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Posted

oh wow, possibly the best top 10 I've seen and most similar to mine :jonny5: all that talent...

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Posted

First of all your top 5 is perfect!! Charli, Lana and Beach House  :jonny: 

 

ASIB was nice movie but i haven't touched that soundtrack in a while (aside from the occasional Shallow plays). And thank you for that snail mail mention, i don't understand the hype...

 

I Got The Juice is good tho :chick3: But overall i understand the issues with the album

 

Maybe you made some points about years and years/Troye lmao

Posted

SSSS is full of bops, stawp :'( 

yeah, DC works better as a whole or with movie, but still very solid record

not ASIB :biblio: 

both Troye and Y&Y albums were so.. boring :rip: I mean, they started off pretty good with singles, but final products are just meh

love your write-up about Cardi :clap3: I like her overall, but album praise is too much :rip: 

 

  • ATRL Moderator
Posted

I like most of these hm's
so sad so sexy was cute for me.. felt thought out
nopoints on dirty computer :mandown:
the 1975 did that for me.. some very touching lyrics
ew @ pristine
some points on palo santo/ bloom but both were still alright
 big points on aviary
 

Posted (edited)

❤️ Honorable Mentions ❤️

I liked all these albums, though they are not necessarily my favourites from the year. Some are good but have obvious flaws, others I haven't listened to enough. I'm only doing 25 albums so think of these as 26-36. x

 

 

 

amen dunes // freedom

neo-psychedelia, singer/songwriter


Image result for amen dunes freedomAmen Dunes’ Freedom is emotionally heavy music balanced upon the most melodic and easily-digestible backdrops: on Calling Paul the Suffering, McMahon confronts his father over an instrumental that is strangely bouncy and chipper. Other songs like Believe and the closing LA use rambling psychedelia as musical catharsis to great effect. Freedom is somewhat backloaded, if the record was overall as strong as the last four songs maybe it would have made my list proper, but this is still a worthy listen and has some of the most stunning music I’ve heard all year.


points: freedom, LA, believe

 

 

 

 

dj koze // knock knock

deep house

 

Image result for dj koze knock knockDJ Koze’s Knock Knock is a perfect antidote to all the bleakness of 2018. His music is just so much fun. His kaleidoscopic beats, taking influence from house music as well as from psychedelia, can easily stand on their own or accommodate a guest vocalist if needed: the queen of big “bops” herself is featured on two songs. You can have too much of a good thing though, and a couple of songs from the middle third could have been cut to make this more streamlined. Overall though, this record succeeds in what it aimed to do: make fun, carefree dance music.

 

points: illumination, music on my teeth, drone me up flashy

                                                                                                                                                                   

 

 


 

 

hayley kiyoko // expectations

dance-pop, electropop

 

Image result for hayley kiyoko expectations

A 20gayteen highlight, Hayley Kiyoko’s Expectations is full of fun, carefree pop music that is as honest as it is danceable. Hayley cannot sing (she sounds like Taylor at points) but she works around this by mostly avoiding ballads and stuffingasmanysyllablesintoalineaspossible, like on single Curious’ hook. There are even some more ambitious moments here: she goes full Melodrama with two double tracks in the middle. I find myself coming back to the bops though, and He’ll Never Love You and the Kehlani-assisted What I Need are as catchy as anything I’ve heard this year. I think this record is underrated honestly, and it deserved more love from fomos who are always complaining that pop music is dead.

 

points: curious, he’ll never love you (hnly), what I need, under the blue / take me in

 

 

 

 

mariah carey // caution

contemporary r&b

 

Image result for mariah carey cautionUp next we have the queen of indieheauxs hms, the songbird supreme herself, ms. Mariah Carey. I have tried to get into her several times, but this album was probably the first time I was really captivated by her music. In the wake of recent scandals, Mimi delivers a cohesive, mature set of songs that borrow from modern r&b trends while still retaining the charm that won her so many fans. Mariahisms are scattered liberally across the record (clock “Scusa mi” in GTFO chorus), but she also takes risks, like on the 6 minute psychedelic slow jam Giving Me Life - the one point Dev made this year. The back half is a little sleepy for me unfortunately, though there is no outright filler. Will try to revisit her discography soon.

