hausofdave Posted yesterday at 11:22 AM Posted yesterday at 11:22 AM A small sample of the boost you get when you win a Golden Globe. Demi Moore, the newest frontrunner, is asking for Torres' number so they can chat. That's the rush of being crowned winner in a televised award filled with stars, everyone who didn't vote for her at SAG when deadline was due and the brits who left her out of the longlist now are picking up the screener from the pile to see what the fuzz is all about. You don't have that at the Indiana Film Critics Circle 4 1 1
enchanted0 Posted yesterday at 11:50 AM Posted yesterday at 11:50 AM The way people suddenly switching about Anora Still one of the best movies I've seen in 2024, haven't watched The Brutalist and Emilia Perez though 1
Enrique523 Posted yesterday at 11:55 AM Posted yesterday at 11:55 AM Demi BETTER win that Oscar i swear, i haven't rooted that hard for someone since Michelle Yeoh for EEAAO. 1
Enrique523 Posted yesterday at 11:57 AM Posted yesterday at 11:57 AM 18 hours ago, choerry said: I want to make the distinction that it is highly divisive ONLINE. Nine out of every 10 reviews you read for EP will praise Sel and even the occasional review singles her out among the cast which is a feat. I think people are conflating what chronically online film twitter thinks with what general audiences and the industry thinks. The general audience doesn't even know what Emilia Perez is, that movie was not successful at the box office at all Trust me, there's no world in which Selena Gomez of all people is massively acclaimed as an actress by the general public 2
Riot Posted yesterday at 12:37 PM Posted yesterday at 12:37 PM With that speech, Demi is kinda on lock for the SAG. Her biggest obstacle are the BAFTAs but Michelle Yeoh did not need it and they both starred in genre films
Vermillion Posted yesterday at 12:44 PM Posted yesterday at 12:44 PM Demi's winning the SAG, Mikey's winning the BAFTA and Fernanda's winning the Oscar. That's my bet and I'm locking it in.
Enrique523 Posted yesterday at 12:56 PM Posted yesterday at 12:56 PM 1 hour ago, Vermillion said: Demi's winning the SAG, Mikey's winning the BAFTA and Fernanda's winning the Oscar. That's my bet and I'm locking it in. I really hope Fernanda doesn't win it. I have nothing against her but i'm rooting so hard for Demi.
Enrique523 Posted yesterday at 12:59 PM Posted yesterday at 12:59 PM 1 hour ago, Riot said: With that speech, Demi is kinda on lock for the SAG. Her biggest obstacle are the BAFTAs but Michelle Yeoh did not need it and they both starred in genre films If Demi wins the SAG she has a VERY strong chance to win the Oscar. Unless there's a spoiler, which can always happen. I want to believe, especially after Michelle Yeoh's win
Vermillion Posted yesterday at 01:14 PM Posted yesterday at 01:14 PM Emilia Perez has been able to deflect a lot of criticism towards it as either rooted in transphobia or towards Selena's pocha accent when in reality it's just a deeply Eurocentric portrayal of Mexico that doesn't ultimately give a **** about Mexico or its hardships. And the GLAAD op-ed slamming the entire trans storyline as forced, hackneyed, lacking any nuance, and bordering on egregious with its attempted redemption arc I completely agree with. And Selena's stans can't stand to hear or read that if she didn't have time to prepare the accent or delivery that she shouldn't have been on the project to begin with. Just speaking for myself, it was a jarring distraction. Having seen it, both the high levels of praise from critics and the visceral hatred online aren't warranted at all but it's a otherwise a meh film whose cultural blindspots wreck its entire premise and frankly, reasons for being made at all. I'd say Zoe deserves the Oscar but its with such poor material I've been deeply conflicted about what's looking to be a sweep on lock. 1
Enrique523 Posted yesterday at 01:24 PM Posted yesterday at 01:24 PM 1 hour ago, Vermillion said: Emilia Perez has been able to deflect a lot of criticism towards it as either rooted in transphobia or towards Selena's pocha accent when in reality it's just a deeply Eurocentric portrayal of Mexico that doesn't ultimately give a **** about Mexico or its hardships. And the GLAAD op-ed slamming the entire trans storyline as forced, hackneyed, lacking any nuance, and bordering as egregious as an attempted redemption arc I completely agree with. And Selena's stans can't stand to hear or read that if she didn't have time to prepare the accent or delivery that she shouldn't have been on the project to begin with. Just speaking for myself, it was a jarring distraction. Having seen it, both the high levels of praise from critics and the visceral hatred online aren't warranted at all but it's a otherwise a meh film whose cultural blindspots wreck its entire premise and frankly, reasons for being made at all. I'd say Zoe deserves the