Hector Posted November 7 Posted November 7 (edited) Hollywood Music In Media Awards Nominations: SONG – FEATURE FILM "Compress/Repress" from CHALLENGERS. Written by Trent Reznor, Atticus Ross & Luca Guadagnino, Performed by Mariqueen Maandig Reznor. "El Mal" from EMILIA PÉREZ. Written by Clement Ducol, Camille, & Jacques Audiard, Performed by Zoe Saldana "Forbidden Road" from BETTER MAN. Written and Performed by Robbie Williams "Mi Camino" from EMILIA PÉREZ. Written by Clement Ducol and Camille, Performed by Selena Gomez and Édgar Ramírez "Out of Oklahoma" from TWISTERS. Written by Luke Dick, Shane McAnally, Lainey Wilson. Performed by Lainey Wilson. "Periyone" from THE GOAT LIFE. Written by A.R. Rahman and Rafiq Ahamed. Performed by Jithin Raj. "The Idea of You" from THE IDEA OF YOU. Written by Savan Kotecha, Albin Nedler and Carl Falk, Performed by Galitzine and Anne-Marie "The Journey" from THE SIX TRIPLE EIGHT. Written by Diane Warren. Performed by H.E.R. "Winter Coat" from BLITZ. Written by Nicholas Britell, Taura Stinson, and Steve McQueen, Performed by Saoirse Ronan SONG – INDEPENDENT FILM "Beautiful That Way" from THE LAST SHOWGIRL. Written by Miley Cyrus, Lykke Zachrisson, Andrew Wyatt. Performed by Miley Cyrus. "City of Dreams" from CITY OF DREAMS. Written by Linda Perry. Performed by Luis Fonsi "Hold On To The Dream" from KA WHAWHAI TONU – STRUGGLE WITHOUT END. Written by Arli Liberman & Tiki Taane. Performed by Arli Liberman, Tiki Taane, Louis Baker "Right Where He Ought To Be" from KIM KAHANA: THE MAN WHO CHANGED HOLLYWOOD. Witten by Richard Lynch and Kenny Day. Performed by Richard Lynch "The Creatures of Nature" from SASQUATCH SUNSET. Written by Toto Miranda, Yvonne Lambert and Josh Lambert. Performed by Riley Keough. "Wi Sabi Wi" from AFRICAN GIANTS. Written by Justin Schornstein. Performed by Malik Mayne, Patrick Dillon Curry, and Justin Schornstein. SONG – DOCUMENTARY FILM "Growing Up Is For Losers" from RED HERRING. Written and Performed by Xav Clarke "Harper and Will Go West" from WILL & HARPER. Written by Sean Douglas, Kristen Wiig, Josh Greenbaum, Performed by Kristen Wiig "Mis Cuatro Letras" from NIGHT IS NOT ETERNAL. Written and Performed by San Miguel Pérez and Chad Cannon "Never Too Late" from ELTON JOHN: NEVER TOO LATE. Written by Elton John, Brandi Carlile, Bernie Taupin, and Andrew Watt. Performed by Elton John and Brandi Carlile. "Pain Has A Purpose" from AMERICANS WITH NO ADDRESS. Written by Cindy Morgan and Jonathan Kingham. Performed by Rachael Lampa "Piece by Piece" from PIECE BY PIECE. Written by Pharrell Williams. Performed by Pharrell Williams, and Princess Anne High School Fabulous Marching Cavaliers SONG – ANIMATED FILM "Beyond" from MOANA 2 – Written by Abigail Barlow and Emily Bear. Performed by Auli'i Cravalho "Can I Get a Chee Hoo" from MOANA 2 – Written by Abigail Barlow and Emily Bear. Performed by Dwayne Johnson "Double Life" from DESPICABLE ME 4 – Written and performed by Pharrell Williams "Just As You Are" from THELMA THE UNICORN. Written by Taura Stinson, Darien Dorsey, & Brittany Howard. Performed by Brittany Howard. "Kiss the Sky" from THE WILD ROBOT – Written by Maren Morris, Ali Tamposi, Michael Pollack, Delacey, Jordan Johnson, and Stefan Johnson. Performed by Maren Morris. SONG – ONSCREEN PERFORMANCE (FILM) Cynthia Erivo – "Defying Gravity" from WICKED Nicholas Galitzine and Anne-Marie – "The Idea of You" from THE IDEA OF YOU Saoirse Ronan – "Winter Coat" from BLITZ Timothée Chalamet – "Blowin' in the Wind" from A COMPLETE UNKNOWN Zoe Saldana – "El