 

points: gtfo, a no no, the distance, giving me life

 

                                                               

                                                                                                                                                               

 

 

 

mid-air thief // 무너지기 (crumbling)

psychedelic pop, folktronica, neo-psychedelia

 

Image result for mid air thief crumblingMid air thief’s Crumbling is one of the most stunningly beautiful records I’ve heard all year. The elusive project had a very organic breakout this year, as the intricate, delicately-crafted album caught the attention of music fans without any critical buzz. The record is almost too beautiful, and can sometimes feel like pleasant background music at points. I feel similarly about Ichiko Aoba’s qp, a stunning folk album released late this year. Of course, I recognise that that these albums being sung in Korean and Japanese, respectively, could present barriers against me getting into them more. Still beautiful records. I would especially recommend Crumbling to people who find traditional folk music boring as the arrangements here are very unique and experimental.

 

points: these chains, curve and light

 

 

 

 

 

natalie prass // the future and the past

sophisti-pop, pop soul

 

Image result for the future and the past natalie prassIt feels unfair to put what is a pretty damn solid record in the bubbling under, but I can’t help but look at The Future and the Past as a disappointment. Natalie Prass’ self-titled debut was my AOTY for 2015 and I remember being so excited in the run up to release. This record just lacks that magic for me, and the whole sophisti-pop thing isn’t what I wanted from her really. That’s not to say there aren’t highlights here though: The Fire puts Haim’s last album to shame while Ship Go Down is probably the most experimental thing she’s ever done, a lament to the state of American politics that dissolves into distorted guitars and wails.

 

points: ship go down, the fire, nothing to say

 

 

 

 

noname // room 25

jazz rap, conscious hip-hop

 

Related imageNoname calls her music “lullaby rap” and it’s easy to see why. She delivers her bars in a kind of sotto voce that’s softer than a homosexual, while favouring calm, jazz influenced instrumentals over the trap and industrial-esque beats that are popular right now. This could all point to her music being very boring but there’s a lot to enjoy here: her breathless flow on early standout Blaxploitation, the lush orchestration of Window and Don’t Forget About Me, Ravyn Lenae’s weightless hook on the dreamy Montego Bae. I don’t enjoy this as much as her mixtape, Telefone, but I remember that that took a while to grow on me so I gotta give this a shout out here.

 

points: self, blaxploitation, don’t forget about me

 

 

 

 

rosalía // el mal querer

art pop, flamenco pop, flamenco nuevo

 

Image result for rosalia el mal quererAs someone who speaks no Spanish and was very unfamiliar with flamenco music, El Mal Querer was a challenge to get into. I think the record does a good job at balancing classic flamenco with the tastes of a young woman who obviously grew up on contemporary pop music. Take Bagdad, which appropriates "Cry Me a River" to tell the 13th century tale of a woman’s infidelity that the whole album is based upon. I will say that I love the first four tracks, especially the sex bop Malamente and the post industrial-meets-Flamenco expedition De Aqui No Sales. The rest of the album doesn’t hit as hard but it’s still pretty good. I won’t call this overrated because I respect her talent and artistry.

 

points: malamente, de aqui no sales

 

 

 

say lou lou // immortelle

art pop

 

Image result for say lou lou immortelle Immortelle was axed last minute from my list for an album that grew on me lately, but I still like it a lot. On their second album, Say Lou Lou switched from the post-M83 dream-synthpop of their debut to a more classic art pop sound with some heavy Portishead influence. These are easy genres to pull off for anyone with at least some talent and a reverb pedal, but Say Lou Lou still deliver here. At only 7 tracks, the record is concise, though not lacking in highlights: All Love to Me is a sexy Goldfrapp’d bop while the title track ends the record on a high with a wash of twinkling synths and ethereal melodies.

