bit of personal details in there that at least gave those lines some personality. Still, the spoken parts were extra + the prechorus was completely expository. Overall, I think you have technical songwriting down to a tee, as there were no huge issues with meter, rhyme or structure. There were also bits of personal flare throughout but it’s still a pretty basic breakup song. If you’re going to do a concept like that, you need to make it stand out, or you’ll get lost in the crowd. I want to see you experiment with new concepts in the future. FAVORITE COUPLET: “Now I’m free and soon I’ll be fine / I’ll get over you, maybe just not tonight” @Hug, “Ms. Andry” Okay, wig. Hug her Rated R era has finally arrived. Does that mean LOUD is next? Double wig. Overall, this kind of felt like a sequel to Scarlet Bitch rather than a reimagining of it, and I don’t really know how I feel about that. In a way, I think it’s good because you definitely nailed the premise of the challenge, but in a way it felt like you took a few too many noted from Matty, and I wish this had a bit more Hugamari to it. The structure is essentially just a scaled down version of the original, but it keeps Scarlet Bitch’s nice natural cadence as well, so can I really blame you for that? You also directly mention the song more than once, and like with Uvie, it’s sort of cute, but also kinda cheapens the experience. The first time I actually read it as “Femme fatale, scarlet lips / Now blow a kiss, scarlet bitch” and I low key like it better like that??? But that’s a nitpick, I know. And you know when I go nitpicking that means there’s not a lot to pick apart. And that’s especially true here. The song is short and sweet, and unapologetically poignant. You did exactly what you were supposed to do with the challenge, but in the process kind of lost what makes your point of view so unique. I want to see more of you in the following weeks, even if you’re not convinced that you have talent! Also, what's that title? I feel like I'm missing something FAVORITE COUPLET: “I’m a killer, I’m a villain; but I’m never a pawn / Always silent in the moonlight, then I leave by dawn”
ceremonials Posted August 25, 2017 Posted August 25, 2017 dont know why everything is bold but ok work
Jackson Posted August 25, 2017 Author Posted August 25, 2017 @Taylor Swift - Look What You Made Me Do I found the song to be overly trite. In the same vein as your songs Bad Blood and Shake it Off from last season, this one didn't seem to show any kind of progression over your overused victim motif apart from a contrived sense of edginess. The repetitive chorus was reminiscent of Meghan Trainor's "Me Too", yet somehow with less character. The song straddled the line between satire and self-parody without being entirely successful in either department. When the whole world just wanted an apology, you had nothing to offer but more of the same.
ceremonials Posted August 25, 2017 Posted August 25, 2017 1 minute ago, Jackson said: @Taylor Swift - Look What You Made Me Do I found the song to be overly trite. In the same vein as your songs Bad Blood and Shake it Off from last season, this one didn't seem to show any kind of progression over your overused victim motif apart from a contrived sense of edginess. The repetitive chorus was reminiscent of Meghan Trainor's "Me Too", yet somehow with less character. The song straddled the line between satire and self-parody without being entirely successful in either department. When the whole world just wanted an apology, you had nothing to offer but more of the same. stop its a bop
Hug Posted August 25, 2017 Posted August 25, 2017 7 minutes ago, ceremonials said: dont know why everything is bold but ok work If you used Google Docs, that could be it. Everything comes out bold for me when I paste from there. 8 minutes ago, ceremonials said: Okay, wig. Hug her Rated R era has finally arrived. Does that mean LOUD is next? Double wig. Overall, this kind of felt like a sequel to Scarlet Bitch rather than a reimagining of it, and I don’t really know how I feel about that. In a way, I think it’s good because you definitely nailed the premise of the challenge, but in a way it felt like you took a few too many noted from Matty, and I wish this had a bit more Hugamari to it. The structure is essentially just a scaled down version of the original, but it keeps Scarlet Bitch’s nice natural cadence as well, so can I really blame you for that? You also directly mention the song more than once, and like with Uvie, it’s sort of cute, but also kinda cheapens the experience. The first time I actually read it as “Femme fatale, scarlet lips / Now blow a kiss, scarlet bitch” and I low key like it better like that??? But that’s a nitpick, I know. And you know when I go nitpicking that means there’s not a lot to pick apart. One more thing, what’s that title? I feel like I’m missing something And that’s especially true here. The song is short and sweet, and unapologetically poignant. You did exactly what you were supposed to do with the challenge, but in the process kind of lost what makes your point