Mal" from EMILIA PEREZ SCORE – ANIMATED FILM DRAGONKEEPER – Arturo Cardelús INSIDE OUT 2 – Andrea Datzman THAT CHRISTMAS – John Powell THE WILD ROBOT – Kris Bowers WALLACE & GROMIT: VENGEANCE MOST FOWL – Lorne Balfe & Julian Nott SCORE – FEATURE FILM BLITZ – Hans Zimmer CHALLENGERS – Trent Reznor & Atticus Ross CONCLAVE – Volker Bertelmann EMILIA PÉREZ – Clement Ducol & Camille GLADIATOR II – Harry Gregson-Williams HORIZON: AN AMERICAN SAGA – CHAPTER 1 – John Debney SATURDAY NIGHT – Jon Batiste THE SIX TRIPLE EIGHT – Aaron Zigman SCORE – SCIFI/FANTASY FILM DEADPOOL & WOLVERINE – Rob Simonsen DUNE: PART TWO – Hans Zimmer FURIOSA: A MAD MAX SAGA – Tom Holkenborg IF – Michael Giacchino RED ONE – Henry Jackman SCORE – HORROR/THILLER FILM A QUIET PLACE: DAY ONE – Alexis Grapsas HERE AFTER – Fabrizio Mancinelli LONGLEGS – Zilgi NOSFERATU – Robin Carolan SPEAK NO EVIL – Danny Bensi & Saunder Jurriaans THE SUBSTANCE – Raffertie SCORE – INDEPENDENT FILM AFRICAN GIANTS – Justin Schornstein IN THE LAND OF SAINTS & SINNERS – Diego Baldenweg SASQUATCH SUNSET – The Octopus Project SEPTEMBER 5 – Lorenz Dangel THE ROOM NEXT DOOR – Alberto Iglesias THELMA – Nick Chuba SCORE – DOCUMENTARY DIANE VON FURSTENBERG: WOMAN IN CHARGE – Allyson Newman ENDURANCE – Daniel Pemberton FRIDA – Víctor Hernández Stumpfhauser JIM HENSON IDEA MAN – David Fleming OCTOBER H8TE – Sharon Farber SUPER/MAN: THE CHRISTOPHER REEVE STORY – Ilan Eshkeri THE DONN OF TIKI – Holly Amber Church WILL & HARPER – Nathan Halpern MUSIC THEMED FILM, BIOPIC OR MUSICAL A COMPLETE UNKNOWN – Directed by James Mangold. Produced by Fred Berger, Bob Bookman, Timothée Chalamet, Alan Gasmer BACK TO BLACK – Directed by Sam Taylor-Johnson. Produced by Nicky Kentish Barnes, Debra Hayward and Alison Owen BETTER MAN – Directed by Michael Gracey. Produced by Paul Currie, Jules Daly, Michael Gracey, Coco Xiaolu Ma, Craig McMahon BOB MARLEY: ONE LOVE – Directed by: Reinaldo Marcus Green. Produced by Robert Teitel, Dede Gardner, Jeremy Kleiner, Ziggy Marley, Rita Marley and Cedella Marley EMILIA PÉREZ – Directed by Jacques Audiard. Produced by Jacques Audiard, Pascal Caucheteux, Valérie Schermann, Anthony Vaccarello WICKED – Directed by Jon M. Chu. Produced by Marc Platt and David Stone MUSIC DOCUMENTARY – SPECIAL PROGRAM ELTON JOHN: NEVER TOO LATE – Directed by R.J. Cutler and David Furnish. Produced by R.J. Cutler, David Furnish, Trevor Smith. I AM: CELINE DION – Directed by Irene Taylor. Produced by Julie Begey Seureau, Stacy Lorts, Tom Mackay, Irene Taylor. MUSIC BY JOHN WILLIAMS – Directed by Laurent Bouzereau. Produced by Sara Bernstein, Laurent Bouzereau, Ryan Carli, Justin Falvey, Darryl Frank, Brian Grazer, Ben Hasler, Ron Howard, Meredith Kaulfers, Markus Keith, Kathleen Kennedy, Michael Rosenberg, Frank Marshall, Steven Spielberg, Justin Wilkes. ONE TO ONE: JOHN AND YOKO – Directed by Kevin Macdonald and Sam Rice-Edwards. Produced by Kevin Macdonald, Alice Webb, Peter Worsley. PIECE BY PIECE – Directed by Morgan Neville. Produced by Morgan Neville, Caitrin Rogers, Mimi Valdés, Joshua R. Wexler and Pharrell Williams. THE GREATEST NIGHT IN POP – Directed by Bao Nguyen. Produced by Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham. Edited November 7 by Hector
EnigmaticAndroid Posted November 7 Posted November 7 (edited) I really needed to take my mind off of the election and decided to see Here and woof What a total misfire By far the worst film of the year for me (so far), which is a shame because the concept is great. Between it, Megalopolis, Joker, Horizon, and Furiosa, it's been the year of big ambitious failures. Edited November 7 by EnigmaticAndroid 1
