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H100: Rich Men #1 (x2), Doja #5


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Travis Scott

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Travis Scott’s Utopia makes it a month at No. 1 on the Billboard 200 albums chart (dated Sept. 2), as the set spends a fourth total and consecutive week in the lead. The effort earned 161,000 equivalent album units in the U.S. in the week ending Aug. 24 (down 13%), according to Luminate. Utopia surpasses Astroworld as Scott’s album with the most weeks at No. 1 on the Billboard 200.

 

Utopia is also the first rap album to spend its first four weeks at No. 1 on the Billboard 200 in five years, since Drake’s Scorpion logged all five of its weeks at No. 1, from its debut frame (July 14-Aug. 11, 2018). The last rap set with four weeks at No. 1, in total, was Drake’s Certified Lover Boy, which tallied five nonconsecutive frames at No. 1 between Sept. 18 and Nov. 6, 2021.

 

Also in the top 10 of the new Billboard 200, Hozier scores his third top 10-charting album as Unreal Unearth launches at No. 3, while J-Hope’s year-old Jack in the Box album reaches the top 10 for the first time, as it re-enters the list at No. 6 following its expanded reissue and debut on CD in multiple collectible iterations.

Of Utopia’s 161,000 equivalent album units earned in the week ending Aug. 24, album sales comprise 92,000 (down 7%), SEA units comprise 69,000 (down 20%, equaling 92.07 million on-demand official streams of the streaming set’s 19 songs) and TEA units comprise a negligible sum (down 19%). For a second week in a row, the album’s sales profit from a promotional offer in Scott’s official webstore, which deep-discounted the Utopia vinyl LP (available in multiple variants) from $50 to only $5 for a limited time. Of Utopia’s 92,000 sales for the week, vinyl accounted for 89,000.

 

Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 2 on the Billboard 200 with 91,000 equivalent album units earned (down 4%).

Hozier captures his third top 10-charting set — all of which have reached the top five — as Unreal Unearth debuts at No. 3. The album bows with 62,000 equivalent album units earned. Of that sum, album sales comprise 39,000, SEA units comprise 23,000 (equaling 29.58 million on-demand official streams of the set’s 16 songs) and TEA units comprise a negligible sum. The album was preceded by the hit single “Eat Your Young,” which marked Hozier’s third No. 1 on Billboard’s Adult Alternative Airplay chart (May 20-dated list).

Unreal Unearth’s first-week album sales were bolstered by vinyl sales, which accounted for 60% of its opening-week sales figure (23,000 of 39,000). The album was released in five different vinyl iterations, including exclusive color variants for Amazon, independent record stores and Hozier’s official webstore.

The Barbie soundtrack is steady at No. 4 on the Billboard 200 with 55,000 equivalent album units (down 15%), while Taylor Swift’s former leader Midnights climbs one spot to No. 5 with 53,000 units (down 8%).

J-Hope’s year-old Jack in the Box album bounces back onto the list for its first week in the top 10 (and second week on the chart), as it re-enters at No. 6 with 50,000 equivalent album units earned (up 5,107%). The album was originally released on July 15, 2022, and debuted and first peaked at No. 17 on the July 30, 2022, chart. It was reissued with additional bonus tracks on — and on CD for the first time — on Aug. 19, 2023. The set initially was released only as a digital download album and through streaming services.

Of the set’s 50,000 units earned in the week ending Aug. 24, album sales comprise 47,000 (up 13,238%), SEA units comprise 2,000 (up 250%, equaling 2.99 million on-demand official streams of the set’s tracks) and TEA units comprise 1,000 (up 44,125%). The CD edition of the album was available in four collectible editions, including exclusive versions for Target and Walmart, all containing assorted branded merchandise (some of which was randomized).

J-Hope is the third member of BTS to score a top 10-charting album on the Billboard 200, following his bandmates RM and Jimin. RM reached the top 10 in 2022 with Indigo (peaking at No. 3) and Jimin reached No. 2 with Face earlier this year. BTS itself has logged seven top 10s, with six reaching No. 1.

