NOW Posted 3 hours ago Posted 3 hours ago (edited) A&R music exec veteran Larry Jackson speaks to the NYT Popcast podcast on the origins of Lana Del Rey as she was about to sign to her first major label record deal. I pulled the soundbites with timestamps from the section about Lana. Listen to the whole interview here. 20:30 In March 2011, he and fellow Interscope A&R exec John Ehmann came across her Diet Mtn Dew demo song. They reached out and wanted to fly her to LA to sign with them and work on new music. Once Video Games went viral after she uploaded it to Youtube, she started getting offers from many major labels. The night before she signed with Jackson on Interscope, she was offered another deal with Sony for twice the amount that Interscope was offering. However, she declined it and signed with Jackson on Interscope because she wanted to become "Gangster Nancy Sinatra." 24:00 The total cost to produce the Born to Die album with Emile Haynie and Justin Parker was $183K. 24:30 Jackson forwarded Jimmy Iovine a letter to give to Lorne Michaels to add Lana Del Rey as a SNL musical guest. Michaels agreed after being shown Lana's DIY Video Games music video. Jackson believed she could cut through in the era of uptempo pop hits like Party Rock Anthem, Tik Tok and Just Dance. 28:00 Jackson roasts podcast host about the cultural/commercial impact of Born to Die, who gave it a scathing review. He still stands by the review and the discourse it generated but admits Lana has evolved as an artist and is now undeniably one of the greatest singer-songwriting talents of our time. 37:00 Jimmy Iovine put Jackson with Lana in a bootcamp in order to hone in her artistry after the SNL performance's polarizing reception. Lana with Interscope A&R Larry Jackson and John Ehmann on set of the National Anthem video. Edited 3 hours ago by NOW 2 1
CottageHore Posted 3 hours ago Posted 3 hours ago (edited) THE most influential and iconic debut album of all time iktr Edited 3 hours ago by CottageHore 2 1
James_Dean Posted 2 hours ago Posted 2 hours ago Badly need her back in the studio with Emile Haynie and Rick Nowels 2 2
Iaintsorry Posted 2 hours ago Posted 2 hours ago Nobody really talks about how much of a risk it was for Lana to come into a musical landscape of DJ drops and EDM to be able to smash and do the numbers she did with BTD. She shaped an aesthetic and sound that female artists till this day are still imitating. Good on her and that A&R guy for having the vision. 2 1
Aethereal Posted 2 hours ago Posted 2 hours ago She cannot sing BTD songs live the same they sound in studio. It's time to leave that in the past. Paros, Texas is a top teir song anyways. 2 1
Vixen Eyes Posted 2 hours ago Posted 2 hours ago Notice he said TiK ToK And Just Dance and not California Gurls 1
Dragonfly Posted 1 hour ago Posted 1 hour ago I remember being devastated when I played my Born to Die CD for the first time, and this version wasn´t on it
MatiRod Posted 51 minutes ago Posted 51 minutes ago Quote The total cost to produce the Born to Die album with Emile Haynie and Justin Parker was $183K That's absolute peanuts for a major label lol. The profit margin is insane.
Starfish Posted 33 minutes ago Posted 33 minutes ago 1 hour ago, Aethereal said: She cannot sing BTD songs live the same they sound in studio. It's time to leave that in the past. Paros, Texas is a top teir song anyways. She sounds better live than on the studio versions so it's for the best.
Recommended Posts