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Chlöe's “How Does It Feel” debuts at #10 on Bubbling Under


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Posted
5 hours ago, Johnny Jacobs said:

 

 

i cant believe she actually thought he would give her a hit 

 

 

 

It's possible, Chloe is just unlucky

 

Could have been her "It Wont Stop" by Sevyn Streeter or a more minor success like "Come Through" by H.E.R.

 

The song ain't it firstly

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Posted
1 minute ago, Armani? said:

It's possible, Chloe is just unlucky

 

Could have been her "It Wont Stop" by Sevyn Streeter or a more minor success like "Come Through" by H.E.R.

 

The song ain't it firstly

I'd be the first to admit the song is good. It was not. 

 

She needs to work with other producers/different sounds. 

Posted

Glad this era is almost over. The bullshit needs to end and we need to move on to CH3 :deadbanana2:

Posted
40 minutes ago, Pheromosa said:

Her and Normani are in the same boat for me.

Never going to happen, and I do not care :redface:

No but it really is a bit crazy how similar their careers have been.  Heavy push/promo on social media, debut single that peaks around number 30,  VMA performance of said single, and then crickets.  

Posted

She needs to drop her Pon de Replay first before she makes her Birthday Cake 

Posted
26 minutes ago, James_Joint said:

No but it really is a bit crazy how similar their careers have been.  Heavy push/promo on social media, debut single that peaks around number 30,  VMA performance of said single, and then crickets.  

What I get from this is that their record labels do not know how to market black girls that are not really R&B, or don't want to.  

Posted

Initial MESS...

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...but might catch on with time, knowing Chris Brown's fanbase

Posted
1 hour ago, Pheromosa said:

Her and Normani are in the same boat for me.

Never going to happen, and I do not care :redface:

The gag is that normani has big hits and she had everything while it’s clear Chloe wouldn’t last. 

Posted
14 minutes ago, Dialamba said:

The gag is that normani has big hits and she had everything while it’s clear Chloe wouldn’t last. 

She had 2 big hits but they didnt solidify her brand. They're just there

Posted

A BOMB.

Posted

Yes

 

Posted

 

Posted
4 hours ago, professor2000 said:

I mean…wasn’t the other song her radio single anyway (Pray It Away)?
 

I don’t think they thought this would be a hit.  She’s rolling out songs, just to give people a sample of the album atp…b/c it’s coming in a week or so.  No?

 

Hm but really, what truly is the rationale behind that tho?
 

A Chris feature can't be cheap, her other singles aside from Have Mercy have all flopped. She can't surely be in a position to be throwing songs out there with diminishing returns each time.

 

If they wanted a big hit to launch the album off of, maybe pushing the Chris single on the album release day would've worked.

Posted
2 hours ago, popularmoonlight said:

What I get from this is that their record labels do not know how to market black girls that are not really R&B, or don't want to.  

I think there are two things at play here 

 

1. R&B is persona driven now instead of performance driven 

 

All of the really popping R&B girls are storytellers first and singers/performers last. They may nor may not have a good voice, but they have relatable lyrics and a certain ethos. Their experiences and persona is considered “real” in a way that Chloe and Normani’s aren’t. So when they push R&B songs hoping to be taken seriously in the urban space, it doesn’t work cause those girls just don’t have that vibe. Similarly, when you start trying to serve visuals, choreo, and vocals, it falls on deaf ears because the average R&B listener is not prioritizing that anymore. 
 

2. The real crossover artists are rappers these days 

 

If you look at people who are simultaneously able to occupy the pop lane and the urban lane these days, it’s female rappers. If you look at who’s expected to serve visuals, and choreo these days, it’s rappers. Doja, Megan, Nicki, Latto, and now Ice Spice are the girls who are able to switch lanes or get airplay across demographics. Most of the R&B girls aren’t jumping on pop collabs and scoring hits. SZA may be the exception here, but everything she releases is largely in her own voice, even when the genre switches. 

Posted
52 minutes ago, St. Francis said:

Hm but really, what truly is the rationale behind that tho?
 