Two more chart-topping Swift sets follow J-Hope, as Speak Now (Taylor’s Version) falls 5-7 (48,000 equivalent album units earned; down 21%) and Lover dips 7-8 (46,000; down 14%). Peso Pluma’s Génesis descends 8-9 (nearly 45,000; down 4%) and Wallen’s former No. 1 Dangerous: The Double Album is steady at No. 10 (43,000; down 3%).

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#1 (=) Travis Scott - Utopia (161k total / 92k sales / 69k SEA)

#2 (=) Morgan Wallen - One Thing at a Time (91k total)

#3 (NEW) Hozier - Unreal Unearth (62k total / 39k sales / 23k SEA)

#4 (=) Various Artists - Barbie: The Album (55k total)

#5 (+1) Taylor Swift - Midnights (53k total)

#6 (RE) J-Hope - Jack in the Box (50k total / 47k sales / 2k SEA / 1k TEA)

#7 (-2) Taylor Swift - Speak Now (Taylor’s Version) (48k total)

#8 (-1) Taylor Swift - Lover (46k total)

#9 (-1) Peso Pluma - Génesis (45k total)

#10 (=) Morgan Wallen - Dangerous: The Double Album (43k total)

 

Oliver Anthony

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Oliver Anthony Music’s viral hit “Rich Men North of Richmond” spends a second week at No. 1 on the Billboard Hot 100 songs chart. A week earlier, the song rocketed in on top, making the singer-songwriter the first artist ever to launch atop the survey with no prior chart history in any form. It now takes over as the most-streamed song of the week, continues as the top-selling track and is gaining in radio airplay.

Plus, Doja Cat’s “Paint the Town Red” jumps from No. 15 to No. 5 on the Hot 100, marking her seventh career top 10.

 

“Rich Men North of Richmond” drew 22.9 million streams (up 31%) and sold 117,000 downloads (down 20%) in the Aug. 18-24 tracking week, according to Luminate. Not being promoted to radio, the song also tallied 2.3 million airplay audience impressions (up 310%).

The single logs a second week at No. 1 on the Digital Song Sales chart and surges 4-1 on Streaming Songs. Notably, it makes a rare second-week gain in streams for a No. 1-debuting Hot 100 hit: Of the 34 songs to premiere atop the Hot 100 this decade, it’s just the second to increase in streams (17.5 million to 22.9 million) in its second week, following Olivia Rodrigo’s “Good 4 U” (43.2 million to 62.7 million) on the charts dated May 29-June 5, 2021 – and Rodrigo’s hit was boosted by the No. 1 Billboard 200 arrival of her debut album, Sour.

As previously reported, “Richmond” also debuts on Country Airplay at No. 45, with 90% of its overall airplay (2 million of 2.3 million in reach) from the chart’s panel of reporting stations.

“Richmond” has become a lightning rod for both the right and left politically since its official release Aug. 11, even spurring the opening talking point in the first Republican presidential primary debate last Wednesday, Aug. 23. (“The one thing that has bothered me is seeing people wrap politics up into this,” Anthony responded in a YouTube clip.)

The track by the Farmville, Va.-based singer-songwriter and former factory worker, born Christopher Anthony Lunsford (whose stage name honors his grandfather, Oliver Anthony), first drew buzz online, including on TikTok, where he boasts 2.1 million followers (up from 1.5 million a week ago), prior to its Aug. 11 posting on the radiowv YouTube account, which spotlights unsigned Americana and country acts in the Virginia/West Virginia region.

“Richmond” concurrently tops Billboard’s Hot Country Songs chart, which uses the same methodology as the Hot 100, for a second week.

The song has also, unsurprisingly, sparked the curiosity of chart fans. Jesper Tan, of Subang Jaya, Malaysia, wrote in noting that Oliver Anthony Music is just the second act with “music” in its name to top the Hot 100, following C+C Music Factory with “Gonna Make You Sweat (Everybody Dance Now)” in 1991. Tan also shouts out the two No. 1s with “music” in their titles: “Play That Funky Music,” by Wild Cherry, in 1976 and “Music,” by Madonna, in 2000.

