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Slant- 25 Greatest Madonna Videos


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5. Oh Father (Director -David Fincher)

 

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The death of Madonna’s mother reverberates throughout her discography, and the artist’s early confrontation with loss is put on powerful display in the cinematic video for 1989’s semi-autobiographical “Oh Father.” The dreamlike and disturbing clip, directed by David Fincher, takes its visual cues from Citizen Kane, casting an icy pallor over images excavated from Madonna’s memory, including a confrontation with her grieving father and the sewn-up lips of her mother’s corpse. Rather than demonizing her father, whose misplaced ire prompts him to rip his dead wife’s pearls from a young Madonna’s neck, the singer offers a lesson in ending cycles of abuse by confronting trauma directly. The final image of a young Madonna dancing over her mother’s grave feels like a reclaiming of her pain—one of many mission statements slyly written into her videography—and of turning the legacy of her loss into art. Mason

 

4. "Frozen" (Director- Chris Cunningham)

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Just as she sought to imbue electronica with heart on 1998’s Ray of Light, Madonna lent director Chris Cunningham’s stark, icy visual style a sense of humanity—and reportedly reined in his penchant for special effects—in the first video from the album. As a siren lost in an unidentified desert landscape, Madonna morphs into a flock of ravens, floats in the air like a specter, dances with herself in triplicate, and summons a cosmic storm with the twirl of her Henna-covered hand. The overriding theme of “Frozen,” however, is self-imposed isolation, and the video’s simplicity keys into Madonna’s straightforward but resonant refrain: “You’re frozen when your heart’s not open.” But it’s another lyric—“You only see what your eyes want to see”—that highlights the clip’s inherent ambiguity: Its hypnotic effect is not unlike succumbing to one’s own psychological paralysis. Cinquemani

 

3. "Open Your Heart" (Director- Jean Baptiste Mondino)

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“Don’t try to run, I can keep up with you,” Madonna promises on “Open Your Heart,” and given the unflappable momentum of the track’s undulating bassline and the blithe directness of the singer’s basic argument, you don’t doubt her for a second. “Open Your Heart” is a major wrench in the argument that, at least in her first 15 or so years as a musical force, Madonna’s vinegar was more powerful than her sugar. The song’s video positions her as the most wholesome, kid-friendly peep show stripper you’ve ever seen. The ’80s may not have been a more innocent time, but it’s hard to imagine anyone getting away with dancing off into the sunset with a 12-year-old boy as Madonna does in the clip’s sun-kissed denouement. Henderson

2. "Express Yourself" (Director- David Fincher)

 

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“Express Yourself” is the embodiment of queer chic, a bombastic masterpiece that heralds Madonna’s uncanny ability to use her consumer-driven image to code her feminist politics. Something this inspired by Fritz Lang’s Metropolis is not without theoretical implications. Here, Madonna plays the high priestess of a futuristic wage-slave community who celebrates the power of her repressed mechanism via self-love. The clip’s infinite metaphors are intricate and delirious without ever being pedantic. While Madonna looks for a way to vicariously penetrate the slave kingdom below her secret tower, sexual frustration begets physical aggression. Director David Fincher evokes the glamour and exoticism of male-on-male competition via the slave community’s constant flexing and cockfighting. Inside her postmodern living quarters, the five-foot-three Madonna towers above the crowd, slithers under her dining room table, and asserts her feminine wile. “Express Yourself” is as conceptually audacious as Metropolis because it celebrates both the power of the female sex and its ability to cripple the machine that dehumanizes it. Ed Gonzalez

1. "Vogue" (Director- David Fincher)

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Look closely when that butler brushes off the bannister. Nope, no dust there; the finger pulls clean. Those who objected to Madonna’s co-opting two vibrant New York scenes—ball culture and the house underground—had every reason to cast any available aspersions once the music video for “Vogue” hit the airwaves. Directed with diamond-cut precision by David Fincher long before he became the fussiest of the A-list auteurs, the already plush song became a plummy fantasia of Old Hollywood luxury, and an actualization of the sort of glamour Paris Is Burning’s drag queens and dance-floor ninjas openly longed for. And it came with a steep price tag. “It makes no difference if you’re black or white,” goes the familiar refrain, but it’s unclear whether Madonna realized to what extent the clip’s flawless, monochromatic cinematography would underline the point. To some, the video (like New York’s ball scene) represented the ultimate democratization of beauty. To others, a presumptuously preemptive eradication of the racial question entirely. Henderson

For the full 25 videos- https://www.slantmagazine.com/music/madonna-greatest-music-videos-ranked/

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Fair list tbh. I think these are her key videos

Maybe replace Deeper, Secret or Borderline with Nothing Really Matters or Don't Tell Me

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The real top 5:

Bedtime Story 

Frozen 

Rain

Ghosttown 

Vogue 

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Seeing that top 25, it's such a fresh reminder of how diverse and stunning is her videography, no other girl is seeing her in that regard and even the males bar Michael struggle to.

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Dark Ballet and Girl Gone Wild over Take a Bow, Nothing Really Matters, Drowned World..? :biblio:

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8 minutes ago, UnusualBoy said:

Seeing that top 25, it's such a fresh reminder of how diverse and stunning is her videography, no other girl is seeing her in that regard and even the males bar Michael struggle to.

Madonna's videography is so much better than MJ's :rip:

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Great top 5 :clap3:

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Nothing Really Matters is sorely missed in this line-up, but other than that, the list is pretty much spot on :clap3: Though I'd personally put Rain as the #10 instead of RoL. Rain's art direction is just stunning beyond belief :jonnycat:

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Bad Girl shoul be there intstead of Open Your Heart

But nice list :clap3: 

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Can we talk about how underrated Oh Father is both musically and visually?

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Rain and Bedtime Story at #14 and #13??  :biblio:  One of them is displayed at the MoMA wtf.  LIST CANCELLED!

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Love how often she reference old movies, without seeming pretentious and reductive :heart2:

 

her videography stays unmatched

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6 hours ago, ArtForFreedom said:

Can we talk about how underrated Oh Father is both musically and visually?

Grammy nominated visuals :clap3:

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Nah it’s more like:

 

Bedtime Stories

Human Nature

Rain

Nothing Really Matters

Dark Ballet

 

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On 10/7/2022 at 4:12 PM, LikeaRebel said:

I Want You over Take a Bow, Nothing Really Matters, Drowned World..? :biblio:

This.

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