Oscar but its with such poor material I've been deeply conflicted about what's looking to be a sweep on lock. It really is the Crash of this awards season. In a few years people will look back and wonder what the hell were they thinking. On top of the many problems this movie has there's also the fact that NOBODY has watched it in the real world, the GP literally has no idea what this movie even is I'm so sick and tired of those unknown overhyped movies getting so many awards, it's one of the reasons why so few people take awards seriously these days, they're so out of touch with regular people. Naomi Scott gave an incredible performance in Smile 2 (a movie that was well received and commercially successful) but she's not even nominated for anything because it's a horror movie and awards are complete snubs when it comes to that, it drives me crazy Emilia Perez getting more recogniton than The Substance really shows how much of a out of touch joke the whole thing is 1 1 1
Vermillion Posted yesterday at 01:35 PM Posted yesterday at 01:35 PM 10 minutes ago, Enrique523 said: It really is the Crash of this awards season. The level of sustained backlash is greater than anything put out since the 90's if not 80's. Only Crash surpasses it. At least with Green Book people weren't invested enough in their anger towards it to care 1
hausofdave Posted yesterday at 01:43 PM Posted yesterday at 01:43 PM In an EP vs Brutalist showdown, the editing stat benefits EP because the latter missed both Eddie and BAFTA longlist. In that case only 4 Best Film winners at BAFTA in this century didn't get a Best Editing nom
Hector Posted yesterday at 01:53 PM Posted yesterday at 01:53 PM Jharrell Jerome who has been in multiple projects since Moonlight in 2016? Hmmm...
DanyelP23 Posted 23 hours ago Posted 23 hours ago (edited) 38 minutes ago, hausofdave said: In an EP vs Brutalist showdown, the editing stat benefits EP because the latter missed both Eddie and BAFTA longlist. In that case only 4 Best Film winners at BAFTA in this century didn't get a Best Editing nom The Brutalist (90 Metacritic) also has a runtime of 3h35m. The only other movies that won Best Picture with a similar runtime in the past 30 years are: Oppenheimer (3h) 90MC 975M $ The Return of The King (3h21m) 94MC 1.1B $ Titanic (3h14m) 75MC - 1.84B $ Braveheart (2h58m)68MC - 209M $ The Brutalist has scored so far around 1.1M$ dollars at the Box Office. Emilia Perez has 71 on Metacritic and 78% audience score (Rotten Tomatoes: 76% Critics and 63% Audiences) comparable with Coda and The Green Book. For The Brutalist it's interesting the difference in Audience Score on MC (5.6) vs Rotten Tomates (88%). Do you guys know if there's been some "campaign"/ "internet trolls" attack against The Brutalist or anything similar? Emilia Perez's numbers of mentions on the BAFTA long list has me worried TBH. For SAG Ensemble - anyone beside Wicked has a chance to upset Emilia Perez? In my mind, most SAG voters (at least for wins) are "regular" actors, so maybe they won't be as bewitched by it?! I'm curious what the stat is for GG Comedy + SAG Ensemble + BAFTA film is. Edited 23 hours ago by DanyelP23 1
Enrique523 Posted 23 hours ago Posted 23 hours ago 1 hour ago, Vermillion said: The level of sustained backlash is greater than anything put out since the 90's if not 80's. Only Crash surpasses it. At least with Green Book people weren't invested enough in their anger towards it to care Exactly The awards need some serious reform honestly. They can't keep being so out of touch with the public and expect to remain successful forever
Ruben Posted 23 hours ago Posted 23 hours ago What people need to understand is that these are industry awards (Not talking about the Globes). This is a chance for the film industry to recognize each other and what they think it's worthy of awards. This is not necessarily a representation of the public or what's more popular among the masses. That's what the People Choice Awards are for. Art is subjective and this is the Academy of Motion Pictures and Sciences, they should recognize stellar, groundbreaking work. That sometimes doesn't align with public taste but that's not what they are here for. Ultimately, whether people like it or not, the Oscars will continue to be relevant because A-listers themselves want that recognition and will continue to aim for it. Just because the chronically online don't like Emilia Perez, doesn't mean it's a bad movie. 2 1
hausofdave Posted 23 hours ago Posted 23 hours ago not Audiard being credited as a writer on El Mal. could end up nabbing 3 wins; Picture, Director & Song
Hector Posted 23 hours ago Posted 23 hours ago 2 minutes ago, hausofdave said: not Audiard being credited as a writer on El Mal. could end up nabbing 3 wins; Picture, Director & Song And I believe the director's name is also engraved on the Oscar statue if the movie wins International Feature Film.
