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HDD: Taylor Swift 9x #1 125k, Normani out of top 50


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Its her own fault. No promo and no music videos?

 

Flop

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Just now, X~MoviePoP said:

Its her own fault. No promo and no music videos?

 

Flop

the random flop at the end :rip: ddrjfd

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LW TW ARTIST | TITLE | LABEL TOTAL CHANGE ALBUMS TEA SEA
1 1 TAYLOR SWIFT | THE TORTURED POETS DEPARTMENT
REPUBLIC (UMG)
125,301 -2% 32,222 619 92,460
2 2 BILLIE EILISH | HIT ME HARD AND SOFT
DARKROOM/INTERSCOPE (UMG)
86,260 -19% 17,368 556 68,336
-- 3 DON TOLIVER | HARDSTONE PSYCHO
CACTUS JACK/ATLANTIC (WMG)
77,029 -- 20,015 200 56,815
4 4 MORGAN WALLEN | ONE THING AT A TIME
BIG LOUD/MERCURY/REPUBLIC (UMG)
72,048 0% 1,506 721 69,821
-- 5 $UICIDEBOY$ | NEW WORLD DEPRESSION
G59 (THE ORCHARD)
64,207 -- 18,520 104 45,584
-- 6 LUKE COMBS | FATHERS & SONS
RIVER HOUSE/COLUMBIA NASHVILLE (SME)
60,346 -- 14,998 1,248 44,100
-- 7 NAYEON | NA ('A' VER.)
JYP/VIRGIN/IMPERIAL/REPUBLIC (UMG)
51,418 -- 47,506 165 3,747
3 8 CHARLI XCX | BRAT
ATLANTIC (WMG)
45,030 -39% 12,586 180 32,264
11 9 CHAPPELL ROAN | THE RISE AND FALL OF A MIDWEST PRINCESS
ISLAND (UMG)
44,733 22% 6,279 308 38,146
-- 10 MONEYBAGG YO | SPEAK NOW
CMG/N-LESS/INTERSCOPE (UMG)
43,344 -- 2,186 910 40,248
7 11 MORGAN WALLEN | DANGEROUS: THE DOUBLE ALBUM
BIG LOUD/MERCURY/REPUBLIC (UMG)
43,090 -1% 406 271 42,413
9 12 NOAH KAHAN | STICK SEASON
MERCURY/REPUBLIC (UMG)
40,771 -1% 3,906 325 36,541
8 13 SHABOOZEY | WHERE I'VE BEEN, ISN'T WHERE I'M GOING
AMERICAN DOGWOOD/EMPIRE (EMPIRE)
40,360 -3% 870 2,298 37,191
12 14 ZACH BRYAN | ZACH BRYAN
WARNER (WMG)
36,133 3% 3,404 279 32,450
10 15 FUTURE & METRO BOOMIN | WE DON'T TRUST YOU
BOOMINATI/FREEBANDZ/REPUBLIC/EPIC (UMG/SME)
34,768 -8% 1,709 149 32,910
13 16 SZA | SOS
TDE/RCA (SME)
33,625 -3% 1,619 112 31,894
15 17 ZACH BRYAN | AMERICAN HEARTBREAK
WARNER (WMG)
31,416 -1% 1,049 300 30,067
16 18 BENSON BOONE | FIREWORKS & ROLLERBLADES
NIGHT STREET/WARNER (WMG)
31,304 -1% 582 853 29,868
17 19 POST MALONE | THE DIAMOND COLLECTION
MERCURY/REPUBLIC (UMG)
29,172 1% 246 258 28,668
-- 20 LUCKI | GEMINI!
EMPIRE (EMPIRE)
28,751 -- 1,610 18 27,123
18 21 TAYLOR SWIFT | LOVER
REPUBLIC (UMG)
27,765 -1% 5,200 367 22,198
14 22 GUNNA | ONE OF WUN
YOUNG STONER LIFE (WMG)
26,842 -19% 50 47 26,745
19 23 ARIANA GRANDE | ETERNAL SUNSHINE
REPUBLIC (UMG)
24,587 -11% 2,198 204 22,185
21 24 LUKE COMBS | THIS ONE'S FOR YOU
