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In the film soundtrack genre there are four types of recordings:

1.Musical film soundtracks which concentrate primarily on the songs
2.Film scores which showcase the background music from non-musicals
3.Albums of pop songs heard in whole or part in the background of non-musicals

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Carl Orff - Gassenhauer


which inspired Hans Zimmer to produce this:

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John Barry - You Only Live Twice


which Robbie Williams heavily borrowed to produce this hit:

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The Last Seduction Main theme

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Claude Bolling - Borsalino Theme

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Ennio Morricone - A Fistful of Dynamite

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Kubrick's The Shining final sequence and end credits

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"Being There" - Eumir Deodato - Also Sprach Zarathustra

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City of God - Batucada Remix

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Pink Floyd - Zabriskie Point - opening...


..end

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Wendy Carlos - A Clockwork Orange


which Blur visually borrowed to produce the video for this song:

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Trainspotting: Lou Reed Perfect Day

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Science Fiction Double Feature - The Rocky Horror Picture Show

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Natural Born Killers

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Layla (piano exit) - Goodfellas

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Blow Up: Stroll On The Yardbirds

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Animal House - Stephen Bishop

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John Carpenter's Christine - Bad To The Bone


George Thorogood - Bad To The Bone

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Goodfellas: May 11 or Last Day as a Wiseguy


In order of appearance:

Harry Nilsson - Jump Into The Fire

The Rolling Stones - Memo From Turner

The Who - Magic Bus

The Rolling Stones - Monkey Man

George Harrison - What Is Life

Muddy Waters - Mannish Boy

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Romeo + Juliet - You and Me Song - The Wannadies (1996)

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Ode To A Screw - From "Taking Off" (1971)