hausofdave Posted 23 hours ago Posted 23 hours ago 6 minutes ago, Hector said: And I believe the director's name is also engraved on the Oscar statue if the movie wins International Feature Film. they're still not technically considered Oscar winners in the Academy's records which is absurd 2
Scars Posted 22 hours ago Posted 22 hours ago (edited) 3 hours ago, hausofdave said: A small sample of the boost you get when you win a Golden Globe. Demi Moore, the newest frontrunner, is asking for Torres' number so they can chat. That's the rush of being crowned winner in a televised award filled with stars, everyone who didn't vote for her at SAG when deadline was due and the brits who left her out of the longlist now are picking up the screener from the pile to see what the fuzz is all about. You don't have that at the Indiana Film Critics Circle Yeah, booking a Kimmel slot probably wasn't in the cards for her before that GG win. Sony Pictures is putting in the work! Edited 22 hours ago by Scars 1
Hector Posted 21 hours ago Posted 21 hours ago Cinema Audio Society Award Nominations (Sound Oscar precursor): MOTION PICTURES – LIVE ACTION "A Complete Unknown" Production Sound Mixer – Tod A. Maitland CAS Re-Recording Mixer – Paul Massey CAS Re-Recording Mixer – David Giammarco CAS Scoring Mixer – Nick Baxter ADR Mixer -David Betancourt Foley Mixer – Kevin Schultz "Deadpool and Wolverine" Production Sound Mixer – Colin Nicolson Re-Recording Mixer – Lora Hirschberg Re-Recording Mixer – Craig Henighan CAS Scoring Mixer – Peter Cobbin CAS ADR Mixer – Bobby Johanson CAS Foley Mixer – Peter Persaud CAS "Dune: Part Two" Production Sound Mixer – Gareth John Re-Recording Mixer – Ron Bartlett CAS Re-Recording Mixer – Doug Hemphill Scoring Mixer – Alan Meyerson CAS ADR Mixer – Jason Oliver Foley Mixer – Tavish Grade Foley Mixer – Mikel Parraga-Wills CAS "Gladiator II" Production Sound Mixer – Stephane Bucher CAS Re-Recording Mixer – Paul Massey CAS Re-Recording Mixer – Matthew Collinge Scoring Mixer – Alan Meyerson CAS ADR Mixer – Filipe Pereira Foley Mixer – Rob Weatherall "Wicked: Part One" Production Sound Mixer – Simon Hayes CAS Re-Recording Mixer – Andy Nelson CAS Re-Recording Mixer – John Marquis Scoring Mixer – John Michael Caldwell ADR Mixer – Jason Oliver Foley Mixer – Mikel Parraga-Wills CAS MOTION PICTURES – ANIMATED "Inside Out 2" Original Dialogue Mixer – Vince Caro CAS Re-Recording Mixer – Ren Klyce Re-Recording Mixer – Stephen Urata Scoring Mixer – Warren Brown ADR Mixer – Doc Kane CAS Foley Mixer – Leff Lefferets "Moana 2" Original Dialogue & Re-Recording Mixer – Gabriel Guy CAS Re-Recording Mixer – David Fluhr CAS Scoring Mixer – David Boucher ADR Mixer – Doc Kane CAS Foley Mixer – Richard Duarte "Mufasa: The Lion King" Original Dialogue Mixer – Doc Kane CAS Re-Recording Mixer – Onnalee Blank CAS Re-Recording Mixer – Greg P. Russell CAS Scoring Mixer – Chris Fogel Scoring Mixer – David Boucher ADR Mixer – Gary Turnbull Foley Mixer – Mikel Parraga-Wills CAS "The Wild Robot" Original Dialogue Mixer – Ken Gombos Re-Recording Mixer – Leff Lefferets Re-Recording Mixer – Gary A. Rizzo CAS Scoring Mixer – Alan Meyerson CAS Foley Mixer – Richard Duarte "Wallace & Gromit: Vengeance Most Fowl" Original Dialogue Mixer – Will Norie Re-Recording Mixer – Chris Burdon Re-Recording Mixer – Gilbert Lake Scoring Mixer – Simon Rhodes ADR Mixer – Nick