Plus, Jeff Lerner points out that “Richmond” is only the eighth Hot 100 No. 1 to name-check a U.S. city in its title (two are odes to Philadelphia), and the first since 1985:

  • “Rich Men North of Richmond,” Oliver Anthony Music (2023)
  • “Miami Vice Theme,” Jan Hammer (1985)
  • “Philadelphia Freedom,” Elton John (1975)
  • “The Night Chicago Died,” Paper Lace (1974)
  • “T.S.O.P. (The Sound of Philadelphia),” MFSB (1974)
  • “El Paso,” Marty Robbins (1960)
  • “The Battle of New Orleans,” Johnny Horton (1959)
  • “Kansas City,” Wilbert Harrison (1959)

(Lerner adds that The Monkees’ “Last Train to Clarksville,” from 1966, “is not on this list as lyricist Bobby Hart has insisted that he wrote the song about a fictional town, not the real city of Clarksville, Tenn.” Meanwhile, Baauer’s 2013 No. 1 “Harlem Shake” also doesn’t count, as Harlem is a neighborhood in New York City. The last city at all named in the title of a Hot 100 No. 1 prior to “Richmond”? Cuba’s capital, as Camila Cabello’s “Havana,” featuring Young Thug, led in 2018.)

Luke Combs’ cover of Tracy Chapman’s “Fast Car” posts a seventh week at its No. 2 Hot 100 high, where it’s steady in rank, and Morgan Wallen’s “Last Night” holds at No. 3, following 16 weeks at No. 1 – the most ever for a non-collaboration. Thanks to “Richmond,” “Fast Car” and “Last Night,” country hits (as defined by those that have hit Hot Country Songs) claim the Hot 100’s top three spots in a single week for only the third time, following the same songs a week earlier and Jason Aldean’s “Try That in a Small Town,” “Last Night” and “Fast Car,” at Nos. 1, 2 and 3, respectively, on the Hot 100 dated Aug. 5.

 

“Last Night,” meanwhile, tops Billboard’s Songs of the Summer chart for a 13th week, having led each week since the list returned.

Taylor Swift’s “Cruel Summer” keeps at No. 4 on the Hot 100, after reaching No. 3.

Doja Cat’s “Paint the Town Red” roars 15-5 on the Hot 100, with 22.6 million in airplay audience (up 37%), 21.1 million streams (up 49%) and 5,000 sold (up 81%), as it takes top Streaming and Sales Gainer honors.

The song, which debuted at No. 15 on the Hot 100 two weeks earlier and has since ridden a wave of virality on TikTok, becomes Doja Cat’s seventh top 10, following “Vegas” (No. 10 peak, October 2022); Post Malone’s “I Like You (A Happier Song),” on which she’s featured (No. 3, October 2022); “Woman” (No. 7, May 2022); “Need To Know” (No. 8, November 2021); “Kiss Me More,” featuring SZA (No. 3, July 2021); and “Say So,” featuring Nicki Minaj (No. 1, one week, May 2020).

Meanwhile, “Paint the Town Red” samples Dionne Warwick’s standard “Walk on By,” which hit No. 6 on the Hot 100 in 1964. Thanks to its inclusion, legendary late songwriters Burt Bacharach and Hal David appear in the Hot 100’s top 10 for the first time since Twista’s “Slow Jamz,” featuring Kanye West and Jamie Foxx, reigned for a week in 2004; that song samples Luther Vandross’ cover of Warwick’s fellow 1964 release “A House Is Not a Home.”

Bacharach, who passed away Feb. 8, wrote seven Hot 100 No. 1s, which reigned in four distinct decades (the 1960s, ‘70s, ‘80s and 2000s). David died in 2012. Notably, the Songwriters Hall of Fame annually presents (this year to Post Malone) the Hal David Starlight Award, which, according to the organization, is given to “gifted young songwriters who are making a significant impact in the music industry with their original songs.”

“Paint the Town Red” concurrently bounds to the top of the multi-metric Hot R&B/Hip-Hop Songs (5-1) and Hot Rap Songs (4-1) charts. Doja Cat earns her second No. 1 on the former, following “Say So,” and her first on the latter list.

Rema and Selena Gomez’s “Calm Down” descends 5-6, after reaching No. 3, on the Hot 100, as it claims a 10th week atop the Radio Songs chart (83.5 million, down 3%). It tops the Billboard U.S. Afrobeats Songs chart for a 52nd week, extending the longest command since the ranking began over a year ago.