of view so unique. I want to see more of you in the following weeks, even if you’re not convinced that you have talent! FAVORITE COUPLET: “I’m a killer, I’m a villain; but I’m never a pawn / Always silent in the moonlight, then I leave by dawn” Yeah, I kinda did end up making it a sequel because the lyrics I wrote just lent itself to that, and rather than waste it, I went with it. Also...I don't know, I felt like diverging from the usual for me would be better so I guess that's why I lost a lot of my unique style for this, but maybe too much went away. I can understand how referencing the original can cheapen the feel of the song, like it's reliant on knowing the previous song. It's like when someone who lost their fame tries gaining it again by namedropping what made people like them to begin with, but it comes off desperate. I just thought Scarlet Bitch sounded too cool NOT to use, though, so that's why I did it. Although you typed it wrong, I like the favorite couplet section. I think that's my favorite too. It serves feminism. (Also, Ms, Andry is a reference to "Misandry", which is the opposite of Misogyny.)
FCKNAmbrosia Posted August 25, 2017 Posted August 25, 2017 not @ceremonials snatching wigs left and right with these reviews! He's not playing
ceremonials Posted August 25, 2017 Posted August 25, 2017 5 minutes ago, Hug said: If you used Google Docs, that could be it. Everything comes out bold for me when I paste from there. Yeah, I kinda did end up making it a sequel because the lyrics I wrote just lent itself to that, and rather than waste it, I went with it. Also...I don't know, I felt like diverging from the usual for me would be better so I guess that's why I lost a lot of my unique style for this, but maybe too much went away. I can understand how referencing the original can cheapen the feel of the song, like it's reliant on knowing the previous song. It's like when someone who lost their fame tries gaining it again by namedropping what made people like them to begin with, but it comes off desperate. I just thought Scarlet Bitch sounded too cool NOT to use, though, so that's why I did it. Although you typed it wrong, I like the favorite couplet section. I think that's my favorite too. It serves feminism. (Also, Ms, Andry is a reference to "Misandry", which is the opposite of Misogyny.) I kinda wish that one line was the only reference to it, I feel it wouldn't have cheapened it all then tbh. You were supposed to emulate someone's style essentially so I cant really knock you for that, I just expected a biT more of you, but maybe that's not the best idea for this challengem given your writing style. 3 minutes ago, FCKNAmbrosia said: not @ceremonials snatching wigs left and right with these reviews! He's not playing youre next bitch 8 minutes ago, Corsola said: Ok but jackson spilled the 100% tea also the favorite couplet is a cute judging idea! i like it maybe you shoulve PLAYED bitch
FCKNAmbrosia Posted August 25, 2017 Posted August 25, 2017 Just now, ceremonials said: youre next bitch I did one of your songs. Don't be too harsh on me
ultraviolence.xx Posted August 25, 2017 Posted August 25, 2017 @ceremonials thank you!! i'll respond in a bit
touya kinomoto Posted August 25, 2017 Posted August 25, 2017 1 hour ago, ceremonials said: @KatyCatPH, “Out of My Mind” Okay, that chorus was a bit of a slay, I cannot tell a lie. It’s a shame it wasn’t repeated more and comes at the end of the song (odd choice by the way, but this is only half a song so don’t worry too much about it). I imagined it with a Tit-like melody (pre-Witness of course), and it really was serving fun, light-hearted relatable bop. Unfortunately, that’s about where it stops. I could not for the life of me figure out what song you were trying to emulate, and that’s not helped at all the fact you didn’t even specify which one you did. Usually with rounds like this, the judges will ask themselves: “Would I be able to tell what song this was based on without you specifying which one it was?” and if the answer isn’t a definitive yes, then you could be docked for it. The criteria is way less for competitive for this round, but still, whatever inspiration you have is VERY loose. The first verse was very...surface level, but I don’t think I would call it bad by any means. There was a bit of personal details in there that at least gave those lines some personality. Still, the spoken parts were extra + the prechorus was completely expository. Overall, I think you have technical songwriting down to a tee, as there were no huge issues with meter, rhyme or structure. There were also bits of personal flare throughout but it’s still a pretty basic breakup song. If you’re going to do a concept like that, you need to make it stand out, or you’ll get lost in the crowd. I want to see you experiment with new concepts in the future. FAVORITE COUPLET: “Now I’m free and soon I’ll be fine / I’ll get over you, maybe just not tonight” Legend, thank you for your comments. I appreciate the feedback. I will take it by heart and remember to follow it for the next rounds (if I make it).