A Chris feature can't be cheap, her other singles aside from Have Mercy have all flopped. She can't surely be in a position to be throwing songs out there with diminishing returns each time.

 

If they wanted a big hit to launch the album off of, maybe pushing the Chris single on the album release day would've worked.

That’s my point…I don’t think they care about a big hit.  She’s just getting content out + attempting to build interest in the album itself. 

 

She also previewed a new song in a commercial couple of weeks ago.  
 

Tbh, she might’ve done better by just releasing the album and letting the single pick itself from jump.  CxH were never the type to have “hits” anyways. 
 

I know it’s not the wisest financially in the short run, but in the long run at least there’s content out there + she can build an audience.  I mean…look at Normani.  There’s nothing to stan, b/c there is no music….literally.   :celestial5:

Posted

It wouldn’t have been worth it even if it debuted at #1 

Posted

Deserved for collabing with an abuser :giraffe:

Posted
1 hour ago, Rotunda said:

I think there are two things at play here 

 

1. R&B is persona driven now instead of performance driven 

 

All of the really popping R&B girls are storytellers first and singers/performers last. They may nor may not have a good voice, but they have relatable lyrics and a certain ethos. Their experiences and persona is considered “real” in a way that Chloe and Normani’s aren’t. So when they push R&B songs hoping to be taken seriously in the urban space, it doesn’t work cause those girls just don’t have that vibe. Similarly, when you start trying to serve visuals, choreo, and vocals, it falls on deaf ears because the average R&B listener is not prioritizing that anymore. 
 

2. The real crossover artists are rappers these days 

 

If you look at people who are simultaneously able to occupy the pop lane and the urban lane these days, it’s female rappers. If you look at who’s expected to serve visuals, and choreo these days, it’s rappers. Doja, Megan, Nicki, Latto, and now Ice Spice are the girls who are able to switch lanes or get airplay across demographics. Most of the R&B girls aren’t jumping on pop collabs and scoring hits. SZA may be the exception here, but everything she releases is largely in her own voice, even when the genre switches. 

You're totally right. Still knowing that, you gotta consider their labels don't know how to overcome what you just said. Which I think could be possible because there is still an audience for them. 

Posted

Sold her soul & abandoned her sister for this? puppets and ventriloquist!! Sit yo ass down, honey!

Posted
5 hours ago, Dreajae said:

I don't think the last song charted.

"For the Night" ft. Latto charted at No. 25 on Bubbling Under. So I guess No. 10 is an improvement? :dies:

 

OT: No, not worth alienating your fanbase over a Bubbling Under hit. 

Posted

another top 10 :clap3:

Posted

:ahh::clap3:

 

Chris Brown is talented, yes. But VERY overrated and I don't enjoy him as an artist. I haven't heard the song and don't want to. 

Posted
21 hours ago, Rotunda said:

I think there are two things at play here 

 

1. R&B is persona driven now instead of performance driven 

 

All of the really popping R&B girls are storytellers first and singers/performers last. They may nor may not have a good voice, but they have relatable lyrics and a certain ethos. Their experiences and persona is considered “real” in a way that Chloe and Normani’s aren’t. So when they push R&B songs hoping to be taken seriously in the urban space, it doesn’t work cause those girls just don’t have that vibe. Similarly, when you start trying to serve visuals, choreo, and vocals, it falls on deaf ears because the average R&B listener is not prioritizing that anymore. 
 

2. The real crossover artists are rappers these days 

 

If you look at people who are simultaneously able to occupy the pop lane and the urban lane these days, it’s female rappers. If you look at who’s expected to serve visuals, and choreo these days, it’s rappers. Doja, Megan, Nicki, Latto, and now Ice Spice are the girls who are able to switch lanes or get airplay across demographics. Most of the R&B girls aren’t jumping on pop collabs and scoring hits. SZA may be the exception here, but everything she releases is largely in her own voice, even when the genre switches. 

Nailed it

Posted
20 hours ago, SwiftLover said:

Sold her soul & abandoned her sister for this? puppets and ventriloquist!! Sit yo ass down, honey!

:bibliahh: 

Posted

That's cute for her :clap3:

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