 

points: immortelle, phantoms, all love to me

 

 

 

 

tierra whack // whack world

alternative r&b, pop rap, east coast hip-hop

 

Image result for tierra whack whack world I didn’t like this on my initial listen but when I returned to this a few weeks back my opinion was much more positive. Whack World comprises fifteen one minute songs, a completely original album format (as far as I know, before someone quotes me that some obscure 1973 album did it already, or whatever). Of course, there’s perhaps a reason why nobody has attempted this idea before, but I like that this feels like a direct response to the trend of overlong and indulgent hip hop albums by artists like Drake and Migos. The music video is a must-watch too, it’s like watching her mind at work, very interesting and cool.

 

points: whack world

 

 

 

 

the voidz // virtue

art rock, hypnagogic pop

 

Image result for the voidz virtueThis album probably deserved more listens from me, and I don’t know why I didn’t listen more because I always left the album feeling positive. I like how this record blends dreamy hypnagogic pop with more traditional indie rock elements, it’s not really something anyone else was doing this year. Virtue is just a fun record that doesn’t always take itself too seriously, like on the “oh **** yeah!” refrain on Wink. The experimentation leads to some misses, like the miscalibrated stab at folk on Think Before You Drink, but overall it’s a nice antidote to some of the boring rock releases this year.

 

points: aliennation, wink, pink ocean

 

 

 

 

Edited by Eeveelution
  • ATRL Moderator
Posted

the better expectations :clap3:
Mariah did THAT on Caution
Natlie Prass :clap3:
not softer than a homosexual :dies: noname did that tho 
Rosalia only being in hms.. shook
immortelle is brilliant.. the highlights whew
tierra whack did that as well
 

Posted

the lashings

 

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On 12/24/2018 at 9:04 PM, Vxspertine said:

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No further comments x

Because you're speechless at all the tea? x

 

On 12/24/2018 at 10:05 PM, potent said:

Venice Bitch snatching the #1 :clap3:

I tried Beach House this year but I just don't really think they're my cup of tea.

It's what she deserves :clap3: 

 

On 12/24/2018 at 10:07 PM, theblackestday said:

The inconsistency with A Fad Is Born not being aligned to the right triggers me x

 

No further comments aside from that :)

It bothered me too x

 

Does that mean you agrih with everything I said? :) 

 

On 12/25/2018 at 2:43 AM, Remmy said:

Dirty Computer: Well luckily this had a very large replay value for me :keir: Wow put some respect on Americans!
A Star Is Born OST: Yeah, I definitely hear sumn... greatness :cm:
Bloom: Omg you did not just compare Troye to the likes of C**ila I'm gonna be traumatized by that sentence
Queen: Oh this definitely deserves to be on this list! By far her weakest album, it's so sad.

I will say that My My My > Ca Mi La her discography so there's that.

On 12/25/2018 at 10:57 AM, -mUsIcLoVeR- said:

OMG these albums are some of my favorites this year :jonny4: I'll be keen on your list. I might discover some great new music!

The albums actually on my list are better so I hope so :keir: 

On 12/25/2018 at 11:35 AM, Sbbmsve said:

Poor Bloom :chick3:

Poor that.

 

On 12/25/2018 at 12:35 PM, Lazuli said:

I'll just say I like a lot of these albums (a lot) and that's that on that :shutup: 

Sorry :chick3:

 

On 12/25/2018 at 3:32 PM, Superpower said:

The lack of taste. Merry Christmas ? 

The swift drag and then the merry xmas sent me.

 

On 12/25/2018 at 3:37 PM, Kevin2803 said:

How dare you to call "Americans" bad :angry: Janelle's album is amazing :keir:

 

Also, Bloom and Palo Santo maybe not as good as their first albums, but i still like them very much, especially Palo Santo. "Up in Flames" alone is a pop masterpiece.

 

ASIB has some of the best Gaga songs in years. What are you doing? :angry:

Americans an't it sis, a tragic closer.

 

It has Hair Body Face I guess.

 

On 12/25/2018 at 3:43 PM, madonnas said:

Good soty.  It's honestly one of Lana's best songs.  3rd best, to be exact!