Roberts Foley Mixer – Adrian Rhodes MOTION PICTURES – DOCUMENTARY "Elton John: Never Too Late" Production Sound Mixer – Jae Kim Re-Recording Mixer – Elmo Ponsdomenech CAS Re-Recording Mixer – Teddy Salas "I Am: Celine Dion" Production Mixer – Irene Taylor Re-Recording Mixer – Lora Hirschberg Scoring Mixer – Tim Oliver "Music by John Williams" Production Mixer – Noah Alexander Re-Recording Mixer – Christopher Barnett CAS Re-Recording Mixer – Roy Waldspurger "Super/Man: The Christopher Reeve Story" Production Sound Mixer – Austin Plocher Re-Recording Mixer – Greg Gettens CAS Scoring Mixer – Steve McLaughlin Foley Mixer – Daniel Nicholls "The Blue Angels" Production Sound Mixer – Sean Peterson Re-Recording Mixer – Lindsey Alvarez CAS Scoring Mixer – Forest Christenson
Hector Posted 20 hours ago Posted 20 hours ago Georgia Film Critics Association Winners: Spoiler Best Picture "Anora" (WINNER) "The Brutalist" "Challengers" "Conclave" "Dune: Part Two" (RUNNER UP) "Flow" "Nickel Boys" "Sing Sing" "The Substance" "Wicked" Best Director "Anora" – Sean Baker "The Brutalist" – Brady Corbet (RUNNER UP) "Dune: Part Two" – Denis Villeneuve (WINNER) "Nickel Boys" – RaMell Ross "The Substance" – Coralie Fargeat Best Actor Adrien Brody ("The Brutalist") Timothée Chalamet ("A Complete Unknown") Colman Domingo ("Sing Sing") (WINNER) Ralph Fiennes ("Conclave") (RUNNER UP) Keith Kupferer ("Ghostlight") Best Actress Lily-Rose Depp ("Nosferatu") Cynthia Erivo ("Wicked") Marianne Jean-Baptiste ("Hard Truths") (RUNNER UP) Mikey Madison ("Anora") (WINNER) Demi Moore ("The Substance") Best Supporting Actor Yura Borisov ("Anora") Kieran Culkin ("A Real Pain") (WINNER) Clarence Maclin ("Sing Sing") Guy Pearce ("The Brutalist") (RUNNER UP) Denzel Washington ("Gladiator II") Best Supporting Actress Danielle Deadwyler ("The Piano Lesson") (WINNER) Aunjanue Ellis-Taylor ("Nickel Boys") Ariana Grande-Butera ("Wicked") (RUNNER UP) Katy O'Brian ("Love Lies Bleeding") Margaret Qualley ("The Substance") Zoe Saldaña ("Emilia Pérez") Best Original Screenplay "Anora" – Sean Baker (WINNER) "The Brutalist" – Brady Corbet, Mona Fastvold (RUNNER UP) "Challengers" – Justin Kuritzkes "A Real Pain" – Jesse Eisenberg "The Seed of the Sacred Fig" – Mohammad Rasoulof "September 5" – Moritz Binder, Tim Fehlbaum, Alex David "The Substance" – Coralie Fargeat Best Adapted Screenplay "Conclave" – Peter Straughan (RUNNER UP) "Dune: Part Two" – Denis Villeneuve, Jon Spaihts "Nickel Boys" – RaMell Ross, Joslyn Barnes (WINNER) "Sing Sing" – Greg Kwedar, Clint Bentley "Wicked" – Winnie Holzman, Dana Fox Best Cinematography "The Brutalist" – Lol Crawley "Dune: Part Two" – Greig Fraser (WINNER) "Inside the Yellow Cocoon Shell" – Đinh Duy Hưng "Nickel Boys" – Jomo Fray "Nosferatu" – Jarin Blaschke (RUNNER UP) Best Production Design "The Brutalist" – Judy Becker, Patricia Cuccia "Dune: Part Two" – Patrice Vermette, Shane Vieau (RUNNER UP) "Furiosa: A Mad Max Saga" – Colin Gibson, Katie Sharrock "Nosferatu" – Craig Lathrop (WINNER) "Wicked" – Nathan Crowley, Lee Sandales Best Original Score "The Brutalist" – Daniel Blumberg "Challengers" – Trent Reznor & Atticus Ross (WINNER) "Conclave" – Volker Bertelmann "Dune: Part Two" – Hans Zimmer (RUNNER UP) "The Wild Robot" – Kris Bowers Best Original Song "Ain't No Love in Oklahoma" – Jessi Alexander, Luke Combs, Jonathan Singleton ("Twisters") "Compress/Repress" – Trent