celeb news "The amount of gibberish Katy Perry says is proof that she writes her own songs"

[Zeferino]

speechless

[bielneira]

Honestly, her response sounded to me like "I wanted another hit, so I'm working with him again"

[Katamari]

Should have gotten Bonnie instead of Luke since that was the real reason for success 

[Into The Void]

Just remember....

It's Never Really Over

[babyforlife]

4 hours ago, Mitchell said:

Now I see why her fans are fuming over Gaga being acclaimed in Joker

 

i still dont understand out of all stanbase in 2024 katy perry fans are the ones who had the NERVE to say **** about Gaga as if her fave's career isn't over and panned...  Even her new singles get outstreamed by less popular artist  than her such as like Jojo Siwa, Tinashe and Addison Rae

[loveisdead9582]

5 hours ago, Arthoe said:

Damn

 

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I know Katy getting lashings are well overdue because of her decision to collab with Puke again, but somehow I can't help but feel sorry for her. Genuinely. I think this might be the last time we see her for a LONG time, and it is kind of sad that it is ending on such a sour note. It's of her own making for sure, I guess but still.

 

She's maneuvering herself from one PR disaster into another, desperately trying to capture her old glory, the visuals look like they'd be viral in 2010 (and 2010 only), the songs are not connecting. I wish she would have stayed on the path that she took on with NRO. Even Harleys in Hawaii was pretty good, they seemed like a genuine evolution. These songs were showing off facets of Katy, that I personally hadn't seen before and I was really appreciating.  

 

 

5 hours ago, Princess Aurora said:

How did she go from Never Really Over and Harleys In Hawaii to Woman's World? 

 

The sad fact is that Never really Over was also a ripoff of another song (imo a better one). It seems like we're getting rip offs or soulless music in the same vein. It's like she's trying to recreate the last time she had some actual success. HIH was written by Charlie Puth I believe and idk how much of that came from Katy if we're being honest. She kind of dug herself into a hole creatively and… well… here we are. Idk what's going on with her but it's like Katy's creativity has dried up (or wasn't really there to begin with). Dr. Luke, Katy, and Bonnie McKee wrote some absolute bangers on TD and Prism. I guess Bonnie was the lyricist out of the three because Luke/Katy just isn't giving the same level of quality. 

[PlERRE]

[STMG23]

[Peak Now]

7 hours ago, Doctor Dick said:

Do you ever feel like a punching bag
Walking through the streets, wanting to smash again?
Do you ever feel, like a flop when you sing
Like a house of fads, one bomb from cavin' in?
Do you ever feel like your career has passed?
Almost zero streams, no one seems to hear a thing
Do you know that there's still a chance for you?
If you work with Luke

 

You just gotta ignite the light
And let it shine
Just own that you're working with rapists
Like those actions are justifed

 

 

CUZ BABY YOU'RE A PIEEEEEEECE OF WORK
COME ON GO FROM WOOOOOOORSE TO WORSE

MAKE 'EM GO "NO, NO, NO"

AS YOU FLOP HARDER THAN SMILE, -ILE, -ILE

 

CUZ BABY YOU'RE A PIEEEEEEECE OF WORK
KEEP ON DANCING WIIIIIIIIITH A TURD

MAKE 'EM GO "NO, NO, NO"

YOU GOTTA TANK BEFORE THEY KNOW, -OW, -OW

Edited September 5 by AndThenTheCocaine

[BrokenMachine]

You can say anything about Katy, but her personal imprint and way of songwriting is too evident in all of her songs. She has writing camps like every other artist in the industry, but her own pen stands from the other contributions (in good and bad ways for equal).

 

[Truth Teller]

6 hours ago, loveisdead9582 said:

 

The sad fact is that Never really Over was also a ripoff of another song (imo a better one). It seems like we're getting rip offs or soulless music in the same vein.

That applies to a lot of pop music though. California Gurls was also a rip-off and we love that one.

 

 

Never Really Over is actually less of a rip-off and a more creative one than Cali Gurls (and a lot of other songs). They used Dagny's chord progression and top melody but did so many (great) things with it that it didn't feel derivative. I actually prefer NRO to LYLT, especially the chorus. The problem with the new songs is that they add nothing special to whatever amalgam of generic europop chords they're based on

[G.U.Y. Gaga]

16 hours ago, YoungDreamer said:

oh wow 

 

been looking for this gif