 

Finally people are starting to agree that Nicki's rap/sung midtempos are a snooze and awful.  People were stanning them during PF and TPP eras.

After West Coast and Video Games? Hmm I agree!

 

Tea, they've been awful. Some artists should be banned from ballads and she's one. Nip Tuck is cute tho.

On 12/25/2018 at 7:20 PM, Vilppu said:

i'll give venice bitch a stream for each of these POINTS

 

i don't necessarily agree, while ofc it's good to see LGBT folks succeed, we should not hold them to a different, lower standard especially since you probably wouldn't have to look far to find a gay with a better, more well thought-out output than troye/Y&Y

I'm glad someone actually agrees ff.

 

I agree, I wanted to support them but mediocrity is mediocrity. 

23 hours ago, Pink Matter said:

Lrg57gc.gif

 

no points were made except when it comes to I Got The Juice (which is some mierda) and American (which is so incredibly ham-fisted)

The others though; points, points everywhere. Especially about the two twinks being mediocre and Cardi being so incredibly overrated.

I'm glad you agrih I made points hihi.

20 hours ago, World Eater said:

Screaming at you not being bothered enough about miss Mail that you couldn't even get her album title right :dies:

don't know... I don't know what she called her album.

12 hours ago, Tom Vercetti said:

whether this was intentional or not I lol'd.

 

Understand the majority of these. I also feel the "play in whichever order u want" for Aviary felt a bit like a cop out response. Going from a short and quite accessible upbeat track like Whether to 8 minutes of whatever Chaitius was can be jarring. 

I agree. I wish more tracks were on the short and punchy side cause Turn the Light On was a successful opener.

 

6 hours ago, Body Electrician said:

oh wow, possibly the best top 10 I've seen and most similar to mine :jonny5: all that talent...

Thanks :jonny: 

2 hours ago, Maddox said:

First of all your top 5 is perfect!! Charli, Lana and Beach House  :jonny: 

 

ASIB was nice movie but i haven't touched that soundtrack in a while (aside from the occasional Shallow plays). And thank you for that snail mail mention, i don't understand the hype...

 

I Got The Juice is good tho :chick3: But overall i understand the issues with the album

 

Maybe you made some points about years and years/Troye lmao

Snail Mail hype really escaped me, and I usually stan the boring singer/songwriter girls.

 

I Got the Juice is just messy imo. 

 

Maybe I did. :mandown: 

1 hour ago, TheWayWeWere said:

SSSS is full of bops, stawp :'( 

yeah, DC works better as a whole or with movie, but still very solid record

not ASIB :biblio:

both Troye and Y&Y albums were so.. boring :rip: I mean, they started off pretty good with singles, but final products are just meh

love your write-up about Cardi :clap3: I like her overall, but album praise is too much :rip: 

 

Yeah troye singles made me think the album would be better. Lucky Strike is good but the rest of the album trax...

Yeah Cardi is fine but the acclaim was so extra :rip: 

 

1 hour ago, Tsareena said:

I like most of these hm's
so sad so sexy was cute for me.. felt thought out
nopoints on dirty computer :mandown:
the 1975 did that for me.. some very touching lyrics
ew @ pristine
some points on palo santo/ bloom but both were still alright
 big points on aviary
 

big points on all of them :mandown: 

 

 

Posted
8 minutes ago, Eeveelution said:

Does that mean you agrih with everything I said? :) 

'Everything' is stretching it, but with most of them yes

 

"She delivers her bars in a kind of sotto voce that’s softer than a homosexual" :rip:

 

Expectations is probably the worst album I've heard this year but aside from that these are great HMs. I only don't know the mid-air thief album but that description is intriguing so I'll try it out. Think Before You Drink a highlight btw.

Posted

Freedom was #31 on my list so I agree with this placement. But I don’t agree with everything you wrote about it, you still made some points.

That Kiyoko girl, I couldn’t finish her album.

Noname was okay. I didn’t hear why people were praising it to high heavens. She has potential tho 

Posted

Some good HMs! I kinda agree with you on Hayley but at the same time it WAS a bit meh. Maybe just because Curious is SO good?