Reznor, Atticus Ross ("Challengers") (WINNER) "El Mal" – Clément Ducol, Camille, Jacques Audiard ("Emilia Pérez") "Kiss the Sky" – Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi ("The Wild Robot") (RUNNER UP) "Sick in the Head" – Móglaí Bap, Mo Chara, DJ Próvaí, Adrian Louis Richard Mcleod, Toddla T ("Kneecap") Best Ensemble "Conclave" (WINNER) "Dune: Part Two" "Saturday Night" "Sing Sing" (RUNNER UP) "Wicked" Best International Film "All We Imagine as Light" (RUNNER UP) "Flow" (WINNER) "Kneecap" "Red Rooms" "The Seed of the Sacred Fig" Best Animated Film "Flow" (WINNER) "Inside Out 2" "Memoir of a Snail" "Wallace & Gromit: Vengeance Most Fowl" "The Wild Robot" (RUNNER UP) Best Documentary Film "No Other Land" "The Remarkable Life of Ibelin" "Sugarcane" (RUNNER UP) "Super/Man: The Christopher Reeve Story" (WINNER) "Will & Harper" Breakthrough Award Clarence Maclin Mikey Madison (RUNNER UP) Katy O'Brian RaMell Ross (WINNER) Maisy Stella Oglethorpe Award for Excellence in Georgia Cinema "Civil War" (Alex Garland) (RUNNER UP) "Color Book" (David Fortune) "The Forge" (Alex Kendrick, Stephen Kendrick) "The Idea of You" (Michael Showalter, Robinne Lee, Jennifer Westfeldt) "Juror #2" (Clint Eastwood, Jonathan A. Abrams) (WINNER) "Makayla's Voice: A Letter to the World (short; Julio Palacio, Makayla Cain) "The Piano Lesson" (Malcolm Washington, Virgil Williams, August Wilson) "The Preakness (short; Akshay Bhatia) "Saturday Night" (Jason Reitman, Gil Kenan) "The South Got Something to Say" (Ryon Horne, Tyson Horne, Ernie Suggs, DeAsia Paige)
Hector Posted 20 hours ago Posted 20 hours ago Alliance Of Women Film Journalists Best Of Award Winners: (These awards are presented to women and/or men without gender consideration.) Best Film "The Brutalist" Best Director Coralie Fargeat, "The Substance" Best Original Screenplay Coralie Fargeat, "The Substance" Best Adapted Screenplay Peter Straughan, Robert Harris, "Conclave" Best Documentary "Dahomey" Best Animated Film (tie) "Flow" "The Wild Robot" Best Actress Marianne Jean-Baptiste, "Hard Truths" Best Supporting Actress Isabella Rossellini, "Conclave" Best Actor Colman Domingo, "Sing Sing" Best Supporting Actor Kieran Culkin, "A Real Pain" Best Ensemble Cast and Casting Director "Conclave" Best Cinematography "Nosferatu" Best Editing (tie) "Emilia Pérez" "The Brutalist" Best International Film "The Seed of the Sacred Fig" EDA Female Focus Awards (These awards honor women only). Best Woman Director (tie) Coralie Fargeat, "The Substance" Payal Kapadia, "All We Imagine as Light" Best Female Screenwriter (tie) Coralie Fargeat, "The Substance" Payal Kapadia, "All We Imagine as Light" Best Animated/Voice Performance Lupita Nyongo'o, "The Wild Robot" Best Women's Breakthrough Performance Mikey Madison, "Anora" Best Stunt Performance June Squibb, "Thelma"
daniela monquelat Posted 18 hours ago Posted 18 hours ago 7 hours ago, Enrique523 said: The general audience doesn't even know what Emilia Perez is, that movie was not successful at the box office at all Trust me, there's no world in which Selena Gomez of all people is massively acclaimed as an actress by the general public duh. its a netflix movie lol only a couple coutries had this film on cinema + on the AL countries the movie will only premier this month and the next so...
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