RIVER HOUSE/COLUMBIA NASHVILLE (SME)
23,641 -1% 539 203 22,899
22 25 OLIVIA RODRIGO | GUTS
GEFFEN (UMG)
23,510 0% 2,800 144 20,566
23 26 TAYLOR SWIFT | 1989 (TAYLOR'S VERSION)
REPUBLIC (UMG)
22,941 -1% 5,346 240 17,355
34 27 SABRINA CARPENTER | EMAILS I CAN'T SEND
ISLAND (UMG)
21,889 11% 2,437 168 19,284
20 28 EMINEM | CURTAIN CALL
SHADY/AFTERMATH/INTERSCOPE (UMG)
21,888 -10% 835 451 20,601
26 29 TEDDY SWIMS | I'VE TRIED EVERYTHING BUT THERAPY (PART 1)
WARNER (WMG)
21,873 -2% 1,939 806 19,128
25 30 BAD BUNNY | UN VERANO SIN TI
RIMAS (THE ORCHARD)
21,811 -4% 146 41 21,624
27 31 TAYLOR SWIFT | MIDNIGHTS
REPUBLIC (UMG)
21,452 -4% 3,603 238 17,612
29 32 LUKE COMBS | GETTIN' OLD
RIVER HOUSE/COLUMBIA NASHVILLE (SME)
20,851 0% 768 358 19,725
32 33 LINKIN PARK | PAPERCUTS
WARNER (WMG)
20,770 3% 1,905 183 18,682
38 34 CREEDENCE CLEARWATER REVIVAL | CHRONICLE: THE 20 GREATEST HITS
FANTASY (UMG)
19,915 4% 2,163 219 17,533
42 35 FLEETWOOD MAC | RUMOURS
WARNER (WMG)
19,417 4% 3,932 240 15,246
31 36 TRAVIS SCOTT | UTOPIA
CACTUS JACK/EPIC (SME)
19,158 -7% 456 64 18,638
30 37 BEYONCE | COWBOY CARTER
PARKWOOD/COLUMBIA (SME)
18,740 -10% 1,181 272 17,287
45 38 BOB MARLEY & THE WAILERS | LEGEND
TUFF GONG/ISLAND (UMG)
18,686 5% 3,868 192 14,627
40 39 PESO PLUMA | GENESIS
DOUBLE P/PRAJIN PARLAY (THE ORCHARD)
18,175 -3% 19 29 18,127
36 40 DRAKE | FOR ALL THE DOGS
OVO/REPUBLIC (UMG)
18,094 -7% 11 40 18,043
49 41 EAGLES | TO THE LIMIT: THE ESSENTIAL COLLECTION
ELEKTRA/RHINO (WMG)
18,077 4% 1,503 316 16,258
37 42 KENDRICK LAMAR | DAMN.
TDE/AFTERMATH/INTERSCOPE (UMG)
18,036 -7% 1,758 54 16,224
-- 43 DECEMBERISTS | AS IT EVER WAS, SO IT WILL BE AGAIN
Y.A.A.B. (INDIE)
17,888 -- 16,583 64 1,241
44 44 ELTON JOHN | DIAMONDS
ISLAND (UMG)
17,865 -2% 700 338 16,827
43 45 KENDRICK LAMAR | GOOD KID M.A.A.D CITY
TDE/AFTERMATH/INTERSCOPE (UMG)
17,480 -5% 2,065 40 15,375
41 46 OLIVIA RODRIGO | SOUR
GEFFEN (UMG)
17,457 -7% 2,314 73 15,070
50 47 TAYLOR SWIFT | FOLKLORE
REPUBLIC (UMG)
17,437 0% 3,500 149 13,788
33 48 GLORILLA | EHHTHANG EHHTHANG
CMG/INTERSCOPE (UMG)
17,333 -13% 25 110 17,198
-- 49 QUEEN | GREATEST HITS 1
HOLLYWOOD (UMG)
16,971 -- 2,470 299 14,202
-- 50 FUERZA REGIDA | PA LAS BABY'S Y BELIKEADA
RANCHO HUMILDE/STREET MOB (SME)
16,865 -- 14 26

16,825

 

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The album is good and has been well-received by critics. She can still move forward as a cutting-edge R&B diva ala Tinashe, playing festivals, smaller tours, steadily releasing music, without necessarily having huge chart moments.