EnigmaticAndroid Posted November 7 Posted November 7 1 hour ago, fridayteenage said: furiosa got good reviews tho It was a financial bomb tho, it was a failure in that sense (i really like the film for what it's worth).
Dark Miracles Posted November 7 Posted November 7 11 hours ago, EnigmaticAndroid said: I really needed to take my mind off of the election and decided to see Here and woof What a total misfire By far the worst film of the year for me (so far), which is a shame because the concept is great. Between it, Megalopolis, Joker, Horizon, and Furiosa, it's been the year of big ambitious failures. Not JFAD being ambitious. An unnecessarily large budget and a poorly fleshed out concept doesn't put it in the same ballpark as movies like Megalopolis and Furiosa
EnigmaticAndroid Posted November 7 Posted November 7 13 minutes ago, Dark Miracles said: Not JFAD being ambitious. An unnecessarily large budget and a poorly fleshed out concept doesn't put it in the same ballpark as movies like Megalopolis and Furiosa It was a huge artistic swing though, multiple industry people have praised it as such It's a piece of metafiction intentionally meant to subvert audience expectations and piss off the people who liked the first film for all the wrong reasons, and the musical element is both a tool for psychological expression of the characters and something to prod at the audience. The way it uses plot and certain characters are as self-aware allegory. Gaga is the audience stand in. The courtroom plot literally puts the first film on trial. Part of the ending is Todd predicting the film's reception. He knew this film was going to be toxic to audiences. I'm not saying that it worked, but that's why I called it an ambitious failure, because it is. It was a very high-concept and thematically bold film that failed both intentionally and unintentionally. 1
Dark Miracles Posted November 7 Posted November 7 1 hour ago, EnigmaticAndroid said: It was a huge artistic swing though, multiple industry people have praised it as such It's a piece of metafiction intentionally meant to subvert audience expectations and piss off the people who liked the first film for all the wrong reasons, and the musical element is both a tool for psychological expression of the characters and something to prod at the audience. The way it uses plot and certain characters are as self-aware allegory. Gaga is the audience stand in. The courtroom plot literally puts the first film on trial. Part of the ending is Todd predicting the film's reception. He knew this film was going to be toxic to audiences. I'm not saying that it worked, but that's why I called it an ambitious failure, because it is. It was a very high-concept and thematically bold film that failed both intentionally and unintentionally. Baby this is sig-worthy 3 2
EnigmaticAndroid Posted November 7 Posted November 7 13 minutes ago, Dark Miracles said: Baby this is sig-worthy Mama not my fault you didn't get the movie, cuz that's all pretty blatantly what he was trying to do. Once again, wasn't good, but it was an attempt at something.
EnigmaticAndroid Posted November 7 Posted November 7 Oh wait, its a Katy stan and OGH who's convinced itself that 143 is actually good. Nevermind and bless her heart. 1 6
Gui Blackout Posted November 8 Posted November 8 The Nosferatu raves It could land heavily on the technicals, plus adapted screenplay, director? Lily's performance being highlighted too.