Truffle. Posted August 25, 2017 Posted August 25, 2017 what page are the rules for round 1 i can't find them anywhere i'm just trying to write my song!
ceremonials Posted August 25, 2017 Posted August 25, 2017 batch two @skwonderfactory, “Midnight Sun” Conceptually I think this is pretty interesting, though I’m not sure I really know what the central metaphor means/is alluding to. And that seems to be the general issue here, it’s quite...muddled. You spend a lot of time building up this narrative in the first few verses (are they really separate verses if there’s no chorus in between? Idk tbh), and then it culminates in the chorus, but it just kinda collapses after that? I know everyone falls back in love with someone or whatever even when they have told themselves they wouldn’t, but there’s kinda too much build up and not enough payoff. The rhyme and meter is also very erratic throughout, so that makes this read more like free verse rather than lyrics. And there were some lines that just...didn’t work. Mainly towards the latter end of the song, and tbh I wouldn’t mind it if the bridge was gone completely. It adds almost nothing narrative was and isn’t compelling enough to justify it being there, in a round where you were supposed to be short and sweet. Overall, this actually has a different issue than most other entries - just the opposite, actually. It needed to be trimmed down, because there was just too much going on. Still, the only reason these shortcomings exist is because you attempted to do a lot with this song, and that ambition can only be admired. Favorite Couplet: “Ending up back to the horizon I followed / That’s not where I want to be tomorrow.” @Gastrodonatella, “Dear The One I Miss" Ok that title is fat but at least it's a title So this obviously a very emotionally charged piece, and as a follow up to “To”, that makes a lot of sense. And because we’ve been through similar things (well, I don’t really know what happened so I don’t wanna assume, but I think we both lost our mothers at young ages, yes?), this especially struck a chord. And I appreciate the sentiment behind it as well, it’s actually quite heart wrenching how bittersweet the narrative is. Mostly bitter, though. I kind of hate the “Mommy” in the chorus, though. It would be somehow better if it was “Mama”, but that’s a nitpick and largely a personal preference, I think. What I fear is what happened to me might also happen to you. I don’t want you to become conceptually one-note, because it can be a difficult rut to get out of. At least for me, writing about her was a therapeutic way to deal with something I otherwise didn’t know how to deal with. I’m still not sure I know how to deal with it, but I do know that just writing it on paper for myself helped a lot. So in a way, taking your loss and pain and turning it into something beautiful that can make other people happy can only be seen as a good and healthy thing in my eyes, but unfortunately I don’t think everyone shares that same opinion. Right now, I don’t think it’s too large of an issue, but I want to see you pursuing other topics as well. Overall, in terms of what’s actually wrong with the song, there isn’t much. I can’t poke any major holes in it per se. You’ve always been a proficient writer, but you need to step out of your box occasionally or the walls will turn to cement. Favorite Couplet: “Those nights when you spent lying in your bed alone and crying / I hope to God that you forgive me, too” @keshaspearsxo, “Little Rose” Okay, I teared up a bit at just the title. I have a hunch…. Okay now let me actually read it. Okay, the use of commas needs to go. It was necessary in some parts but caused awkward pauses at other times. I know that’s just how some people write, but I want you to get out of the habit of that. I know you love perfect rhymes as well and it does complement the impeccable flow (that is, without the commas), but at times they were just a little to elementary. (see “I think” end rhyme). That longer section of the bridge also felt a bit tacked on, through I do appreciate the sentiment and how it provides meaningful closure to the narrative. I know I’ve only said negative stuff so far, but I don’t want you to be discouraged. These were