 

NNNN queen of "big bops" I cannot :bibliahh:

 

Guess I should give that Say Lou Lou record a listen. I was kinda indifferent to checking it out but is is only like 7 songs; why not I guess

Posted

I tried with caution but like most of her other albums, it's not cutting it. 

I think Freedom was pretty even. Even with the weaker songs there was atleast 1 highlight in the front, middle, and end. 

 

Quote

a completely original album format (as far as I know, before someone quotes me that some obscure 1973 album did it already, or whatever).

:eli: 

Posted
1 hour ago, Eeveelution said:

Because you're speechless at all the tea? x

Well... some tea was served I'll give you that

 

CJTfbaA.gif

 

Anyways Rosalia and mid-air thief deserved better :'( Glad you still enjoyed both though :clap3:

The rest are all pretty good expect for Caution and the Natalie Prass album but I can definitely see why they didn't make the cut :mandown:

Posted

Expectations is good, atleast some songs :)

 

Caution is okay :mandown:

Posted

i still stan venice bitch, i just need to keep my OLDRH front before i get too excited and disappointed again

Quote

This album probably deserved more listens from me, and I don’t know why I didn’t listen more

it's too long and has a fair chunk of filler x

 

room 25, immortelle and whack world are good but i agree they're fairly HM-y. natalie's album is actually almost equal to her debut quality-wise so maybe i understand where the general above-average-yet-still-resounding-meh is coming from

  • ATRL Moderator
Posted

I like all of these that I heard.

Hayley and Voidz didn't make it on my lists but they are HM worthy lol.  

 

Glad to see Natalie and Rosalia at least get some props.

Posted

You putting Janelle and Julia in the dissapointing list but H****y on the HMs list

 

Lrg57gc.gif

 

At least you rihdeemed yourself by putting Rosalía, Mid-Air Thief, Mariah and Tierra in your HMs... still some of them deserved main list but we'll let that slide :keir:

Posted

Caution is a cute HM! But I wish Freedom and TFATP made it :'( 

Posted

Gonna do 25-21 in a sec x

 

23 hours ago, Tsareena said:

the better expectations :clap3:
Mariah did THAT on Caution
Natlie Prass :clap3:
not softer than a homosexual :dies: noname did that tho 
Rosalia only being in hms.. shook
immortelle is brilliant.. the highlights whew
tierra whack did that as well
 

nnn Bebe is lucky I'm not doing a worst of.. that's all imma say on that.

 

I like Rosalia but unfortunately I never connected to her music like a lot of people here did.

22 hours ago, theblackestday said:

'Everything' is stretching it, but with most of them yes

 

"She delivers her bars in a kind of sotto voce that’s softer than a homosexual" :rip:

 

Expectations is probably the worst album I've heard this year but aside from that these are great HMs. I only don't know the mid-air thief album but that description is intriguing so I'll try it out. Think Before You Drink a highlight btw.

Well, I mean, Palm Dreams, Wanna Be Skipped and the closer are some of the worst songs of all time, but there are plenty of highs so worst of the year is a REACH.

 

I think you'll like it, well it's a pretty hard album to dislke. Lmk what you think. :-* 

22 hours ago, Superpower said:

Freedom was #31 on my list so I agree with this placement. But I don’t agree with everything you wrote about it, you still made some points.

That Kiyoko girl, I couldn’t finish her album.

Noname was okay. I didn’t hear why people were praising it to high heavens. She has potential tho 

Have you listened to Noname's Telefone? That really outsold Room 25 so check it out if you haven't

22 hours ago, Ewan Chaos said:

Some good HMs! I kinda agree with you on Hayley but at the same time it WAS a bit meh. Maybe just because Curious is SO good?

 

NNNN queen of "big bops" I cannot :bibliahh:

 

Guess I should give that Say Lou Lou record a listen. I was kinda indifferent to checking it out but is is only like 7 songs; why not I guess

Curious is the ultimate big bop yes.

 

Say Lou Lou is like 30 minutes so yeah give it a try.