Dark Miracles Posted November 8 Posted November 8 21 hours ago, EnigmaticAndroid said: Oh wait, its a Katy stan and OGH who's convinced itself that 143 is actually good. Nevermind and bless her heart. This is the 2024 Oscar thread, let's keep it about movies. Like how I've heard the Venice Film Festival is outrageously late with awarding GaGa that Best Actress In a Water taxi award she so richly deserved 1
EnigmaticAndroid Posted November 8 Posted November 8 1 hour ago, Dark Miracles said: This is the 2024 Oscar thread, let's keep it about movies. Like how I've heard the Venice Film Festival is outrageously late with awarding GaGa that Best Actress In a Water taxi award she so richly deserved Oh you thought you ate, shoo Litter Monster --- I posted some early Top 4 critic predictions somewhere else and thought I'd share them here: - Mikey wins New York, Demi wins LA, Marianne wins National Society. - The Substance gets a bit of a push from them, Fargeat shows up somewhere for Director - Ross wins Director at New York - Joker gets a surprise nom at London - First Film could go to Annie Baker at New York - Brutalist does very well at London - Guadagnino has a dark horse shot to win Director at one of them as a body of work win for Queer and Challengers - Hard Truths does really, really well with them. In addition to Actress, it also shows up in Screenplay, Supporting, and potentially Picture. 2 1
Almodusa Posted November 8 Author Posted November 8 Eligible 2025 scores nominated at the Grammys: - Challengers That's it. Dune: Part Two was also nominated but we know that's out. 1 1
harwee Posted November 9 Posted November 9 Anora's definitely one of the best I've seen this year. There's little mystery left in films anymore due to social media and internet, but going into this one blind, it really snuck up on me; fantastic ending; excellent performances, excellent editing. 2
ALittleGauche Posted November 9 Posted November 9 I firmly believe based on seeing the movie and experiencing the lasting reactions afterwards that Demi Moore will be this season's Jamie Lee Curtis.
no_better Posted November 9 Posted November 9 Anora was incredible, can't stop thinking about it and I need to go and see it again
fridayteenage Posted November 9 Posted November 9 (edited) 31 minutes ago, ALittleGauche said: I firmly believe based on seeing the movie and experiencing the lasting reactions afterwards that Demi Moore will be this season's Jamie Lee Curtis. only if she's attached to a BP winner with over $70 million at the US box office also curtis was already a Bafta and Globe winner before EEAAO; she already had a lot of clear respect, she just didn't do oscarbait often. Edited November 9 by fridayteenage
X~MoviePoP Posted November 9 Posted November 9 When zendaya or pamela grabs that 5th slot at the oscars >>
Kylizzle Posted November 11 Posted November 11 On 11/9/2024 at 11:12 AM, ALittleGauche said: I firmly believe based on seeing the movie and experiencing the lasting reactions afterwards that Demi Moore will be this season's Jamie Lee Curtis. Does Demi actually care that much? Cause JLC mostly won by plastering herself everywhere (and the factors fridayteenage mentioned)
Kylizzle Posted November 11 Posted November 11 Officially a Mikey stan after Anora. That movie was EVERYTHING and the ending... if you've seen it you know. So impactful. 3
Hector Posted November 11 Posted November 11 A tie for Best Documentary Feature at the Critics' Choice Documentary Awards: Two frontrunners for the Best Documentary Feature Oscar.
sciencemagic Posted November 11 Posted November 11 6 hours ago, Donquizote said: Hoult and Colette might happen Though I enjoyed Juror 2, I felt like their performances weren't super Oscar baity tbh
Kylizzle Posted November 11 Posted November 11 11 hours ago, Donquizote said: Hoult and Colette might happen The acting categories are too competitive for them to break in I fear. 1
Kylizzle Posted November 13 Posted November 13 Best Picture: Wicked #10 (+1) Best Actress: Cynthia Erivo #8 (+1) BSA: Ariana Grande #4 (+1) But will Asian Excellence John Chu be nominated? @fridayteenage
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