largely just minor technical issues that might have just arisen since you haven’t written regularly (at least in PH) for awhile. And for what this piece lacks, it more than makes up for in emotional brevity and succinct, clean imagery. Overall, there were some very minor bumps, but your writing maintains an uncommon resilience even after years on hiatus, and for that I can only applaud you. Favorite Couplet: “I saw a rose, once in a dream / But once I awoke, I’d lost you, it seems” @OreGuy, “Running Out of Time” Okay, a lot of things about this piece are alllllll over the place, but it actually flows kind of well??? Like I was kinda bopping throughout. And while the inspiration from Hourglass is pretty loose, this is actually an interesting way to go about it. I admire that. It wasn’t melancholic like the original was at all, and it wasn’t really the opposite either. It’s somewhere in the middle. That said, the immagery is ALL over the place, like I stated earlier. Like, there’s absolutely no consistency to it, but maybe that’s the point? I feel like I’m just reading too far into this but I feel like the very, very erratic imagery might have been meant to be display a sense of urgency to go along with the theme of “running out of time”. That’s still a reach though, and it doesn’t excuse the nonexistent rhyme scheme. There’s also a LOT of repetition. Overall, I think you are a very misunderstood writer, and I actually think your concepts are very ARTPOP most of the time. I live for them actually, but they’re rarely executed to the fullest extent. I think if you had moor peer reviews, you could do a lot better than you usually do, because there’s a lot of hidden potential. I believe in you sis :’( Favorite Couplet: “Won’t you just go and flip that dime / Won’t you stand and say you’re mine?” @EJQL8, “Servant of the Lord” Okay, the whole sexual religious theme is pretty played out, but I don’t think it’s executed awfully here. Not flawlessly mind you, but it’s not exactly the easiest concept to **** up. There’s nothing groundbreaking here, nothing we haven’t seen before, but I don’t think that’s always a bad thing. Where you do fall short is, well, for one the rhyme scheme. Not every line has to rhyme, and though it can sound nice if you pull it off, most of the lines will just come off as forced and nullify any kind of merit that line might of had. It’s important to experiment with different rhyme schemes, and AAAA is certainly not one you should start off with. Also, um, what song is this supposed to be inspired by? If there is any, it’s pretty shaky to the point that I question its existence. Overall, I appreciate what you were trying to do, even if it wasn’t the most groundbreaking thing ever, it was still a cute slut bop. However you need to drop that rhyme scheme immediately and try experimenting with different structures in the future. Favorite Couplet: "His build, his charm, his commitment / Have been my bliss and my torment"
ceremonials Posted August 25, 2017 Posted August 25, 2017 5 minutes ago, Gastrodonatella said: oh my songs called Dear The One I Miss and i didnt include it in the ****ing pm rat
UFO Posted August 25, 2017 Posted August 25, 2017 (edited) 1 hour ago, ceremonials said: @UFO, “Black Sun” Let me start off by saying that the structure is...weird? I don’t know, there’s not really any structure to it, really. But in a round like this, and especially in the first round, and especially when Ratson told you like a day later that you didn’t need a full song, I don’t think that criticism holds too much merit. It felt like you wrote this, and then he said that, so you deleted some parts, rearranged it, and made it work. I don’t know if that’s true, but I do think I would have liked to see an expanded version of this. I couldn’t really tell if it felt unfinished, or if it was just well written enough that I wanted to hear more, but I wish this was a regular round. That said, what you do have is quite good. Your use imagery is nice, consistent and appropriate in the way that sort of mirrors the original. And though this is one of the few similarities I found to NSOTH throughout the song, conceptually they are one and the same. What really differentiates this from NSOTH is just