The last album she really sat down and wrote was American Life...
She usually NEVER writes her uptempo songs. She hears them, likes them, and tweaks them where needed.
Guys, I don't think Zach meant ALL her songs, but the truth is she has been doing this a LOT lately. With Revolver, Turn Up The Radio, Heartbeat, maybe some of the Confessions songs, and there are probaly a lot more, she gets the demo of the original, changes ONE word, and get credit for writing it. She didn't create the music, she just gets the songwriting credit for changing a word.
The credit really should not go to her in reality. And I agree with Zach that the last album she truly wrote her music was American Life.
Guys, I don't think Zach meant ALL her songs, but the truth is she has been doing this a LOT lately. With Revolver, Turn Up The Radio, Heartbeat, maybe some of the Confessions songs, and there are probaly a lot more, she gets the demo of the original, changes ONE word, and get credit for writing it. She didn't create the music, she just gets the songwriting credit for changing a word.
The credit really should not go to her in reality. And I agree with Zach that the last album she truly wrote her music was American Life.
Exactly.
She seems to be in the same boat as Beyonce.
But the difference is, if you check the Hard Candy credits, she is listed last as a writer on The Neptunes' songs. (ie Heartbeat)
And I agree with Zach that the last album she truly wrote her music was American Life.
+1
It's actually pretty easy to know which ones she truly wrote and which ones she didnt.
Anything that does not include "Fuzzy dreams", "hesitation" or "tick tock" was not written by her.
I kind of doubt Interscope would release this on Friday. It would not be a very smart move.
It feels way too soon. It is only 3 (!) weeks after the release/launch of ''GAYLuv''. Plus, I wonder if it is smart to just throw the song out there. Interscope can't expect people to buy ''Girls Gone Wild'' out of the blue. They need some (online) promotion (e.g. 'Unlock ''Girls Gone Wild'' and the video'), otherwise this would have no chance and we'll be on single #3 before ''MDNA'' is actually released.
And where is her VEVO account?
It's actually pretty easy to know which ones she truly wrote and which ones she didnt. Anything that does not include "Fuzzy dreams", "hesitation" or "tick tock" was not written by her.
I can't
No emotional baggage just big bags filled with Dior
Madonna's Girls Gone Wild video will include some sort of religious theme, according to Madonnarama. Possibly some kind of biblical imagery or prayers.
I'm pretty sure that she was the one who wrote "Celebration" and "Give It 2 Me".
And from what I know Confessions was a whole collaborative effort of Madonna and Price. They're always telling how they would spend all day in his apartment, and stuff.
People STILL underestimating Madonna's hability to make music as a songwritter/producer.
People that actually WORKED with her has something to say about that.
Quote:
Originally posted by William Orbit
Orbit feels that Madonna doesn't get the proper credit for her musical chops."At the Grammys, it was a little implicit that there was a guy behind it all, and she's the chick," he says. "And it's really far from that. The one with all the equipment is assumed to be pressing all the buttons. She presses all the buttons." He is thoughtful for a second. "You know, she hasn't shouted about her musical abilities, but she is the consummate songwriter," he says. "She listens to classic musicals a lot. Not just the obvious ones, like Singin' in the Rain, but the lesser ones. She loves them. I remember one time we all had dinner in Germany, and somebody brought up old musicals, and she was the one who knew all the verses." He laughs. "Things your mums and dads watch - she's into it all. Really solid, melodic stuff like that. And she writes really solid, melodic stuff like that."
Quote:
Originally posted by Martin Solveig
"She is as involved as you can be in the recording process. This was a very good and big surprise for me! I was assuming that she would spend only an hour or two in the studio per day and come and see where we were and say, “Ok I like this, I don’t like that. I’ll sing this. Bye!” And absolutely not… I mean we co-produced the track and it’s not just written on the credits “co-produced by Martin Solveig and Madonna,” we literally co-produced the tracks. I mean, at some point she wanted to choose the sound of a snare drum or a synth and that kind of stuff. She was really in the session!