22 hours ago, Tom Vercetti said:

I tried with caution but like most of her other albums, it's not cutting it. 

I think Freedom was pretty even. Even with the weaker songs there was atleast 1 highlight in the front, middle, and end. 

 

:eli: 

I think it's pretty consistent but there are a couple of boring songs in the middle like that Saturday(?) song.

 

What, did someone do it before? :rip: 

21 hours ago, Vxspertine said:

Well... some tea was served I'll give you that

 

CJTfbaA.gif

 

Anyways Rosalia and mid-air thief deserved better :'( Glad you still enjoyed both though :clap3:

The rest are all pretty good expect for Caution and the Natalie Prass album but I can definitely see why they didn't make the cut :mandown:

Did they though? :mandown: 

21 hours ago, Kevin2803 said:

Expectations is good, atleast some songs :)

 

Caution is okay :mandown:

:) 

20 hours ago, Vilppu said:

i still stan venice bitch, i just need to keep my OLDRH front before i get too excited and disappointed again

it's too long and has a fair chunk of filler x

 

room 25, immortelle and whack world are good but i agree they're fairly HM-y. natalie's album is actually almost equal to her debut quality-wise so maybe i understand where the general above-average-yet-still-resounding-meh is coming from

I don't disagree x

 

I relistened to her debut earlier and that was a classic, equal it is not. :mandown: 

18 hours ago, madonnas said:

I like all of these that I heard.

Hayley and Voidz didn't make it on my lists but they are HM worthy lol.  

 

Glad to see Natalie and Rosalia at least get some props.

Yeah, had to give them a s/o even if they weren't completely my thing.

14 hours ago, TRF. said:

You putting Janelle and Julia in the dissapointing list but H****y on the HMs list

 

Lrg57gc.gif

 

At least you rihdeemed yourself by putting Rosalía, Mid-Air Thief, Mariah and Tierra in your HMs... still some of them deserved main list but we'll let that slide :keir:

Julia and Janelle were disappointing considering they are capable of classics like TAA and HYIMY, whereas I had no expectations for Hayley. Ultimately they're not that different quality wise, I said what I said.

 

14 hours ago, Lazuli said:

Caution is a cute HM! But I wish Freedom and TFATP made it :'( 

Maybe next time :'( 

 

 

Posted (edited)

25 // low - double negative

ambient pop, glitch pop


Image result for low double negative

Poor Immortelle, but I just had to slide this in last minute. I wasn’t familiar with Low before this year, but from what I can tell they were quite an underrated band, though there seems to have been a resurgence of critical acclaim this year. Double Negative was a bold departure from their usual slowcore, embracing elements of noise and drone to create an album that is at first somewhat impenetrable, but slowly unravels its charms. The record does a great job at taking often unpleasant sounds; distorted vocals, glitchy electronics, industrial noise, and making something that is beautiful and strangely intimate. I also like how you can still tell this is a slowcore band at its heart, with songs such as Dancing and Fire being a perfect marriage of their old and new sounds.  points: always up, dancing and fire, rome (always in the dark), disarray

 

 

 

 

 

24 // cupcakke - ephorize

trap rap; hardcore hip-hop

 

0XugjfD.jpgWhile some of female rap’s biggest names are shacking up with convicted rapists and beating up their man side chicks, CupcakKe remains a certified sweetheart. Whether she is writing anthems for autistic fans or supporting the homeless, it’s difficult not to root for Ms. Harris. While last year’s Queen Elizabitch was decent enough, Ephorize is the first album where she really reaches her potential. The production value is higher here, with some choices that compliment Miss cakKe perfectly, such as the autotuned post-hook of Total and the electric guitar that punctuates the absurdist sex-fantasies of Spoiled Milk Titties. There is still room for growth, of course. While CupcakKe is skilled in illustrating the myriad ways that she can ride a dick, when she tackles more serious topics such has admiration for the LGBT community, her bars can sometimes feel a little clunky. That being said, I’d take that over what other female rappers have to say about their queer fans anyday. 