how eloquently it’s written - in a way, it’s a step up from even NSOTH (though that was one of the lowest scoring #1s of all time ki, Hourglass won). It’s very poetic, and I think that this kind of imagery complements that writing style pretty flawlessly. (Ask @Moonchild ). Still, there were some parts I have to bring up. Your obligatory regression into water imagery comes off as especially dull since there was little to none of it in the original. If there was, I might’ve excused it. This is most apparent in the “You called me crazy” line, because I feel like there was a word missing? Even so, the line needed reworking and the water imagery didn’t have much business here. The chorus was also awkwardly long in relation to the rest of the song, which is not something typical of choruses. I know I had a lot to say about it, but it’s because it was one of my favorites. I hope maybe someday you revise this and make it into a full song, because right now, while a fine entry on its own, has some serious unlocked potential. FAVORITE COUPLET: “I start dimming as evening dies, night hides me from you / In her shadow, I’m shining but you haven’t a clue” omg thank you! Nnnn yeah the structure wasn't really my focus when writing this song I actually didn't delete/rearrange any parts but I definitely tried to condense what I wanted to do with the song, I'm shook that you picked up on that! I'll probably revise it one day since I wanted to write more (especially in the verses and the bridge) but I held myself back because I didn't want to clutter the song with unnecessary filler lines and too many ideas if that makes sense One of my greatest weaknesses is the fact that I incorporate too many ideas so I tried to avoid that with this song. I mainly focused on making the song as conceptual and cohesive as possible. It's just simply a personification of the Sun yearning for the Earth's love and how it gets overshadowed by the Moon. I'll probably add a lot more background details and develop the story further if I ever do revise this song I do agree that the "water imagery" was kind of awkward, although I do think "ocean blues" still fits the message of the song without delving too deep into water imagery and I wanted to throw in a couple of ideas that weren't present in NSOTH to differentiate them as much as possible while still being inspired by your song. Even though I wanted to flesh it out a bit more, I'm satisfied with the finished product and I'm glad you liked it too! and yaaaaas! STAN for that couplet. I really wanted to emphasise how the Sun is in the Moon's shadow like an actual solar eclipse and use it to convey how sometimes people feel as though they're emotionally in someone else's shadow. Also KII @ me writing about a solar eclipse and a solar eclipse actually happened a few days ago, I literally had NO idea it was a literal coincidence Quote I couldn’t really tell if it felt unfinished, or if it was just well written enough that I wanted to hear more What really differentiates this from NSOTH is just how eloquently it’s written - in a way, it’s a step up from even NSOTH I know I had a lot to say about it, but it’s because it was one of my favorites Whew! These compliments tho. the critical acclaim has just BEGUN Edited August 25, 2017 by UFO
ceremonials Posted August 25, 2017 Posted August 25, 2017 2 minutes ago, Gastrodonatella said: btw i knew people would hate the use of the word mommy in the chorus but that's literally what i've always called my mom so haters back off also i didn't know you had a similar experience so i'm sorry if that dredged up anything bad bitch did you read any og my songs from DH
ceremonials Posted August 25, 2017 Posted August 25, 2017 Just now, Gastrodonatella said: no lol Ok work
UFO Posted August 25, 2017 Posted August 25, 2017 Slay @ @ceremonials being the first judge to come through with these reviews! The new @Aurora
poki Posted August 25, 2017 Posted August 25, 2017 Mess it's unknown who wrote Midnight Sun? Ghost writer taken to a new level. The reviews are written so well! Perched for my cheesy song to pop up. Mess my song is serving Kids Bop compared to the other entries so far based on these reviews.
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