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  1. Iceland

    Better: MIDNIGHTS vs LOVER

    Lavender Haze vs I Forgot That You Existed Maroon vs Cruel Summer Anti-Hero vs Lover Snow On The Beach (Ft. Lana Del Rey) vs The man You’re On Your Own, Kid vs The archer Midnight Rain vs. I think he knows Question...? vs Miss Americana & the Heartbreak Prince Vigilante **** vs Paper rings Bejeweled vs Cornelia Streets Labyrinth vs Death by a Thousand Cuts Karma vs London boy Sweet Nothing vs Soon You'll Get Better" (featuring the Dixie Chicks) Mastermind vs False God
  2. ...then it's time for you to say RIP to your dead taste.
  3. With Olivia, Taylor, Harry Styles, Ariana, Bad Bunny, Kendrick, Drake stomping her streaming figures Does she still hold title since she was given it because no one was in her league commercially?
  4. Iceland

    Turn Midnights into a EP!!

    Lavender Haze Maroon Anti-Hero Snow On The Beach (Ft. Lana Del Rey) You’re On Your Own, Kid Midnight Rain Question...? Vigilante **** Bejeweled Labyrinth Karma Sweet Nothing Mastermind For me: Maroon Anti-Hero Snow on the Beach Midnight rain Vigilante
  5. The #2X Platinum, #1 Urban Radio Year End, Grammy nominated masterpiece The literal crack layered in this song, whew. All those recordings in the studio of this song paid off? She was on a mission to get the sonic aspect of this song to shine
  6. No offense to the other pop girls, but stats-wise it is pretty clear that Taylor is a league ahead of all other women. On the current Spotify weekly chart, Swift is the only woman in the Top 10 at #2, with Billie Eilish next at #12. Since Folklore was released, Taylor Swift was basically constantly the most-streamed woman on Spotify. Even big artists like Beyonce, Gaga, Adele and Billie Eilish only managed to grab the #1 spot for a very short time with new album releases before Taylor took over again. So, what is it that Taylor does differently than the other women? Is it the quality of her material? Marketing? PR? Her fan demographics? Why does it seem she's the only one to compete with the success of men? Are the pop girls ever coming back to dominate the charts again?
  7. Iceland

    Midnights vs 1989

    Lavender Haze vs Welcome to New York Maroon vs Blank Space Anti-Hero vs Style Snow On The Beach (Ft. Lana Del Rey) vs out of the woods You’re On Your Own, Kid vs All you had to do was stay Midnight Rain vs Shake it off Question...? vs I wish you would Vigilante **** vs Bad Blood Bejeweled vs Wildest Dream Labyrinth vs How you get the girl Karma vs This love Sweet Nothing vs I know Places Mastermind vs Clean For me: Lavender Haze vs Welcome to New York Maroon vs Blank Space Anti-Hero vs Style Snow On The Beach (Ft. Lana Del Rey) vs out of the woods You’re On Your Own, Kid vs All you had to do was stay Midnight Rain vs Shake it off Question...? vs I wish you would Vigilante **** vs Bad Blood Bejeweled vs Wildest Dream Labyrinth vs How you get the girl Karma vs This love Sweet Nothing vs I know Places Mastermind vs Clean
  8. Squall

    HDD predictions: Taylor #19

    19. folklore 22. Red TV 29. Lover 47. 1989 https://hitsdailydouble.com/sales_plus_streaming
  9. Rolling Stone: Positive DIY: 4/5 NME: 4/5 The Sydney Morning Herald: 3/5 Metacritic: TBD AOTY: 73 (3 reviews)
  10. Midnights is divided into 3 sides. Which of these is your most and least favourite? Side A: Lavender Haze Maroon Anti-Hero Snow on the Beach You're on Your Own, Kid Midnight Rain Side B: Question...? Vigilante **** Bejeweled Labyrinth Karma Sweet Nothing Mastermind Side C: The Great War Bigger Than the Whole Sky Paris High Infidelity Glitch Would've, Could've, Should've Dear Reader
  11. For me personally only Vigilante **** is interesting enough to add to my liked songs, so 1. What about you?
  12. the experimental masterpiece that only intellectual ears can interpret and decode
  13. Playlisting reach: Anti-Hero: 85M Lavender Haze: 43M These are the two only songs on TTH, by the way Bye
  14. Theres that double standard. When a male artist like Charlie Puth post naked photos people say "he's so hot" "step on me king" or "yesss daddy" or "i love him soooo much". But when Britney do it it's "are you ok" "you are sick" "this is not normal" "i'm worried for you" "why ?" "Oops she did it again". Why this double standard ?
  15. And ties with them for Song Association! 15/15!
  16. They are the only female artists I can think of who remained successful throughout four decades Madonna debuted in 1983 and her last worldwide smash hit was 4 Minutes from 2008. 25 years into her career. She kinda fluked in the 2010s but was still able to have #1 albums in this decade. Shakira formally debuted in 1995 and her new single Monotonia released today is breaking streaming records and shaping up to become a massive global hit. Her 2022 single Te Felicito is also a massive hit, charting in the top 10 in many countries. Beyoncé was obviously the lead part of Destiny's Child, which debuted 1998. In 2022 Beyoncé released her most acclaimed work to date, managed to break personal streaming records, reached #1 with her hit single; Break My Soul and the song; Cuff It is becoming a massive hit worldwide, charting inside of the top 15 in many countries. Is it safe to say this is the trinity of girls with extremely long careers? There is really no slowing down with these women. I cant think of anybody else who managed to sustain such a long career and see continuous success and scoring massive hits throughout four decades, all with new material.
  17. https://voca.ro/1maSAkYjPXsT now i'm all for you like janet
  18. Both pop princesses released a heavy synth pop inspired album, which one do you prefer? which one has better hooks/melodies? which one's better produced?
  19. The 2021 version of Rasputin is at 408M Which pop girl debuted before 2000 has one? Shook? Screaming? Crying? Throwing up?
  20. Taylor has somehow managed to top herself yet again, with what can legitimately be considered her best song ever, and is arguably one of the greatest songs of all time The way it keeps building and building until the third repetition of the bridge at the end where she's almost shouting with rage and sadness. It scratches a particular musical itch that I haven't felt since Happier Than Ever (s). Taylor really eviscerated John Mayer and his grooming behaviour with this one Strihm now ladies:
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