 

points: crayons, wisdom teeth, total, duck duck goose, spoiled milk titties

                                                                                                                                                                   

 

 


 

 

23 // against all logic - 2012 - 2017

deep house

 

coTU6by.jpgI first got into Nicolas Jaar a couple years back thanks to best ofs and this is his newest release, this time under the name Against All Logic. As expected, the production here is top notch, I love the skittering drum beats on I Never Dream and the vaguely middle-eastern(?) influence on Now U Got Me Hooked. I also like the use of sampling here: Nicolas knows how to make good use of a sample without overdoing it like some producers have been known to. Is the I Am a God sample on Such a Bad Way Kanye’s biggest contribution to music this year? Maybe so. I’ve seen some call this ‘beginner’s house’ and what about it? The album's accessibility no doubt helped this become one of the most beloved electronic releases of 2018 and I can't say it's not what she deserves.  points: i never dream, now u got me hooked, rave on u

 

 

 

 

 

22 // jorja smith - lost & found

contemporary r&b, neo-soul

 

z0eAOXA.jpgAhhh Jorja, my boring Queen. Hot on the trail of acclaimed singles and even a coveted Critics’ Choice Award, Jorja arrived this year with Lost & Found. Though polarizing, Smith’s voice is a stunning instrument and elevates some of the more basic material – her high notes are captivating on the otherwise simple guitar ballad Goodbyes. However, the production here is not too shabby either with some inspired choices: February 3rd employs feathery guitar licks and piano riffs that perfectly complement Jorja’s vocals. Later, Wandering Romance’s trip hop samples and garage-influenced electronics create a cavernous atmosphere that I really like. The album falls off with some Adele’d ballads toward the end, Tomorrow being especially grating, but overall this is a confident and very very underrated debut.

 

points: the one, february 3rd, on your own, blue lights, wandering romance

 

                                                               

                                                                                                                                                               

 

 

 

21 // pusha t - daytona

southern hip hop, hardcore hip hop

 

w5Babfj.jpgDaytona is one of the most successful Wyoming Sessions albums for a few reasons. The album feels more well thought out and prepared than certain others. I may be wrong but I get the sense that this wasn’t being mastered on Kanye’s jet hours before release. Secondly, Pusha is a few albums in at this point, and unlike someone like Teyana, he seems aware enough of who he is as an artist so that he carries some confidence across the album’s tracks. It never feels like Kanye's production is wearing him and there's no risk of him being overshadowed. I couldn’t really put Daytona in my top 20 because, while it is consistently strong, the albums higher have more impressive standouts.   points: hard piano, infrared

 

 

 

 

 

 

Edited by Eeveelution
Posted

Caution and Immortelle on HMs :jonny4: 

you made some points about Hayley tho :clap3: 

 

Cupcakke making your list with her best album :clap3: 

Posted

Daytona is the best here so it's position is good w/ me. 

All I will say about aal (eye saw my remark about it there) is that it's a good thing that it got many people into the genre, or at the very least gave them a taste. 

 

Quote

Ahhh Jorja, my boring Queen.

 

We got that right. Feb 3rd is her best song tho x. 

Posted

Okay, I hated Cupcakke at her slut phase, like deepthroat and etc. camp bops tho. but she be slaying hard when she wants too, the album was like a very solid effort and she spat bars, unlike nicki.

  • ATRL Moderator
Posted

ephorize :clap3:
I ended up liking Jorja's ballads :dies: gorgeous debut tho
? didn't like daytona... found it basic 

Posted

I don't know any of these albums :eli:

 

I still commented, so i won't miss the next update :) 

Posted
Quote

while it is consistently strong, the albums higher have more impressive standouts

i put it a lot higher obvs but i kinda agree, aside from IYKYK which is crazy amazing imo, it's like a v constant 8.5/10

 

ephorize is cute and jorja's album wasn't anywhere near as boring as everyone claimed but not excellent either

 

also re: natalie, her debut has better songwriting but it feels v cheap, something like, say, christy has gorgeous backings but is a mixing disaster. the new record is more polished but lacks the soul, those cancel each other out imo

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