Gunna’s “Fukumean” repeats at No. 7 on the Hot 100, after hitting No. 4, and Olivia Rodrigo’s “Vampire” falls 6-8, after it debuted as her third No. 1 in July.

Rounding out the Hot 100’s top 10 are two hits from the soundtrack Barbie: The Album: Dua Lipa’s “Dance the Night” dips 8-9, after reaching No. 7, although it wins the chart’s top Airplay Gainer award (57.7 million, up 16%), and Nicki Minaj and Ice Spice’s “Barbie World,” with Aqua, descends 9-10, also after climbing to No. 7.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 2), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Aug. 29).

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Edited by B-Luke
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Posted

folklore and 1989 what are y’all doing on the floor :gaycat6: 

Posted

did the 5$ "limited" sale for the murderer's album end?

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Posted (edited)

 

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Taylor Swift’s former leader Midnights climbs one spot to No. 5 with 53,000 units.

:gaylorcat2:

 

  

Just now, Michael196 said:

did the 5$ "limited" sale for the murderer's album end?

For a second week in a row, the album’s sales profit from a promotional offer in Scott’s official webstore, which deep-discounted the Utopia vinyl LP (available in multiple variants) from $50 to only $5 for a limited time. Of Utopia’s 92,000 sales for the week, vinyl accounted for 89,000.

Edited by fridayteenage
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So happy about Hozier's position. That album deserves everything.

Posted
6 minutes ago, fridayteenage said:

 

:gaylorcat2:

 

  

For a second week in a row, the album’s sales profit from a promotional offer in Scott’s official webstore, which deep-discounted the Utopia vinyl LP (available in multiple variants) from $50 to only $5 for a limited time. Of Utopia’s 92,000 sales for the week, vinyl accounted for 89,000.

I was reffering to the current week... hopefully it's over

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Posted (edited)

Those cheap ass tactics, but oh well, congrats I guess. Anyways, Ms Maraj was right all the time.

Edited by Ger-55
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Posted

Is it really profitable to sell that many vinyl for $5? :deadbanana4:

Posted

Midnights still top 5 :jonny:

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52 minutes ago, Klein said:

Is it really profitable to sell that many vinyl for $5? :deadbanana4:

Maybe he gets paid in how many weeks he’s at #1 :lakitu:

Posted
1 hour ago, Michael196 said:

I was reffering to the current week... hopefully it's over

So you'd rather have Morgan comeback to #1? 

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2 hours ago, =NEX= said:

So you'd rather have Morgan comeback to #1? 

Zach Bryan is predicted to debut with 200k

Posted

Barbie's stability is very impressive.

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Posted

Somehow Doja stays winning 

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Posted

Not a two week #1 :deadbanana2:

Posted

“Richmond” has become a lightning rod for both the right and left politically since its official release Aug. 11, even spurring the opening talking point in the first Republican presidential primary debate last Wednesday, Aug. 23. (“The one thing that has bothered me is seeing people wrap politics up into this,” Anthony responded in a YouTube clip.)

 

 

Sure Jan. Thanks to that this trash song is #1 for 2 weeks. 

 

But hopefully it will fall next week

  • Like 1
Posted (edited)

Everything as predicted but reeally need a Maga mega flush now. Enough. Don't care what Oliver (or his handlers) are 'claiming'. It's ALL marketing, gimmicky and bs. All about coin so they're blatantly creating 'vagueness' of him and this song for crossover appeal (aka so it doesn't plummet like Jason Aladean). Last Night (by NOW lol) should be out of the top 15 let alone top 5! 

 

Look at all the quality rock solid pop songs last several months that have legit earned higher peaks but keep getting blockaded. Throw a bone to Fast Car maybe. That I get. Basically the whole summer and year atp, charts messy ah.  We all know Cruel Summer should've def. gotten #1, Vampire multiple weeks in the top 3 and DTN top 5. Basically, just like every other major market in the world lol

Edited by jamiko1230
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Posted
41 minutes ago, Lovett said:

 

This masterpiece getting its flowers :clap3: 

Posted

quiet week huh? thread is so dead, UK chart >

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