mokitsu Posted April 15, 2020 Posted April 15, 2020 Hard to please - Particularmente, acho bastante revigorante o quanto a cena musical do final dessa década tem se esforçado pra borrar as fronteiras que separam estilos musicais bastante distintos. No seu trabalho mais recente, Tia Cabral encarna uma versão country de Kate Bush pra narrar uma fábula de horror que soa como a trilha sonora de um encontro fantasmagórico de Diana Ross e Whitney Houston, com uma banda de synth-goth dos anos 80. Se em alguns momentos peca pela falta de um certo senso de polidez e coesão, é obviamente compensado por texturas recheadas de sabor e personalidade.
Invisibility Posted April 15, 2020 Posted April 15, 2020 10 minutes ago, mokitsu said: Hard to please - Particularmente, acho bastante revigorante o quanto a cena musical do final dessa década tem se esforçado pra borrar as fronteiras que separam estilos musicais bastante distintos. No seu trabalho mais recente, Tia Cabral encarna uma versão country de Kate Bush pra narrar uma fábula de horror que soa como a trilha sonora de um encontro fantasmagórico de Diana Ross e Whitney Houston, com uma banda de synth-goth dos anos 80. Se em alguns momentos peca pela falta de um certo senso de polidez e coesão, é obviamente compensado por texturas recheadas de sabor e personalidade. skskskskskskksk
mokitsu Posted April 15, 2020 Posted April 15, 2020 Real love - well this is the best of the spotify'd songs
Invisibility Posted April 15, 2020 Posted April 15, 2020 Black Country feat. New Road: to the fat f***ing bitch dared to compare this to No Friend, Aaron Weiss sweetie I'm so sorry that a ugly ass bitch like this would even say that.
Invisibility Posted April 15, 2020 Posted April 15, 2020 Jessie Frye: luvly synths, the dry-humping vocals in the chorus repeating 40 times though skdffdf
mokitsu Posted April 15, 2020 Posted April 15, 2020 Dreams - this is so gorj and discovered it like last year and forgot about it again oh well
Invisibility Posted April 15, 2020 Posted April 15, 2020 1 2 3 4: eh I like her attitude and that she goes from being brash and talk-singing to the higher register singing but this sound didn't do that much for me. Especially not that long-ass instrumental bridge.
Invisibility Posted April 15, 2020 Posted April 15, 2020 Bassette: I really like her vocals and the light trap beat, just wish the chorus was a bit stronger than just a bunch of lalala's to fill it.
Invisibility Posted April 15, 2020 Posted April 15, 2020 Hayleau feat. Junglep*ssy: Oh I dig this a lot. The sultry, classic R&B sound with good vocals and then Jungle's unique voice and great style.
Invisibility Posted April 15, 2020 Posted April 15, 2020 Lost Girl: heavy "basic DJ remix of a Spotify girl that gets heavy rotation at H&M fitting rooms" vibe. It's okay. But that sound during the chorus is annoying, and the short length just evidences how disposable the song is.
Invisibility Posted April 15, 2020 Posted April 15, 2020 Kotomi: okay this hits all the right spots as far as synths, strings, a dance beat (that reminds me specifically of Allie X's 'Casanova') and snippets of random instruments/keyboard tampering goes. I like it a lot.
Invisibility Posted April 15, 2020 Posted April 15, 2020 (edited) Jenna Holiday: not a fan of the lyrics being random comparisons, nor her voice, but the vaguely Spanish guitar and more contemporary sound is nice. All in all it's no Olivia Hye - Egoist is it? Edited April 15, 2020 by Invisibility
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