 

There are more ways to have a career in music other than being a huge superstar, it's all about adjusting expectations and expenses. This doesn't have to be the end of the road at all, especially in the streaming age.

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Not bad with no hype

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It's a miracle if it charts. Maybe she'll outpeak M-Train's new album.

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When it debut below top 150

 

72-A8-FFD8-49-CA-4-F05-82-E3-40-AE1-AABE

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She's playing the 90's game. Ya know when an album would debut at #136 & rise to the top 10. Right? Right?

 

this is all apart of the plan me thinks  :suburban:

Edited by Bey_Rihstan
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I knew it was bad when I saw "47 people are currently waiting" on YouTube 5 minutes before 1:59 release

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:bibliahh:

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No promo, no videos, no track list, awful single choices, not surprised

 

72-A8-FFD8-49-CA-4-F05-82-E3-40-AE1-AABE

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Normani and her inept team did this to herself.

 

Everyone around her CLEARLY misjudged the popularity and fame of Fifth Harmony and Normani's solo potential. This is why listening to gays and pop stans who gas you up online is never a good idea, because it just doesn't reflect the actual market in any tangible way :coffee2:

 

Literally no one outside of pop standom circles knows who this ***** is!

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3 minutes ago, naval23 said:

I knew it was bad when I saw "47 people are currently waiting" on YouTube 5 minutes before 1:59 release

WHAT

 

tsmadison-laughing.gif

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disappointing. there is definitely more she and her team could have done leading up to the release

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Charli's hold wow :clap3:

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2 19 DUA LIPA | RADICAL OPTIMISM
WARNER (WMG)
25,396 -70% 6,187 435 18,774


3 8 CHARLI XCX | BRAT
ATLANTIC (WMG)
45,030 -39% 12,586 180 32,264

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It's sad because the material is good and she's a decent performer, they should be booking  performances and getting her name out there. 

 

I don't think it's surprising that an album which was dropped 6 years too late with 0 fanfare is flopping 

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2 minutes ago, Vegvisir said:

WHAT

 

tsmadison-laughing.gif

MCLdo9L.png

 

the top comment on her YouTube page the day of her release

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I don't see how this is funny at all anymore, It's tragic more than anything. It's sad how badly her management ****** up her career by waiting so long between releases, and how much momentum she had at the beginning and even at the beginning of this era. It's sad how everyone seems to have glee at seeing her downfall. It's sad how her label seems to do bare **** to fight back against the 'lazy' allegations.  It's unfortunate how yet again Twitter hype has failed another black female artist. We've seen it with Chole too.

 

People always ask, where are the new black pop girls?

 

Well, they get Twitter hype but it never seems to go anywhere for them or get a strong enough fanbase, many people like tweets; aren't streaming the music and then when they inevitably flop on the charts or underperform, they're dogpiled (by Stan Twitter and our community (i.e Shade Room, Black Twitter, LSA). It seems like that hype works for white female artists (see the massive success of Espresso and Good Luck Babe!) but it never translates for black female artists. Normani will most likely get dropped by RCA after this album; I hope she stays in the public eye and at least tries to release music when she wants to and her fans continue to support her unlike many of you who take full-blown glee in this happening.

Edited by Gwendolyn
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  • ATRL Moderator

I understand that she was going through the personal events that delayed this album, but once she decided it was finally time, she needed to snap into pop star mode. There was a legitimate opportunity to build on the hype of announcing a release date and she did basically nothing for months. Utterly unsurprising outcome.

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The problem is definitely with RCA. it's like they want to get rid of her? Like how come you have no cd's or vinyls. Nobody gonna get a vinyl of this album in a year. And why is there no music video or any radio. If she was under Republic Records or Interscope, this album would've gone top 10.

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Great #s for Charli :heart:

 

why drag Dua Lipa into this??

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